Late Night Retro Television Review: Degrassi: The Next Generation 1.4 “Eye of the Beholder”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi: The Next Generation, which aired from 2001 to 2015!  The series can be streamed on YouTube and Tubi.

This week, Emma meets Sean.

Episode 1.4 “Eye of the Beholder”

(Dir by Eleanore Lindo, originally aired on April 8th, 2002)

It’s time for the first Degrassi school dance of the year!  Ashley is superexcited because she was able to talk Mr. Raditch into letting her throw a night dance.  Unfortunately, that means that Manny’s parents will not allow her to go to the dance.  With Toby and JT planning on staying at Toby’s to look at porn while Toby’s parents are out of the house, that means Emma will have to go to the dance all by herself!  Emma is mad.  Then again, Emma is always mad.

Meanwhile, a new student has shown up at school.  He briefly went to the school last term but his family moved up north.  Now, he’s back in Toronto and living with his brother and returning to Degrassi.  He’s also having to repeat Grade 7, something that Jimmy mocks him for.  He’s …. SEAN CAMERON!

Yes, this is the episode the introduces Daniel Clark as Sean Cameron.  Sean would go on to become one the most important characters during the classic seasons of Degrassi: The Next Generation.  A sensitive juvenile delinquent who alternated between being a brooding rebel and a petty criminal,  Sean is best-remembered for eventually dating Emma Nelson but it’s often forgotten that he also dated the supercool Ellie Nash.  I’ve always preferred Ellie/Sean to Emma/Sean but I’m getting ahead of myself.  That’s all in the future.

What’s important for this episode is that Sean also goes to the dance by himself.  And when Jimmy continues to give him a hard time, Sean grabs him and prepares to beat up on him like Kendrick Lamar preparing to drop another diss track.  With Mr. Raditch approaching, Emma cools off the situation by asking Sean to dance.

In the episode’s other main storyline, Terri is shocked when Spinner asks her to the dance.  Paige is shocked as well.  With the overweight Terri feeling insecure (it’s her first date — ever!), Paige helps matters by telling Terri she should have some sherry to calm her nerves.  Soon, Terri is drunk and, by the time she and Paige make it to the dance, she’s a giggly mess.  Long story short: Terri gets sick after one dance with Spinner and, the next morning, it’s clear that Spinner is now dating Paige.  This is another case where it’s hard to watch this storyline unfold without considering the future.  Paige and Spinner are not only destined to become a classic Degrassi couple but, ultimately, Paige is going to become a better friend to Terri than Ashley ever was.  Eventually, Terri will get her first boyfriend.  Of course, he’s going to turn out to be a complete psycho who, after putting Terri in a coma, will end up shooting up the school in a totally separate episode and putting Jimmy in a wheelchair.  Agck!  Seriously, these students have no idea what’s waiting for them in the future.

Finally, Toby and JT get caught looking at porn.  Toby’s parents then force them to look at more porn and discuss how it objectifies both men and women.  When Toby tells Manny and Emma about it, Manny and Emma both chime in with “Losers.”  Yep, that about sums it up.

The main problem with this episode is that I never really bought Spinner asking Terri to the dance.  It’s not because Terri’s fat.  (Spinner wasn’t exactly skinny himself in these early episodes.)  Instead, it’s just that Spinner and Terri really didn’t have much chemistry.  Even in this very early episode, Spinner and Paige just seemed to belong together.  Still, the most important thing is that Sean Cameron has arrived and Degrassi will never be the same.

Brad’s thoughts on UNKNOWN NUMBER: THE HIGH SCHOOL CATFISH (2025)!


(Shawn Licari, Lauryn Licari, and Kendra Licari)

My wife and I spent some time with our kids this weekend. Both of them mentioned to us at different times this new documentary they had watched on Netflix called UNKNOWN NUMBER: THE HIGH SCHOOL CATFISH, from director Skye Borgman. It had blown them both away, so we decided to watch it when we got home, and it’s a doozy.

Here’s a brief summary of the events covered… in the small community of Beal City, Michigan, teenage sweethearts Lauryn Licari and Owen McKenny, both around 13 years old, begin receiving disturbing text messages from an unknown number in October 2020. The initial messages say things like Owen is breaking up with Lauryn because he doesn’t like her anymore and wants to be with the person sending the messages instead. The messages pause for a few months, but when they resume in 2021 they get way worse, spamming the kids with up to 50 messages a day over the next year or so. These texts say awful stuff: insulting Lauren’s body, describing sexual acts the sender wants to do to Owen, telling Lauryn to just kill herself, etc. The person sending the texts uses details that only someone close could know. Owen and Lauren finally tell their parents, who go to the school’s administration and from there, local sheriff Mike Main. As you can imagine, the parents’ suspicions begin falling on some of the local teenage girls, especially an excellent young athlete and popular girl named Khloe Wilson. When the sheriff’s investigation comes up empty, the case is escalated to the FBI’s cybercrimes task force and agent Bradley Peter, who is able then to apply advanced forensics techniques. The case finally begins coming to a head when agent Peter is able to link key IP addresses to one specific phone number, a number that matches a person in the community. I won’t go any further so you can discover the rest for yourself if you haven’t watched it yet. 

This is one of those documentaries that may stay with me for awhile. As a father whose kids are now past the ages of the kids who were viciously harassed, I’m mostly left wondering how I would have handled a situation like this if it was happening to one of them. Here are a few thoughts I had while watching the film. First, I’ve watched my beautiful daughter struggle with issues of body image, especially in high school, and she still struggles with it today. I know firsthand the physical and emotional dangers involved with these types of issues. If someone was anonymously attacking her, I would probably explode, and I honestly don’t know what I would have done. It makes me sick just thinking about it. Second, the inadequacy of local law enforcement in many rural communities for solving crimes and punishing criminals is glaringly on display. I’ve always lived in small, rural communities, and I’ve been a victim of crimes on two separate occasions, a hit and run in 1998, and identity theft in 2005. Both times, I solved the crimes myself and passed the info on to the police. As far as I know, even though I filed the proper reports as well as the proof for the crimes, nothing ever happened to the perpetrators. In this specific case, to his credit, the sheriff did finally escalate the situation up to the FBI, but for many months, the kids had to deal with the harassment, the community had suspicions against innocent people running wild, and the parents were at their wits end. If the sheriff had not escalated the situation, this case would probably never have been solved. Finally, I’m amazed by the shit that is going on underneath the surface of the “normal people” all around us each day. I probably shouldn’t be, because my life has had its own share of drama that all but the closest people to me knew nothing about. David Lynch even plays with this theme in his weird and excellent BLUE VELVET. My wife likes to remind me that we should always be kind to people because we never know what they’re dealing with. There’s a lot of truth to that. I periodically remind her not to honk at people who cut her off in traffic because you never know who’s behind that other wheel either. At the end of the day, the craziest stories usually emerge from communities and people that we can all relate to. A place like Beal City is a lot like the places I grew up. 

Overall, if you enjoy real life documentaries that explore the crazy acts that normal people are capable of, you will probably like UNKNOWN NUMBER: THE HIGH SCHOOL CATFISH. It will definitely reinforce your ongoing inability to fully trust your family, friends and neighbors! 

I’ve included the trailer below:

Scenes That I Love: The Puppet Scene From Deep Red


Today is a special day here at the Shattered Lens as we celebrate the birthday of Dario Argento!

Now, we’ve got a lot of Argento-related stuff scheduled for October so, for today, I’m just going to share one of the best scenes from one of my favorite Argento films, 1975’s Deep Red.  This scene features what is seriously the creepiest puppet that I’ve ever seen.

4 Shots From 4 Films: Special Elia Kazan Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

116 years ago, on this date, Elia Kazan was born Istanbul.  Kazan would go on to become a groundbreaking director, both for the stage and in movies.  He would play a key role in turning both Marlon Brando and James Dean into stars and he made films, like Gentleman’s Agreement and A Face In The Crowd, that challenged the political pieties of the day.  Of course, he also named names in front of HUAC, a decision that continues to be controversial to this day.  Two of Kazan’s films — Gentleman’s Agreement and On The Waterfront — won the Oscar for Best Picture.  A Streetcar Named Desire was widely expected to win before it was upset by An American In Paris.  A Face In The Crowd is often cited as being one of the most prophetic films ever made.  When Kazan was given an honorary Oscar in 1999, many in the auditorium refused to applaud but his influence as a filmmaker cannot be denied.

It’s time for….

4 Shots From 4 Elia Kazan Films

A Streetcar Named Desire (1951, dir by Elia Kazan, DP: Harry Stradling)

On The Waterfront (1954, dir by Elia Kazan, DP: Boris Kaufman)

East of Eden (1955, dir by Elia Kazan, DP: Ted D. McCord)

A Face In The Crowd (1957, dir by Elia Kazan, DP: Gayne Rescher and Harry Stradling)

Music Video of the Day: Don’t Get Me Wrong by The Pretenders (1986, directed by Stuart Orme)


Happy birthday to Chrissy Hynde!

Today’s music video of the day features Hynde filling in for Diana Rigg and searching for John Steed in a tribute to The Avengers.  Patrick Macnee makes an appearance as Steed, courtesy of archival footage from The Avengers.

Television director Stuart Orme has also done videos for Level 42, Bonnie Tyler, Whitney Houston, Sade, Genesis, and Frida.

Enjoy!