Late Night Retro Television Review: Highway to Heaven 2.3 “Bless The Boys In Blue”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week, Jonathan and Mark become cops!

Episode 2.3 “Bless The Boys In Blue”

(Dir by Victor French, originally aired on October 2nd, 1985)

Well, here’s an episode that would never be made today.

While driving through Los Angeles, Mark talks about a story that has been in the news.  A police sergeant shot a young black teenager outside of a crack house.  The teenager was holding a gun but it was subsequently discovered that the gun was unloaded.  The policeman has been suspended from the force.  Mark, a former cop, is on the sergeant’s side.  Jonathan argues that the sergeant could have tried to talk to the teenager instead of shooting him.  Mark claims that Jonathan has no idea what it’s like to be a cop because he’s an angel.  Mark makes the mistake of saying that he wishes Jonathan could experience what it’s actually like to be a cop.

God — or “The Boss” as the show calls him — hears Mark’s wish and makes it come true.  Mark and Jonathan’s assignment is to become cops and, just to make things interesting, God takes away Jonathan’s special powers.  Jonathan becomes human, once again.  If Jonathan gets shot, he’ll actually get wounded.  One gets the feeling that Jonathan is being punished for his pride, though the show never comes out and says it.

On the first day on the job, Jonathan tries to talk a burglar into putting down his gun and it doesn’t go well.  If not for Mark surprising the burglar, Jonathan probably would have gotten shot.  Having learned his lesson, Jonathan is given back his powers so that he can convince the dead teenager’s father to forgive the cop who shot him….

If any show aired an episode like this today, it would be greeted with howls of protest and those howls wouldn’t necessarily be unjustified.  The episode is unabashedly pro-cop, to the extent that it doesn’t even seem to consider the countless number of police shootings that have been ruled unjustified over the years.  As well, asking the teenager’s father to forgive the man who shot his son so that the man himself can work through his guilt feels incredibly selfish on the part of Jonathan.

Then again, the police that we see in this 1985 show have little in common with the police we see in 2024.  For the most part, the cops in this episode walk a beat or drive around in their squad cars.  They’re normal, blue collar folks who are doing their job and who do their best to be polite to everyone.  There’s no body armor.  No one looks like they’ve spent weeks in the gym.  There’s no shaved heads or terse military-style lingo.  There’s no dismissive talk of “bad guys” and “good guys.”  There are no tanks rolling down the city streets.  In many way, this episode feels like it’s taking place in a different reality and, to an extent, I guess it is.  This episode is 39 years old but it feels like a work of ancient lore.

Retro Television Review: Sawdust 1.1 “Pilot”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Sawdust, which aired on CBS in 1987.  The entire show is currently streaming on YouTube!

From executive producer Ed Zwick, we have a show about a really terrible father.

Episode 1.1 “Pilot”

(Dir by Jeffrey Hornaday, originally aired on July 3rd, 1987)

We bought a circus!

That’s the premise behind Sawdust, in which an accountant named Max Galpin (James Eckhouse) buys a circus after the owner dies.  He then pulls his teenage children out of school and, along with his wife, he decides to live with and run the circus.

What!?

Like seriously, why would he do that?  Unfortunately, the purchase of the circus and the moment when Max tells his family that he’s ruined their lives all take place off-screen.  Max mentions them in his voice-over narration and he says something about how, at an auction of the former owner’s possessions, he bid on the circus but he was surprised when he won.  So, I guess maybe Max wasn’t actually planning on buying the circus but he just bid on it to …. what?  I mean, as a part of my day job, I have been to auctions before and I’ve bid on stuff for my boss.  It was fun and yes, sometimes people do make bids just to run up the price of something.  But I still find it hard to believe that someone could 1) accidentally buy a circus and 2) justify uprooting his family to run the circus.

At first, Max’s wife (Marsha Waterbury) and his daughter (Kellie Overbey) and his son (Bradley Gregg) are not happy with him but that changes once they actually arrive at the circus and get caught up in the excitement of putting on a show.  Max’s daughter takes the longest to come around, mostly because Max wants her to wear a skimpy outfit while walking across a tight rope that is suspended above the ground.  His daughter probably wouldn’t die if she lost her balance but still, it would be embarrassing and what type of father does that to his daughter?  I mean, is walking across a tight rope an easy thing to do?  Meanwhile, Max gets shot out of a cannon, his wife works with an elephant, and his son dresses up like a gorilla.  Max is willing to risk his daughter’s dignity but his son just has to dress up like a gorilla.  What the Hell?

Max gets to know the ringmaster, Serge (Elya Baskin), who quits in a huff but then comes back because the circus is all he knows.  And Leslie Jordan shows up, not saying a word but playing various musical instruments.  We also meet a man who has been hired to serve as the tutor for Max’s kids because again, Max has pulled them out of school so that they can join the circus.  Max really is a terrible father.  What a jerk.  Seriously, his children have not only left behind all of their friends but also whatever hope they may have had of getting into an Ivy League college.  Now, they’ll have to settle for a state school.  And why?  Because their father, despite having no circus experience, decided to run a circus.

This pilot was so weird.  There was a laugh track but the show took itself oddly seriously.  Max is a character to whom most viewers would have mixed feelings and the rather frantic performance of James Eckhouse does little to make him sympathetic.  There would not be a second episode.

A Scene That I Really Love: The Rangers Win The World Series!


Today is Opening Day!  I’m excited!  There’s no way to know who is going to win the World Series this year but I know who I want to win and I bet most people reading this know too.  Because it’s Opening Day, I thought I would share a scene from last year that I really, really love.

Watch as the Rangers win their first World Series championship!

Good luck to all the teams and GO RANGERS!

Music Video of the Day: Moonflower by Blackbriar (2024, dir by Cinebuds)


Today’s music video has a very ominous atmosphere to it.  In fact, the feeling that I got, while watching it, was that it was taking place maybe a day or two before the end of the world.  That’s appropriate, considering that the name of the song’s record label is Nuclear Blast Records.

Speaking of nuclear blasts, I’m thinking of following the lead of someone who I saw on TikTok and becoming a self-employed nuclear disarmament consultant.  I don’t know that I would be all that good at the job but it sounds like I would have fun finding out.  I imagine that I would start the day by calling up world leaders and saying, “Have you disarmed yet?”  I know I’m at least half-as-smart as that woman on TikTok so …. I mean, how hard can it be?

If only there was a movie that could educate me about nuclear missiles and stuff….

AGCK!  Okay, maybe I should just leave that job up to the experts….

Anyway, enjoy!