Daily Archives: September 4, 2025

Late Night Retro Television Review: Highway to Heaven 4.12 “With Love, The Claus”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

Merry Christmas!

Episode 4.12 “With Love, The Claus”

(Dir by Michael Landon, originally aired on December 23rd, 1987)

Jonathan and Mark find themselves working for a lawyer named Paul Burke (John Calvin).  It’s the Christmas season and they help Paul out by taking his son to Newman’s Department Store.  The kid wants to talk to Santa.  What the kid doesn’t know is that there are several Santas at Newman’s.  They work in shifts and they’re pretty cynical.  However, the newest Santa (Bill Erwin) takes his job very seriously because …. he is Santa!

So, why is Santa working at a department store instead of getting things ready up at the North Pole?  This episode never really explains.  Instead, we get Santa taking offense when he’s asked to help the store sell it’s latest toy.

Santa says that there’s no way he’s going to push machine guns.  He’s about peace and love!  His boss, Mr. Grinchley (Robert Casper), threatens to fire him.  Santa doesn’t react well to that.

Santa ends up unemployed and with nowhere to live.  Jonathan arranges for Paul to represent Santa in a lawsuit that Santa has filed against Newman’s Department Store.  The lead counsel for Newman’s just happens to Paul’s ex-wife, Donna (Wendie Malick).

You can probably guess where all this is going, right?  Santa eventually ends up in jail after the chairman of Newman’s files a lawsuit against him.  Santa says that he can’t stay in jail because Christmas Eve is approaching.  Maybe Santa should have thought about that earlier.

This episode owed a lot to one of my favorite Christmas movies, Miracle on 34th Street.  Of course, Miracle on 34th Street featured Edmund Gwenn, who gave a delightful performance as Santa.  This episode features Bill Erwin, who basically plays Santa as being a half-crazed grump who won’t stop complaining.  Seriously, this episode may feature the most unlikable Santa Claus this side of Rudolph The Red-Nosed Reindeer.  I don’t know why Michael Landon directed Erwin to play Santa as if Santa was plotting to kill all of his enemies but it definitely wasn’t the right approach.

Seriously, Santa is really self-righteous in this episode.

I hate to criticize a Christmas episode and, as always, I’m sure that Michael Landon had the best and the sincerest of intentions.  But this episode just didn’t work for me.  Santa was too much of a jerk.

Brad reviews THIRTEEN LIVES (2022), starring Viggo Mortensen!

Posted on by Bradley Crain

After reading the memoir THE BOYS, from Ron Howard and Clint Howard, I’ve taken a renewed interest in their careers. While scanning Ron’s IMDB listing, I noticed that he directed a film in 2022 called THIRTEEN LIVES. Movies had such strange release patterns in the post-Covid years, and somehow this film had flown completely under my radar. Seeing that the movie was very highly rated and that it was based on what seemed like an incredible true story, I became very interested. So much so, that I started the two and a half hour movie after midnight! 

THIRTEEN LIVES is based on a real life “flooded cave” rescue in Thailand in 2018 after 12 boys and their soccer coach become stranded deep inside a cave system when unexpectedly early monsoon rains hit the area. We watch as an international coalition of Thai Navy SEALS, British cave divers, including Rick Stanton (Viggo Mortensen) and John Volanthen (Colin Farrell), and other expert volunteers take part in an extremely urgent and dangerous mission to save the thirteen lives. When it appears that all hope may be lost, the men come up with a risky, experimental plan requiring the expertise of anesthetist and cave diver Harry Harris (Joel Edgerton). As scary as the plan is, everyone agrees it’s the only chance they have…

I mentioned earlier that one of the reasons that THIRTEEN LIVES piqued my interest is the fact that it’s based on a true story. The real world has been full of heartbreaking tragedy this year, and this story seemed like something I really needed to see. On a personal note, 2018 was one of the most difficult years in my life. I don’t remember hearing about this real life drama out of Thailand, so I honestly didn’t know what was going to happen. I’ll give Director Ron Howard a lot of credit for how effectively he captures the seemingly hopeless and terrifying situation over the 18 day period from the time the team was first trapped to the time that the rescue attempt reaches its conclusion. His deliberate pacing doesn’t rush the story, and we can’t help but become invested in the emotions being experienced by the families and the rescue teams. I also enjoyed watching people from all over the world working together and not caring who gets the credit. There was tension at times of course, but the focus was never about ego. It was always about their mission to save those who were trapped. This movie is about regular people who became real heroes. The film captures the psychological cost of that transition as not every person will survive the 18 day journey. 

The incredible real-life story of THIRTEEN LIVES is complimented very well by an excellent cast. I’ve been a fan of Viggo Mortensen since he starred in the film THE INDIAN RUNNER in 1991, which happened to co-star my movie hero Charles Bronson. I’ve also been a fan of Colin Farrell since he emerged in what seemed like a concerted effort in the early 2000’s to make him a star. Both men bring their “A” games here in understated and powerful performances. Other actors that stood out to me include Joel Edgerton as the expert who holds the key to the rescue plan, Sahajek Boonthanakit as Governor Narongsak, the man who takes the ultimate responsibility for their mission, and Pattrakorn Tungsupakul, the distraught mother of one of the trapped boys. Howard assembled a great cast that brings the incredible story to life. 

I mentioned earlier that I started watching THIRTEEN LIVES after midnight. For a 51 year old man, the fact that I watched the entire film at that time of the night, without falling asleep, says a lot about the way this extraordinary story pulled me in. I highly recommend this powerful film to any person who enjoys movies based on true stories. 

Retro Television Review: Decoy 1.2 “The Red Clown”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958.  The show can be viewed on Tubi!

This episode, Casey searches for a man who has abandoned his daughter so he can pursue a career as a painter of clowns.

Episode 1.2 “The Red Clown”

(Dir by Teddy Sills, originally aired on October 21, 1957)

Mike Foley (John McLiam) has quit has job and left his New York home.  His wife (Barbara Barrie) suspects that Mike has returned to Greenwich Village so that he can pursue his dream of being a painter.  Normally, this wouldn’t be a police manner but Mike has also left behind his daughter, Bobby (Barbara Myers), and is facing charges of child abandonment unless he starts paying child support.  Policewoman Casey Jones (Beverly Garland) works undercover, pretending to be a bourgeois art collector who wants to buy one of Mike’s horrid clown paintings.

This episode featured some wonderful on-location footage of New York City in the 1950s.  The history nerd side of me loved that.  I have to admit, though, that I found myself wondering whether or not Casey is actually that good at her job.  Bobby managed to follow Casey all the way to Greenwich Village without Casey noticing.  When Casey did notice, she did the whole thing where she went to a phone booth and told Bobby, “Stay here while I make a call.”  Well, of course, Bobby didn’t stay there.  Bobby went running off to look for her father.

(Was Bobby’s mother not concerned that her daughter was basically wandering around the city?)

Of course, if Bobby hadn’t followed Casey to Greenwich Village, they never would have found Mike.  Mike, it turned out, was living in a shabby building and spending all of his time painting.  He was pursuing his dream.  When Bobby asked him to come home, Mike replied that he had no interest in his old life and that he didn’t want anything to do with his family.  Mike’s harsh words left Bobby in tears.  The episode ended with Bobby playing in a playground a few wees later, with Casey watching her and telling us, “I think she’ll be okay.”  Yeah, I don’t think so, Casey.

The episode was depressing!  But I have to give the show a lot of credit for not having Mike have a sudden change of heart.  The truth of the matter is that he left his family because he was self-centered.  He didn’t become any less self-centered when he was confronted by his daughter.  After listening to Mike’s self-serving crap, Bobby dropped the clown doll that she carried with her as she searched for Mike, saying that she didn’t like clowns anymore.  It’s a painful lesson and a sad one but at least Bobby now knows that truth about her father.  Other than that playground coda, this episode had the guts not to give into false hope.

Next week: Casey deals with an obscene phone caller!

Scene That I Love: Queeg Cracks in The Caine Mutiny

Posted on by Lisa Marie Bowman

The Caine Mutiny (1954, dir by Edward Dmytryk, DP: Franz Planer)

Today’s scene that I love comes from 1954’s The Caine Mutiny.

In this scene, Captain Queeg (Humphrey Bogart) is cross-examined by Barney Greenwald (Jose Ferrer).  The court martial concerns whether or not an officer under Queeg’s command was justified in taking over the ship from Queeg.  Greenwald, tasked with defending the head mutineer, knows that the only way to win the case is to expose Queeg himself as a paranoid and unstable officer.  Greenwald does his job but he’s not happy about it.

This scene, directed by Edward Dmytryk, features both Bogart and Ferrer at their absolute best.

4 Shots From 4 Films: Special Edward Dmytryk Edition

Posted on by Lisa Marie Bowman

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

117 years ago, on this date in Columbia, Canada, director Edward Dmytryk was born.  Today, we honor this underrated filmmaker with….

4 Shots From 4 Edward Dmytryk Films

Murder, My Sweet (1944, dir by Edward Dmytryk, DP: Harry J. Wild)

Crossfire (1947, dir by Edward Dmytryk, DP: J. Roy Hunt)

The Caine Mutiny (1954, dir by Edward Dmytryk, DP: Franz Planer)

The Carpetbaggers (1964, dir by Edward Dmytryk, DP: Joseph MacDonald)

Music Video of the Day: In My Dreams by Dokken (1986, directed by Wayne Isham)

Posted on by Jedadiah Leland

There’s never a dull moment when you’re a member of Dokken!  If you’re not playing in the rain, you’re standing on a computer generated grid.  I think this was all supposed to represent what Don Dokken was seeing in his dreams.

This single was released off of Dokken’s third studio album, Under Lock and Key.  The video was directed by Wayne Isham, who directed videos for everyone who was anyone.  Dokken definitely had their moment in the 80s.  The band’s classic line-up broke up in 1988 and Don Dokken is the only original member in the band’s current incarnation.  (When Don Dokken initially left the band in 1988, it created an odd situation where the other three members were still performing as Dokken even though the band’s namesake was pursuing a solo career.)  In April, Don Dokken said that he might be retiring from performing all together.

Enjoy!