Music Video of the Day: Wall of Eyes by The Smile (2023, directed by Paul Thomas Anderson)


I believe this is the first music video to be released by The Smile, a side project for three members of Radiohead.

This video was directed by Paul Thomas Anderson.  Based on this video, it looks like Anderson could have quite a career as a filmmaker if he chooses to pursue one.

Enjoy!

Late Night Retro Television Reviews: Check It Out 1.7 “A Rosenbloom By Any Other Name”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi!

Advance warning: This episode is pretty dumb.

Episode 1.7 “A Rosenbloom By Any Other Name”

(Dir by Ari Dikijian, originally aired on November 13th, 1985)

Oh God, this episode.

Seriously, I’m just going to start things out by admitting upfront that this episode was a bit too frantic for me.  Obviously, a lot of great comedy has come out of misunderstandings but in the case of this episode, most of the misunderstandings were just too stupid to be amusing.

So, basically, cashier Jennifer Woods (Tonya Williams) has been promised a raise by Howard and she is really looking forward to using that money to pay off her new car.  But, when she receives her paycheck, she discovers that the raise did not go through.  Marlene, ever the trouble maker, tells her that Howard must have lied about trying to get her the raise.

But Howard didn’t lie!  He submitted the paperwork to a Mr. Federson at the corporate headqyarters and Federson has yet to approve it.  Howard marches into his office and discovers Edna on the phone.  Howard tells Edna to hang up and call Federson.  Edna says that (for some reason) she’s already on the phone with Federson.

“Ask him where the Hell Jennifer’s raise is!” Howard says.

“Where the Hell is Jennifer’s raise?” Edna repeats.

Federson takes offense to the way the question was asked and hangs up.  Howard tells Edna that it’s her fault for using that tone with Federson but Edna replies that she was using Howard’s tone and, for what seems like an hour or two, they debate who is responsible for which tone.  Howard tells Edna to call up Federson and apologize for her tone.  Edna calls Federson and apologizes for Howard’s tone and Federson tells her to tell Howard to man up and apologize himself.  Oh, and Jennifer’s raise is now cancelled because Canada apparently has very lax labor laws.

While this is going on, Howard is also having to deal with an old woman named Mrs. Rosenbloom (Helen Hughes), who is standing outside the store in the Toronto cold.  Howard brings Mrs. Rosenbloom inside.  Mrs. Rosenbloom says that she’s waiting for her son, Sheldon but she’s not sure where he is or what his phone number is.  “I don’t want to be a bother,” Mrs. Rosenbloom continually says as she bothers Howard for everything from a chair to a cup of soup.

Meanwhile, Jack Christian and Murray build a gigantic display of taco chips.  Unfortunately, the display gets to be too high and it falls over on top of Mrs. Rosenbloom.  Luckily, she appears to be okay.  “Those chips have sharp edges!” Howard exclaims.

Marlene encourages Jennifer to sue the company for discrimination, as Jennifer is the only black person working at the store and also the only one to not get a raise.  Howard panics when he learns that Jennifer has hired Marlene’s boyfriend, lawyer Cy Richards, to sue the store for 10 million dollars.  When Cy (Ted Simonett) does eventually show up at the store to meet with Jennifer, it turns out that he’s actually Mrs. Rosenbloom’s son, Sheldon.  He changed his name when he opened his law office.  Cy is happy to have found his mother but he’s even happier to sue the store.

But then, largely because there’s only two minutes left in the show’s running time, Jennifer decides not to sue the store because Federson comes by the store to meet with her and he decides to give her the raise.  Federson is played by Clark Johnson, who would go on to appear on shows like Homicide and The Wire.  Howard takes one look at Federson and exclaims, “You’re black!”

“It runs in the family,” Federson replies.

(Yes, it’s just as cringey as it sounds.)

Jennifer may have dropped the lawsuit but Howard is still going to court because now Mrs. Rosenbloom is suing because of the chip display that fell on her.

There was a bit too much going on in this episode and so much of it could have been avoided by Howard and Edna not being idiots.  I mean, how does a secretary keep her job if she doesn’t know enough to clean up her boss’s language before quoting it back to someone at the corporate office?  How does Howard not know better than to have someone else apologize for him?  How can he promise someone a raise that he apparently doesn’t have the power to deliver?  In short, how does Howard still have a job?  On The Office, they went to pains to establish that Michael was good at selling things as a way to explain why he was still in charge of the branch.  On Check It Out, Howard is so thoroughly incompetent that it’s difficult to believe that the store hasn’t burned down yet.  And, of course, there’s the fact that Howard, having worked for the company for 20 years, is stunned to discover that a black man has a position of corporate authority.  I mean, that really doesn’t say anything good about Howard or the company.

Shows like Check It Out make me happy that I’ve never had a real job.

Lisa Marie’s Week In Television: 11/12/23 — 11/18/23


The Amazing Race (Wednesday Night, CBS)

I’m still trying to get caught up.  Big Brother and October really set me behind.  That said, I love The Amazing Race, even if I’m still figuring out who everyone is.

Baywatch Nights (YouTube)

I wrote about Baywatch Nights here!

Check It Out! (Tubi)

I watched a rather dumb episode of this Canadian sitcom earlier today.  My review will be dropping shortly.  Years from now, I’ll probably still be wondering what inspired me to review a silly Canadian sitcom that no one has ever heard of.

CHiPs (Freevee)

I wrote about CHiPs here!

Degrassi Junior High (YouTube)

I wrote about Degrassi here!

Fantasy Island (YouTube)

I wrote about Fantasy Island here!

Frasier (Paramount+)

I watched the first episode of the Frasier revival on Thursday night.  Kelsey Grammer was funny.  Frasier Crane is the perfect role for him.  Unfortunately, the rest of the cast was far less interesting and the first episode felt rather …. generic.  The most interesting thing about the show is Frasier apparently spent the last few years hosting a television show called “Dr. Crane.”  Now, personally, I’d rather see a show about him doing that than a show about him moving to Massachusetts and teaching at Harvard.  Indeed, with everything that’s happening on various elite college campuses right now, the last thing I want to do is watch a show about how great Harvard is.

Friday the 13th: The Series (YouTube)

I wrote about Friday the 13th here!

Football Game: New York Jets Vs Las Vegas Raiders (Sunday Night, NBC)

I kind of watched this on Sunday, though I was also reading Britney Spears’s autobiography at the same time.  I have no idea who won but Jeff tells me that it was a great game.

Highway to Heaven (Tubi)

“Who does the Grail serve?”  I wrote about this week’s episode here!

Jennifer Slept Here (YouTube)

I wrote about Jennifer Slept Here …. here!

Kitchen Nightmares (Tuesday Night, Fox)

I binged Kitchen Nightmares this week.  Those were some disgusting kitchens!  Speaking of disgusting, the most recent episode featured one of the most obnoxious man babies that I have ever seen.  What a loser!  I’m amazed Gordon didn’t just toss him out in the alley and tell him to go home.

The Love Boat (Paramount Plus)

I wrote about The Love Boat here!

Monsters (Tubi)

I wrote about Monsters here!

Night Flight (Night Flight Plus)

On Friday night, Jeff and I watched an episode that was all about songs that were about food.  It was a tasty 30 minutes.

Survivor (Wednesday Night, CBS)

I have a feeling that we’re going to get a bitter jury this season.  Everyone has been shooting death glares at each other, this entire season.  Last night, I thought the latest person voted out was going to throw a punch before she left the island.

T and T (Tubi)

I wrote about T and T here!

Welcome Back, Kotter (Tubi)

I wrote about Welcome Back, Kotter here!

Yes, Prime Minister (Monday Morning, PBS)

Hacker’s predecessor died and, to Hacker’s barely suppressed delight, that meant that he would never actually finish his autobiographer, which was full of unflattering details about Hacker.  Unfortunately, Hacker also had to deal with the details of the state funeral and that meant dealing with the French.  I was pretty tired when I watched this episode so I don’t remember all of the details but I do remember being amused by the arrogance of the French ambassador.

Retro Television Reviews: Welcome Back Kotter 2.20 “The Littlest Sweathog” and 2.21 “Radio Free Feddie”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

Julie’s pregnant and Freddie’s a star!

Episode 2.20 “The Littlest Sweathog”

(Dir by Bob LaHendro, originally aired on February 10th, 1977)

At the apartment, Julie sees that Gabe has a sketch pad and she demands to know what he’s drawing.

“A picture of you,” Gabe replies.  He explains that he’ll let her see the picture after he tells her a joke about a relative of his who lost a lot of money when he put $5 on horse number five and the horse came in fifth.  (It went over my heard but I’m not a gambler.)  Anyway, the picture isn’t very good and Julie tells him that Gabe’s attempt at art is “funnier than the joke.”

YIKES!

After the opening credits, we return to the apartment where Gabe is tutoring Barbarino.  The audiences screams so loudly when Barbarino shows up at the apartment that it’s hardly surprising that he’s having trouble concentrating in school.  I mean, that audience is really loud!

No sooner has the lesson begun with Gabe asking what Barbarino knows about D-day (“That’s the day I bring home my report card.”) then the phone rings.  Barbarino tells Gabe that it might be a girl calling for him but instead, it’s Julie’s doctor calling to tell her that she’s pregnant.

“Julie’s pregnant!” Gabe shouts.

Barbarino says, “Don’t look at me.”

“Don’t be ridiculous, Vinnie!  I know who the father is!”

“Who?”

Gabe is convinced that he’s the father, despite the fact that Vinnie does kind of have a point.  I mean, Julie really doesn’t seem to even like Gabe the majority of the time.  When Julie comes home, Gabe eventually convinces Vinnie to leave so that he can tell Julie the news.  Gabe is excited.  Julie is not excited at all, pointing out that she can’t even remember to water the plants half the time.  Gabe tells Julie that she’ll glow.  Julie responds that “Spending a half-hour trying to get out of a chair is not my idea of glowing.”

The next day, at school, the Sweathogs are debating what type of present they should get Gabe.  Freddie suggests a savings bond.  Horshack offers to donate 89 cents.  The Sweathogs are incredibly invested in the happiness of Gabe’s baby, which is quite a contrast to the way we viewed the teachers at my high school.  We didn’t know anything about their lives outside of school and we didn’t want to know.

After Horshack tells Woodman that Gabe is going to be a father, Woodman replies, “This time, you’ve gone too far, Kotter!  Who is it!?  What’s her name?”

Gabe assures Woodman that the only person who he’s gotten pregnant is his wife.  Woodman replies that Gabe is going to have to start holding up gas stations to have enough money to raise a child.  Gabe tells Woodman that Julie doesn’t seem to be to thrilled.  Woodman replies, “I wouldn’t be too thrilled about having your baby either,” before laughing maniacally.

Back at the apartment, Julie is feeling depressed because, as she says when she hears someone knocking at the door, “Somehow, I just don’t feel like I’m glowing!”  Julie answers the door and sighs in frustration as the Sweathogs enter the apartment.

“Oh!  The lady in waiting!” Horshack announces.  Meanwhile, Barbarino notices that Julie is reading a book by Dr. Spock.  “I’m a big Star Trek fan, too,” Barbarino says.

Gabe comes home and, somewhat oddly, is not shocked to find the Sweathogs in his apartment.  Gabe asks the Sweathogs to leave.  Barbarino and Freddie are happy to go because they want to watch TV.  “This bionic woman is getting bigger transistors tonight,” Barbarino says.  “Dyno-mite!” Freddie replies.

After the Sweathogs finally leave, Julie says that she realizes that, fears aside, she wants to have the baby.  Gabe is happy because he’ll have someone new to tell all of his jokes.

Later, Gabe buys a stuffed dog for the baby and then tells it about his uncle who owned a dog named Roscoe.

This episode was both sweet and a bit awkward to watch.  On the one hand, I appreciated the fact that the show tried to be realistic in its portrayal of Julie’s overwhelmed reaction to learning that she was pregnant.  On the other hand, this episode really drove him the fact that Gabe Kaplan and Marica Strassman didn’t exactly have a lot of chemistry.  By most accounts, Kaplan and Strassman couldn’t stand each other behind the scenes and that tension between the two of them was really noticeable in this episode.  (It’s hard not to notice that Gabe and Julie never seem to make much eye contact in this episode.)  Reportedly, Strassman often complained that she didn’t get enough to do as Julie.  This episode put Julie center-stage but she still had to share it with the Sweathogs and the whole thing just felt kind of weird.  I actually felt bad for Julie.  She can’t even relax in her own apartment without Gabe’s students coming by!

I’m starting to worry about the baby.  Let’s move on.

Episode 2.21 “Radio Free Freddie”

(Directed by Bob LaHendro, originally aired on February 17th, 1977)

At the apartment, Gabe tells Julie about his uncle who was a paratrooper and who apparently plunged to death when his super emergency parachute didn’t open.  That’s not a nice joke to tell a pregnant woman, Gabe!

At the school, Gabe is explaining to the Sweathogs that a famous radio DJ known as Wally the Wow is a former Sweathogs and Gabe has arranged for Epstein, Barbarino, Freddie, and Horshack to work as radio DJs for the week.  What?  How did that happen?  This seems more like a City Guys thing than a Welcome Back Kotter thing.  If you owned a radio station, would you turn programming over to four high school students?  Would you let Horshack on the radio?

Anyway, Wally the Wow is played by legendary comedian George Carlin and his producer, Andy, is played by The Love Boat‘s Fred Grandy.  When the Sweathogs take their turns on the radio, Wally is totally impressed by Freddie’s radio voice and, realizing that the rest of them don’t have Freddie’s talent, the other Sweathogs leave the station.  Freddie becomes a big hit but his friends think that he’s let the fame go to his head.  Wally tells Freddie that being a DJ can be a lonely job.  Freddie is prepared to give up his radio dreams but then the other Sweathogs drop by the station and apologize for being jealous.  Freddie agrees to stay on as a DJ.

Later, Gabe drops by the station and thanks Wally for taking care of the Sweathogs.  They reminisce about high school.  “I remember you used to tell all of those stupid jokes about your uncles,” Wally says, “I’m glad you outgrew that.”

This was a weird episode, largely because it really didn’t make any sense for Wally to put the Sweathogs on the radio in the first place.  It would not surprise me if this was yet another backdoor pilot, this time for a sitcom that would have followed the adventures of Wally the Wow and his goofy engineer, Andy.  Still, as strange as the episode was, it did give Freddie, the most underused of the Sweathogs, a chance to have a moment in the spotlight so that was a good thing.

Next week, the second season ends!

Live Tweet Alert: Watch Track of the Moon Beast With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1976’s Track of the Moon Beast!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and YouTube!.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Music Video of the Day: Fat by Weird Al Yankovic (1988, directed by Jay Levey)


Yesterday, the video was bad.

Today, it’s fat.

This video was shot on the same set where the video for Bad was filmed.  Weird Al had to get permission for Michael Jackson to use the set and Jackson granted it.  Jackson appreciated almost all of Weird Al’s parodies, though he did ask Weird Al not to do a parody of Black or White.

I’ve always thought Fat was the better song.

Enjoy!

Late Night Retro Television Reviews: Friday the 13th: The Series 1.7 “Doctor Jack”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week’s episode of Friday the 13th: The Series is actually really good!

Episode 1.7 “Doctor Jack”

(Dir by Richard Friedman, originally aired on November 9th, 1987)

Dr. Vincent Howlett (Cliff Gorman) has a reputation for being a miracle worker.  He’s the surgeon who is called in to do the difficult operations that no other surgeon would have the courage to try.  Somehow, despite all of the complex surgeries that he has been involved in, he has never lost a patient.  The local Toronto hospital is very happy to have Dr. Howlett on staff.

However, Dr. Howlett’s success rate is not just a case of medical skill.  He owns a special, lucky scalpel.  He purchased it from a knife dealer who earlier purchased it from — you guessed it! — the cursed antique shop.  The scalpel is from the Victorian era and it once belonged to none other than Jack the Ripper!  The scalpel can make any surgery a success but it demands blood as payment.  So, before every surgery, Dr. Howlett has to go out and find someone to murder.

Searching the scalpel as a part of their mission to track down all of the cursed antiques, it doesn’t take long for Ryan, Micki, and Jack to track the scalpel down to Dr. Howlett.  However, when Ryan tries to steal the scalpel, a chase through the hospital ensues.  When Jack distracts Howlett long enough for Ryan and Micki get away, Jack ends up getting thrown down an elevator shaft.

Jack survives his fall but he’s suffered some terrible internal injuries.  In fact, he’s going to need surgery!  Fortunately, the best surgeon in Canada is on staff at the hospital.  As much as Ryan and Micki want to steal that scalpel, they know that Howlett is going to need it if he’s going to save Jack’s life.

Meanwhile, Jean Flappen (Eva Mai Hoover) is stalking the hallways of the hospital, carrying a gun and hoping to get revenge on Dr. Howlett for the murder of her daughter….

Yikes!  Hospital’s are creepy in general but they’re even more creepy when the head surgeon is carrying around a scalpel that once belonged to Jack the Ripper.  (Of course, in reality, it’s doubtful that Jack the Ripper was actually a doctor.  In all probability, he was a butcher in all definitions of the word.)  This episode makes great use of the hospital setting, creating an atmosphere of perpetual unease.  It was a genuinely scary location and, for once, the fact that Friday the 13th didn’t have a huge budget worked to show’s advantage.  The shots of the empty and shadowy hospital hallways, without even an extra or two populating them, were truly ominous.

Cliff Gorman also gave a wonderful performance as Dr. Howlett, playing him as the type of arrogant jerk who knows that he can get away with being unlikable because he’s the best at his profession.  The scene where Howlett can’t find his scalpel and has a sudden meltdown really drives home the idea that the owners of the cursed antiques have become addicted to using them.  As soon as Howlett can’t hold his scalpel in his hands, his smooth façade crumbles and he starts going through what can only be called withdrawal.

With its creepy atmosphere and Gorman’s sinister performance, Dr. Jack is the best episode of Friday the 13th that I’ve reviewed so far.

Retro Television Reviews: T and T 2.5 “The Whole Truth”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week’s episode begins in Manitoba but ends in Toronto.

Episode 2.5 “The Whole Truth”

(Dir by Allan Kroeker, originally aired on October 31st, 1988)

Apparently, with the start of the second season, the producers of T & T decided that the show no longer needed to begin with Mr. T telling us what was going to happen on “today’s episode.”  That’s a shame, as Mr. T’s introductions were one of the highlights of the first season.

This episode begins with a title card telling us that the scene we’re about to watch is taking place in St. Louis.  I’m going to assume that the show must be referring to the St. Louis in Manitoba because everyone knows that T & T totally takes place in Canada.

In St. Louis, Manitoba, a teenage pool player named Bobby (Lowell Conrad) is making a lot of money at the local pool hall.  But when a man named Mike (James Purcell) steps into the pool hall, Bobby quickly puts away his pool cue and then makes a run for it.

Both Bobby and Mike end up in the city where T & T is set.  A title card tells us that this city is apparently named “Metro County,” but again, the viewer only has to look at the snow on the ground and listen to accents of the inhabitants to realize that Metro County is actually Toronto.

Mike and Amy show up at Decker’s gym, where they have a meeting with T.S.  (As opposed to the first season, in which Turner worked out of Amy’s law office, it now appears that T.S. works exclusively out of the gym.)  Amy says that Mike is a client who needs help.  Mike explains that he works for a St. Louis insurance company that is after a juvenile car thief named Bobby Slayton.  Despite the fact that everything about Mike — from his suit to his smirk — radiates evil, T.S. agrees to help.

Joe Casper (Sean Roberge), who is apparently now like totally reformed from his flirtation with being a Neo-Nazi in the previous episode, is now living at Decker’s gym.  He helps T.S. by walking around Toronto and asking random people, “Have you seen a 16 year-old, about 5’6?”  Somehow, this vague description leads him to Bobby, who is once again making a living as a pool hustler.

As you probably already guessed, Mike is not an insurance agent and Bobby is not a car thief.  Instead, Bobby is someone who has been on the run ever since he saw Mike murder a convenience store clerk during a robbery.  When Mike comes after Bobby, he finds T.S. waiting for him.

“You’re outta gas, brother!” T.S. yells before grabbing Mike.

The episodes ends on a curious note, with T.S., Amy, and Bobby leaving a courtroom and lamenting that Mike was found not guilty on the robbery charge.  Bobby says that the system failed to do its job but T.S. tells him that “sometimes, that’s what happens, little brother.”  But, T.S. also assures Bobby that Mike will be going to jail on the attempted murder charge.  Well, let’s hope so.

So far, this season of T&T seems like it’s attempting to be a bit more serious than the first season.  If this episode had aired during the first season, Mr. T would have picked up Mike by his ankles and carried him around Toronto while inviting all of the citizens to jeer him and throw hockey pucks at him.  Instead, in this episode, we just get Mr. T grabbing Mike and then waiting for the police to show up.  That’s a shame as the first season was at its best whenever it acknowledged the absurdity of Mr. T working as a private detective in Toronto.  This is really not a show that has any business taking itself seriously.

As with the previous second season episodes, there was a serious lack of Mr. T quirkiness in this episode.  There was no talk of his love for cookies or gospel music.  So far, about the only personality that T.S. Turner retains from the first season is his habit of calling everyone “brother.”  Otherwise, T.S. has been turned into a typical, streetwise private eye.  Seriously, why would you cast Mr. T and then not let him be Mr. T?