Late Night Retro Television Review: Check It Out 3.1 “The Umpire Strikes Out”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi and Peacock!

This week, we begin the third and final season of Check It Out!

Episode 3.1 “The Umpire Strikes Out”

(Dir by Alan Erlich, originally aired on October 4th, 1987)

Marlene is nervous because her father, Charlie (Michael Donaghue), is coming to visit.  Charlie is professional baseball umpire and Marlene has always had a strained relationship with him.  She feels that Charlie always wanted a son and that he resented her for not being into sports.  After Edna allows Marlene to use her apartment to throw a small party for Charlie, Marlene suddenly starts dressing conservatively and her childhood stutter returns.  She also stops dying her hair.

Agck!  Poor Marlene!  I could very much relate to her in this episode, largely because I had a pretty bad stutter up until I was 12 and sometimes it still kicks in if I haven’t gotten enough rest.  Fortunately, Charlie does eventually realize that he was always too hard on Marlene and they agree to work on their relationship.  Yay!

Meanwhile, Leslie’s feeling insecure about his age so he tries to wear a wig.  It’s not a very good wig.  It’s a pretty simple and obvious joke but Aaron Schwartz did a really good job selling it.  Both Aaron Schwartz and Kathleen Laskey were capable of getting laughs out of the mildest of jokes and they both got a chance to show off their abilities in this episode.

This was the first episode of Check It Out!‘s third season and, from the start, it is obvious that some changes were made after the end of the previous season.  Simon Reynolds is no longer in the cast, which is a shame because Reynolds was a good actor but it’s also somewhat realistic as Reynolds was playing a high school kid who, presumably, moved on to better things (like college).  Whereas Howard always wore a suit during the second season, his work attire is now a dorky smock that is labeled “Howie, Store Manager.”  Howard’s office now overlooks the salesfloor and, in this episode, there were enough extras in the background to convince me that Cobb’s was an actual grocery store as opposed to just a soundstage.  I don’t know if this is going to be a permanent change or not but Howard was a bit less silly and more of a manager in this episode.  It felt like a change for the better.

Believe it or not, this was actually a pretty good episode.  Especially when compared to some season 2’s lesser episodes, the third season premiere was consistently funny and well-acted and the story actually made sense.  Is this a fluke or did Check It Out! finally get itself together during the final season?

We’ll find out in 2025!  Due to the holidays, this is my final Check It Out! review for 2024.  These reviews will return on January 4th.

Lisa Marie’s Week In Television: 12/8/24 — 12/14/24


This week, other than the shows that I watch for my Retro Television Reviews, the only other thing that I watched was Hell’s Kitchen.  Brittany was eliminated.  Who was Brittany?  Was she on the show earlier?  Sometimes, with these reality shows, it feels like contestants just pop up out of nowhere so that they can be eliminated at the end of the episode.  That said, I did feel bad for Brittany when she was eliminated.  No one on the Red Team could really explain why they nominated her.  It certainly was not Brittany’s fault that the Red Team lost that night’s dinner service.

I did smile when I saw that Penn and Teller were guests at the dinner service.  I kept waiting for Teller to complain about the food but he kept quiet.

Well, it’s the holidays and earlier today, I filed and scheduled my final Retro Television Reviews for 2024.  Those reviews will return on January 1st, 2025!  I’ve got a lot of films and other things to catch up on before the New Year.  Wish me luck!

 

Retro Television Review: Welcome Back, Kotter 4.11 “Frog Day Afternoon”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show can be purchased on Prime.

This week, Horshack takes center stage.  You’ve been warned.

Episode 4.11 “Frog Day Afternoon”

(Dir by Norman Abbott, originally aired on November 25th, 1978)

This week’s episode of Welcome Back, Kotter does not feature Mr. Kotter.

It does not feature Vinne Barbarino.

It doesn’t even feature Beau, the new Sweathog.

It does feature a lot of the show’s two most annoying characters, Arnold Horshack and Julie Kotter.

Horshack doesn’t want to dissect a frog because he’ll be required to kill the frog before cutting it open.  Did they really used to require students to personally kill their own frog in biology class?  That’s a little extreme.  I always assumed that everyone just got frogs that were already dead.

Julie, of course, support Horshack’s right to not open up a frog and argues with Woodman about it.  I’m not really sure what Julie actually does at the school.  Sometimes, she appears to be a guidance counselor.  Other times, she appears to be a receptionist.  She’s been called Woodman’s “secretary” a few times but we don’t ever actually see her doing any sort of secretarial work.  I guess that, when Gabe Kaplan announced he wouldn’t be appearing in the majority of the 4th season episodes, they had to put Julie in the school so that there would still be a Kotter in Welcome Back, Kotter.  But Julie’s originally from Nebraska so it’s not like she’s the one being welcomed back to Brooklyn.

Anyway, Horshack argues that frogs don’t get a say in whether or not they want to die and he refuses to kill them.  His teacher (Dena Dietrich) says that she’ll have to give Horshack an F.  Washington says, “You better lay one of those F’s on me too.”  Epstein also decides to take the F.  The entire class is so moved by Horshack’s stand that they all ask for an F as well!

Normally, this would be very moving but since every student at the school appears to be in their 30s, it’s pretty obvious that none of them are that worried about their grades.  When you’ve already been held back twelve times, it’s not like another F is going to make a difference.

This episode …. yech.  I mean, to be honest, I had sympathy for Horshack’s position.  I certainly wouldn’t want to kill a frog or any other animal and I agree that students who object should be given an alternative assignment.  I mean, unless you’re planning on actually going into the medical field, I don’t really see what the point is in dissecting things in school.  But Horshack has become such an annoying character that it didn’t matter that I agreed with him.  I just wanted him to stop talking!

During the first season, Ron Pallilo actually did a pretty good job playing Horshack.  Horshack was strange but he wasn’t a cartoon.  But that changed somewhere around the middle of the second season and, with each episode since then, Horshack has progressively become more and more annoying.  He’s not a proper replacement for Barbarino.

Anyway. bless the frogs.  They’re nice creatures if you don’t bother them.

This is my final Welcome Back, Kotter review of 2024.  These reviews will resume after the holidays, on January 4th.

Live Tweet Alert: Watch SILENT NIGHT DEADLY NIGHT PART 2 With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting the holiday film that launched a thousand memes, SILENT NIGHT DEADLY NIGHT PART 2!

GARBAGE DAY!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA (2009) – Is this your family?!


My wife was born and raised in the great state of West Virginia. It’s one of the most beautiful states in the country. I’ve enjoyed visiting awesome places like the New River Gorge Bridge, Kanawha Falls, the Greenbrier Resort, the Mothman museum, Reddish Knob, Seneca Rocks, and Hillbilly Hot Dogs over the years! Five or six years ago, I was browsing through the movies available on Amazon Prime and I came across this documentary called THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA. Being a fan of my wife and fascinated by the state, I thought I’d check it out.

But first, a little back story…. in 1991, Jacob Young, a director and producer for two seasons of a PBS documentary series called DIFFERENT DRUMMER, made a documentary short for the series entitled DANCING OUTLAW. The subject of the documentary is a man from Boone County, WV named Jesco White. Jesco is a talented “mountain tap dancer,” a skill that was passed down to him from his father D. Ray White. Jesco is also a hard-living, hellraising, gas-huffing law breaker! The documentary would go on to win a 1992 Emmy Award, as well as a 1993 American Film Institute Award for “Best Documentary.” It would also make Jesco a celebrity and pop culture figure in the state.

Now, back to THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA. This 2009 documentary, directed by Julian Nitzberg and executive produced by Johnny Knoxville, takes us back to Boone County to revisit Jesco White, as well as to introduce us to a whole bunch of his extended family. I’ll just say up front that I was fascinated by this family, but I would never in a million years trust a single one of them. Jesco is in the new documentary, but there isn’t a lot of time spent with him. He did perform some of his special mountain tap-dancing as Hank Williams III sang his song “Straight to Hell” during the opening credits. I enjoyed seeing his special talent prior to the movie turning into the documentation of a slow-motion, extended family train wreck. Here are a few of the people we spend time with:

  1. Mamie White – This is Jesco’s sister. Her thoughts on life are pretty scary. Based on her own words, I have no doubt that she would steal from me and possibly kill me if it would help her get ahead in any way. She would then brag about dumping my body in a local “holler.” It was not a surprise when a portion of the running time dealt with her daughter’s release from prison.
  2. Sue Bob White – This is also Jesco’s sister, “the sexy one of the family,” according to her own words. The primary events we see in her life concerns her interactions with her son, Brandon Poe. Poe is currently in jail for shooting his own uncle multiple times in the face.    
  3. Susan Ray (Kirk) White – This is Jesco’s niece, the daughter of his sister Bo White. When we meet her, she proudly tells us the story of when she attempted to kill her husband Dennis, the father of her hyperactive son Tylor, by slashing him with a knife because she “hated that son of a bitch.” Cut to six months later and she’s in the hospital delivering a beautiful baby girl. While she’s still in the hospital we see her snorting crushed up prescription pills. Her child is promptly taken from her by social services. Her story is ultimately the most interesting, because we get to see her attempts to get clean and get her child back.
  4. Poney White – This is Jesco’s brother. After some legal trouble in the past, when we meet Poney he’s living in Minnesota where he seems to have a good job and a relatively well-adjusted family. His story seems quite successful in comparison.

We meet many more of the Whites, but I think you can see where this is going. This is a family in distress, and we see extreme examples of a culture of horrific decisions that continue to yield horrific results. With that said, I also saw bits and pieces of my own family in the Whites, and while I won’t condone a single one of their bad decisions, I won’t pass judgment on them either. During the year that the filmmakers hung out with the Whites, the matriarch of the family, Bertie Mae White, turned 85 years old. Based on some of the things she said, as well as some of her mannerisms, she reminded me a little bit of my own Grandma Crain from the Ouachita Mountains in Arkansas. We see the family as they celebrate Bertie Mae on her 85th birthday. They love their mother, but they do drugs and smoke pot at her party even though she clearly doesn’t want any of that “stuff” around her. A sad section of the film is Bertie May’s passing while the documentary was being made. I know of instances where drug and alcohol abuse have wreaked havoc inside of my own family. There have been instances where extended family members have committed acts of violence that have sent them to prison. I think the fact that I can see certain characteristics of my own family through the craziness of the Whites is what fascinated me the most when I was watching. These are real people, and because of that, we know people like them, with some of them being our own family members if not ourselves. I’m not qualified to speak on how certain socio-economic factors affect any of this kind of behavior, so I won’t even try.  

Back in 2020, my wife and I visited the courthouse in Madison, WV, which is the county seat of Boone County, and a place that is shown multiple times throughout the documentary. I’ve included a picture below. We ate at a local grocery store in town that served a nice bologna sandwich for lunch. This is a very normal town and county, yet this is also where almost all of the action in the wild and wonderful Whites takes place. One of my takeaways from THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA is my continued amazement of the types of things us “normal” people are capable of.