In 2015’s Deadly Sanctuary, Philadelphia reporter Kendall O’Dell (Rebekah Kochan) relocates to a small town in Arizona and proceeds to spend the majority of the movie complaining about it.
Seriously, I could relate to Kendall to an extent. We both have red hair. We both have asthma. We both hate snakes. We both wear high heels in the desert. We’ve both run outside in our underwear after coming across a tarantula in our house. But, even with all that in mind, even I quickly got annoyed with listening to her complain about every little thing. Her father got her a job at the Arizona newspaper so, of course, Kendall calls him up to complain about the desert. An old man stops and helps to shoo a snake away from Kendall’s car so, of course, Kendall gives him the glare of death when he casually calls her “sweetie.” (The guy’s 70 and was clearly not hitting on Kendall so maybe he can be forgiven for not speaking like a 30-something grad student.) Kendall shows up late for her job interview so, of course, she complains about the newspaper to her editor (Eric Roberts). Kendall gets a place to live, rent-free. She complains about the house being located near a mental hospital. Kendall’s co-worker, Ginger (Teri Lee), sets Kendall up with both a handsome cowboy (Marco Dapper) and the richest man in town (Peter Greene) and, of course, Kendall finds an excuse to complain about it.
Eventually, a plot of sorts kicks in. Kendall investigates the death of her predecessor and discovers that the sheriff (Dean Cain) doesn’t seem to be all the interested in solving any of the murders that seem to occur around town. She also tries to set up an interview with Dr. Price (Daniel Baldwin), the owner of the mental hospital, but it turns out that he doesn’t want to talk to her. He doesn’t care that she once wrote a series of articles about mental health in Philadelphia. (Yikes! I’ve seen Parking Wars so I can only guess how scary that must have been.)
Kendall hears strange voices in her house and spiders keep showing up at inopportune moments. Who can she trust? Who is the bad guy here? The rich guy or the salt-of-the-Earth cowboy dude? Well, I won’t spoil the film. I will say that the plot had potential but the poor pacing and the unlikable lead character eventually combine to do this movie in.
Eric Roberts is his usual avuncular self in this film. He spends most of his scenes sitting behind a desk. The rest of the film’s celebrity cameo budget was apparently spent on Dean Cain and Daniel Baldwin, both of whom seem rather bored with the whole thing.
Previous Eric Roberts Films That We Have Reviewed:
- Star 80 (1983)
- Runaway Train (1985)
- Blood Red (1989)
- The Ambulance (1990)
- The Lost Capone (1990)
- Love, Cheat, & Steal (1993)
- Voyage (1993)
- Love Is A Gun (1994)
- Sensation (1994)
- Dark Angel (1996)
- Doctor Who (1996)
- Most Wanted (1997)
- Mercy Streets (2000)
- Raptor (2001)
- Wolves of Wall Street (2002)
- Mr. Brightside (2004)
- Six: The Mark Unleased (2004)
- Hey You (2006)
- Amazing Racer (2009)
- In The Blink of an Eye (2009)
- Bed & Breakfast (2010)
- Enemies Among Us (2010)
- The Expendables (2010)
- Sharktopus (2010)
- Beyond The Trophy (2012)
- The Dead Want Women (2012)
- Deadline (2012)
- The Mark (2012)
- Miss Atomic Bomb (2012)
- Bonnie And Clyde: Justified (2013)
- Lovelace (2013)
- The Mark: Redemption (2013)
- Self-Storage (2013)
- A Talking Cat!?! (2013)
- This Is Our Time (2013)
- Inherent Vice (2014)
- Road to the Open (2014)
- Rumors of War (2014)
- Amityville Death House (2015)
- A Fatal Obsession (2015)
- Las Vegas Story (2015)
- Stalked By My Doctor (2015)
- Enemy Within (2016)
- Joker’s Poltergeist (2016)
- Prayer Never Fails (2016)
- Stalked By My Doctor: The Return (2016)
- The Wrong Roommate (2016)
- Dark Image (2017)
- Black Wake (2018)
- Frank and Ava (2018)
- Stalked By My Doctor: Patient’s Revenge (2018)
- Clinton Island (2019)
- Monster Island (2019)
- The Reliant (2019)
- The Savant (2019)
- Seven Deadly Sins (2019)
- Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
- The Wrong Mommy (2019)
- Exodus of a Prodigal Son (2020)
- Free Lunch Express (2020)
- Her Deadly Groom (2020)
- Top Gunner (2020)
- Deadly Nightshade (2021)
- The Elevator (2021)
- Just What The Doctor Ordered (2021)
- Killer Advice (2021)
- Night Night (2021)
- The Poltergeist Diaries (2021)
- The Rebels of PT-218 (2021)
- A Town Called Parable (2021)
- Bleach (2022)
- My Dinner With Eric (2022)
- D.C. Down (2023)
- Aftermath (2024)
- Devil’s Knight (2024)
- The Wrong Life Coach (2024)
- When It Rains In L.A. (2025
Pingback: The Eric Roberts Collection: The Perfect Summer (dir by Gary Wheeler) | Through the Shattered Lens
Pingback: Lisa Marie’s Week In Review: 4/7/25 — 4/13/25 | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Bad Substitute (dir by Steven Krasner) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Assault on Wall Street (dir by Uwe Boll) | Through the Shattered Lens
Pingback: Music Video of the Day: We Belong Together (2005, dir by Brett Ratner) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: 69 Parts (dir by Ari Taub) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Border Blues (dir by Rodion Nahapetov) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Depth Charge (dir by Terrence O’Hara) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Best of the Best (dir by Bob Radler) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Best of the Best II (dir by Bob Radler) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Strange Frequency (dir by Mary Lambert and Bryan Spicer) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Megaboa (dir by Mario N. Bonassin) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Doc Holliday’s Revenge (dir by David DeCoteau) | Through the Shattered Lens
Pingback: The Eric Roberts Film: Dawn (dir by Nicholas Ryan) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: The Demonic Dead (dir by Rick Vargas) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Sink Hole (dir by Scott Wheeler) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Sink Hole (dir by Scott Wheeler) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: The Chaos Experiment (dir by Philippe Martinez) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: The Rideshare Killer (dir by Ashley Scott Meyers) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: Red Prophecies (dir by Rodney James Hewitt and Christopher Gosch) | Through the Shattered Lens
Pingback: The Eric Roberts Collection: To Heal A Nation (dir by Michael Pressman) | Through the Shattered Lens
Pingback: Retro Television Review: The American Short Story #11: Paul’s Case | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: Sorority Slaughterhouse (dir by David DeCoteau) | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: 2 Bedroom 1 Bath (dir by Stanley Yung) | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: Space Sharks (dir by Dustin Ferguson) | Through the Shattered Lens
Pingback: October True Crime: The Company We Keep (dir by Jeff Edelstein) | Through the Shattered Lens
Pingback: October Positivity: Revelation Road: The Beginning of the End (dir by Gabriel Sabloff) | Through the Shattered Lens
Pingback: The Eric Roberts Horror Collection: 616 Wilford Lane (dir by Dante Yore) | Through the Shattered Lens