First released in 2004, Irish Eyes tells the story of two brother, born eleven months apart.

Tom Phelan (John Novak) is the older brother, the one who is destined to go to law school, join the Justice Department, and to marry Erin (Veronica Carpenter), the daughter of one of Boston’s most prominent attorneys.  Tom’s future lies in politics.  As he makes his reputation by taking down members of the Boston underworld, he finds himself being groomed for attorney general and then who knows what else.

Sean Phelan (Daniel Baldwin) is the younger brother.  Haunted by the murder of his father and stuck at home taking care of his mother (Alberta Watson) while Tom goes to college, Sean soon pursues a life of crime.  He falls under the influence of the Irish mob, led by Kevin Kilpatrick (Wings Hauser).  Sean quickly works his way up the ranks.  It doesn’t matter how much time he does in prison.  It doesn’t matter how many people he has to kill.  It doesn’t matter if it alienates the woman that he loves or if it damages his brother’s political career, Sean is a career criminal.  It’s the one thing that he knows.  When Sean finds himself as the head of the Irish mob and also the American connection for the IRA, his activities are originally overlooked by his brother.  Sean even threatens a reporter who makes the mistake of mentioning that Sean and Tom are brothers.  But soon, Tom has no choice but to come after his brother.  What’s more important?  Family or politics?

Obviously (if loosely) based on Boston’s Bulger Brothers (Whitey became a feared criminal while brother John became a prominent Massachusetts politico), Irish Eyes doesn’t really break any no ground.  Every mob cliché is present here and so is every Boston cliché.  Don’t rat on the family.  Don’t betray your friends.  The only way to move up is to make a move on whoever has the spot above you.  Every bar is full of angry Irish-Americans.  Every fight on the street turns deadly.  Everyone is obsessed with crime or politics.  The film, to its credits, resists the temptation to have everyone speak in a bad Boston accent.  (The Boston accent, much like the Southern accent, is one of the most abused accents in film.)  Sean narrates the films and you better believe he hits all of the expected points about life on the street.

That said, it’s an effective film with enough grit and good performances to overcome the fact that it’s just a wee predictable.  Daniel Baldwin is appropriately regretful as Sean and John Novak does a good job of capturing the conflict between Tom’s love of family and his own political ambitions.  Curtis Armstrong shows up and is surprisingly convincing as a psychotic IRA assassin.  Admittedly, the main reason that I watched this film was because Wings Hauser was third-billed in the credits.  Hauser only appears in a handful of very short scenes and that’s a shame.  In those few scenes, he has the rough charisma necessary to be believable as the crime boss who holds together the neighborhood and it’s hard not to regret that he didn’t get more to do in the film.  That said, the film still works for what it is.  It’s a good mob movie.

This film was originally entitled Irish Eyes.  On Tubi, it can be found under the much clunkier name, Vendetta: No Conscience, No Mercy.