Late Night Retro Television Review: Highway to Heaven 2.1 and 2.2 “A Song For Jason”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week, Highway to Heaven begins its second season with a two-part episode.

Episodes 2.1 and 2.2 “A Song For Jason”

(Dir by Michael Landon, originally aired on September 18th and September 25th, 1985)

Well, this is certainly a tear jerker.

The two-part second season opener of Highway to Heaven finds Jonathan and Mark assigned to work at Camp Good Times, an actual summer camp for children who have cancer.  And while Jonathan is, as usual, enthusiastic about the assignment, Mark responds by begging to be allowed to sit this one out.  Jonathan’s response is to tell Mark to stop feeling sorry for himself and to help the kids.  Mark starts to walk away from his friendship with Jonathan until he runs into one of the kids, Jason (Joshua John Miller, whose best-known work as an actor might be as the scary child vampire in Near Dark).  Jason basically repeats the same thing that Jonathan said, telling Mark that he needs to stop feeling sorry for himself.  Mark realizes that if a kid like Jason can be brave in the face of cancer then the least Mark can do is spend a summer as a camp counselor.

(Adding a bit of poignance to all this is that both Victor French and Michael Landon would die of cancer five years after this episode aired.)

Jason is the son of rock star Miki Winner (Barry Williams — yes, Greg Brady).  Miki is always finding excuse not to spend any time with his sick son.  Maybe Jonathan can change his mind.

But that’s not all!

Curtis (played by a ten year-old Giovanni Ribisi in his acting debut) is scared to death to go outside, a result of his overprotective mother (Robin Riker) constantly harping on the fact that he could die at any minute.  Can Jonathan help Curtis have fun while encouraging his mom to let Curtis be a kid?

Teenage jock Gary (Brian Lane Green) has bone cancer and might lose his leg.  Can he got over his bitterness and get a date with camp counselor Trish (Jill Carroll)?

And will Mark finally realize that there is hope to be found in even the most dire of situations?

(The answer to all of that is yes but you probably already guessed that.)

Even by the standards of Highway to Heaven, this episode was a bit heavy-handed, without a subtle moment to be found.  Barry Williams is as unconvincing a rock star here as he was on The Brady Bunch Variety Hour.  Some of the kids were better actors than others.  It’s also hard not to feel that the story could have been told in just one episode.  The first part, especially, feels a bit padded.  That said, it all still brought tears to my mismatched eyes because, seriously, how couldn’t it?  This is one of those episodes where the show’s earnestness and sincerity really worked to its advantage.  The episode is so heartfelt that it feels rather churlish to be too nit-picky about it.  In the end, flaws and all, the episode works.

Add to that, if you can’t enjoy the scene where Jonathan disguises himself as a barber and shaves a bully’s head, I don’t know what to tell you.

Retro Television Review: Changing Patterns 1.1 “Pilot”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Changing Patterns, which aired on CBS in 1987.  The entire show is currently streaming on YouTube!

This week, Valerie Perrine and Brenda Vaccaro are changing patterns!

Episode 1.1 “Pilot”

(Dir by Linda Day, originally aired on June 26th, 1987)

Molly (Oscar nominee Valerie Perrine) and Maxine (Oscar nominee Brenda Vacarro) are two housewives who lives in the suburbs.  Molly’s husband (Alex Rocco) is an old friend of Maxine’s husband (Robert S. Woods).  Maxine’s husband makes smoothies in the blender.  Molly’s husband likes to play golf.  They made a fortune in the tire business but now, they’re both retired and ready to support Maxine and Molly’s dream.  What a wacky group of neighbors.

Molly and Maxine are trying to break into the fashion industry.  Since this the 80s, all of their designs feature shoulder pads and none of them look like they would, in any way, flatter the figure of anyone under the age of 57.  Despite having never sold a design and presumably having never made any money from their career, Molly and Maxine have a store in the mall and they’re able to employ a professional cutter (Eric Christmas).

When Steve Ballinger (George DelHoyo), a buyer from Sacks, steps into their store, he’s impressed with their work.  He wants to buy some of their hideous designs.  But — uh oh! — he also mentions that he would like to set Maxine up with a single friend of his.  Molly and Maxine assume that Steve is talking about himself and, eager to make a sale, they don’t reveal that Maxine is married.

Molly and Maxine lie to their husbands and then meet Steve for dinner.  Steve shows up with his wife!  And his single friend, Jim (Hugh Maguire).  When Molly and Maxine thought that Steve was interested in Maxine himself, they thought he was being sleazy.  But when they discover that Steve just wants to Maxine to hook up with his friend, they think it’s charming.  Either way, it doesn’t really seem that professional on Steve’s part.  I, honestly, was expecting Steve to be revealed to be a big liar.  I mean, do buyers of major stores really walk around the strip mall?  Not to mention that none of Molly and Maxine’s designs were actually any good or, in any way, unique.  Steve might soon be out of a job.

Anyway, Maxine reveals that she is married and everyone has a good laugh over the misunderstanding.  Then Molly and Maxine go home and have a second dinner with their husbands, who are both amazingly forgiving of the whole lying thing.  I mean, Alex Rocco was Moe Greene.  There’s just something weird about seeing him play such a wimpy character.

You can probably guess that this was the only episode of Changing Patterns.  The show had a number of problems, including a laugh track that went off even when nothing funny was happening.  The main problem, though, is that Molly and Maxine were pretty much interchangeable.  They both had the same personality, the same outlook, the same ambitions, and the same sense of humor.  That might work for a friendship but, for a television show, it means that there’s not enough conflict to keep things interesting.  For Changing Patterns to succeed, it would have needed to change its own patterns.