Late Night Retro Television Reviews: Baywatch Nights 1.1 “Pursuit”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, an detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on Tubi!

The year was 1995 and Baywatch, a show about lifeguards, was the most popular in the world.  Even though the critics never cared for the show, it got monster ratings.  Having played head lifeguard Mitch Buchanan for 6 years, star David Hasselhoff was growing tired with Baywatch’s format.  He wanted to try something new and that new thing was Baywatch Nights.  During the two years that Baywatch Nights aired, Mitch would spend his days as a lifeguard and his nights as a private investigator!

Baywatch Nights ran for two seasons.  The second season is remembered for featuring Mitch battling aliens, ghosts, and vampires.  The first season featured Mitch dealing with more traditional villains.  For our latest Late Night Retro Television Review, we’ll be looking at both seasons of Baywatch Nights!

Episode 1.1 “Pursuit”

(Dir by Gus Trikonis, originally aired on September 30th, 1995)

The very first episode of Baywatch Nights opens with Mitch Buchanan (played, of course, by David Hasselhoff) speaking directly to the audience.  He’s standing at his lifeguard stand, wearing his signature red Baywatch swim trunks.

“Some people,” Mitch says straight to the camera, “think that the beach closes when the sun goes down.  Uh-uh.  That’s when it really starts to heat up.”  Mitch goes on to explain that he’s working a second job as a private investigator.  His old friend, Garner Ellerbee (Gregory Alan Williams), is a partner in a detective agency with Ryan McBride (Angie Harmon), who was born in Texas, became a detective in New York, and recently moved to California.  Mitch is working with them.  Suddenly, Mitch says that he hopes those watching will enjoy this “new show.”

This brings up an interesting question.  Are we listening to Mitch or are we listening to David Hasselhoff?  If it’s David Hasselhoff talking directly to the audience, his monologue would seem to suggest that he thinks that Baywatch is real life, even though it’s a TV show.  He talks about Garner and Ryan as if they’re real people.  If we’re listening to Mitch Buchanan, that means that he has somehow become aware that he’s a character on a television show.  Has Mitch become self-aware?  Or has he realized that he’s living in some sort of Truman Show-style situation?

These are all questions that will probably never be answered.

As for the episode, it jumps right into things.  Mitch, Garner, and Ryan have their private detective offices located right above a nightclub called — wait for it — “Nights.”  Occasionally, they are helped by Destiny Desimone (Lisa Stahl), a perky blonde who spends her days doing Tarot card readings on the beach and her nights hanging out around the office.  When Ryan can’t figure out how to use a computer, Destiny is there to help  When Mitch and Garner can’t figure out how to have multiple landlines in one office, Destiny figures it all out!  It’s all very 90s, with boxy computers and long telephone cords.

Mitch’s first case involves serving as a bodyguard for a model named Cassidy (Carol Alt).  Cassidy says that someone is stalking her and she’s especially worried because another model has recently been murdered.  (“Her name was Alexa,” Mitch muses as he looks at the murdered model’s body, “This was her last photo session.”)  Mitch protects Cassidy and, of course, he falls for her but, in the end, he realizes that Cassidy has actually been stalking herself and was responsible for the other model’s death.  Mitch is shaken by his discovery of Cassidy’s guilt, even though the exact same thing previously happened to him during the first season of Baywatch, when he fell in love with a woman who turned out to be a black widow murderer.  Mitch muses that he knows how to be a lifeguard but he’s still learning how to be a private eye.

(Mitch, seriously, just watch reruns of Baywatch!  I mean, you’re only one episode into Baywatch Nights and you’re already recycling old plots so I imagine you should just keep doing what you did the first time.)

This episode’s plot is pretty predictable but, for a pilot, it’s likable.  Angie Harmon, Gregory Alan Williams, and David Hasselhoff all have a likable chemistry and, as a Texas girl, I appreciated the fact that Angie Harmon’s accent was authentic.  Mitch narrates the episode in a hard-boiled, private eye manner and David Hasselhoff’s earnest delivery is so at odds with his words that it becomes rather charming.  As a friend of mine once said when we watched him in Starcrash, “Every country should have a Hoff!”

As far as first episodes go, Pursuit does everything it needs to do.  It introduces us to the characters and their personalities.  Ryan is supercool and has really pretty hair.  Destiny is quirky.  Garner is determined.  And Mitch …. well, Mitch is David Hasselhoff.  Wisely, the first episode didn’t spend too much time trying to rationalize the idea of Mitch working all day as a lifeguard and then all night as a private eye.  Realistically, it seems like he would end up too exhausted to be good at either job.  Instead, the first episode simply tells the audience that Mitch is now a detective and that the audience better be willing to accept it.

(Unfortunately, most of the audience didn’t accept it, which is why the second episode featured Mitch dealing with sea monsters and resurrected Vikings.  We’ll get to that in a while.)

Next week, Mitch battles a group of thieves on skates!  Seriously, you know that’s going to be fun!

Retro Television Reviews: Fantasy Island 3.23 “Eagleman/Children of Mentu”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  Almost the entire show is currently streaming is on Youtube!

This week, season 3 comes to an end!

Episode 3.23 “Eagleman/Children of Mentu”

(Dir by Michael Vejar, originally aired on May 17th, 1980)

As I watched the third season finale of Fantasy Island, I found myself growing a bit sad.  Even though I went into this program knowing that Ricardo Montalban and Herve Villechaize eventually came to despise each other, it’s still a bit jarring to see just how obvious that dislike was by the end of season 3.  Gone were the silly moments of banter that used to start each episode.  Instead, by the end of season 3, each episode opened with same stock footage of Tattoo announcing the plane and then Roarke and Tattoo heading down to the docks to meet their guests.  When Tattoo and Roarke do speak to each other, the actors barely look at each other.  As I said, it’s a shame and it’s hard not to feel that the show itself became a bit less interesting once Roarke and Tattoo stopped interacting.

As far as this week’s fantasies, they both feel somewhat familiar.  There’s a comedic fantasy and a vaguely serious fantasy, both featuring actors who had previously appeared on the show in different roles.  The comedic fantasy features Bob Denver as Morris Binstock who comes to the Island for a business retreat.  Accompanying him is his son, Barney (Keith Coogan).  Ever since the death of his wife, Morris has struggled to connect with his son.  His fantasy is to become his son’s favorite comic book hero, Eagleman!

And he gets his wish.  Roarke has set up an entire Eagleman secret headquarters in the closet of Morris’s room.  Morris puts on the Eagleman costume and he does a flew klutzy things and he gets to fly.  His son is happy.  But is Morris devoting so much time to being Eagleman that he’s running the risk of losing a promotion at work?  After all, a promotion would not only mean more money but it would also be something that would continue to exist, even after Morris left the Island.  It looks like obnoxious Hal Ripley (Larry Storch) is going to get the promotion but when the company’s CEO, H.H. Moran (Jim Backus), discovers that Morris has been pretending to be Eagleman to make his son happy, Moran makes Morris vice president.  H.H. Moran is all about family!

The more serious fantasy features Vernee Watson as Rochelle McKenzie, a reporter who is trying to track down Dr. Arthur Gates (Ralph Bellamy), a millionaire who vanished one day.  Roarke explains that Dr. Gates has been spotted on the nearby Island of Mentu.  Roarke warns her that the inhabitants of Mentu are not friendly and Rochelle will be putting her own life at risk if she goes to the island,

Rochelle still goes to the island and guess what?  Roarke was not lying about those angry inhabitants.  One of the men is horribly scarred.  Another has to use a crutch but still growls at every human he sees.  The island and the natives were exploited by a mining company and now, the natives distrust almost everyone they see.  However, Dr. Gates has decided to dedicate his life to taking care of them.  That’s a good thing because it turns out that the scarred native has a sick child and only Dr. Gates can provide the proper medical attention.

Both stories are fairly silly, though at least Rochelle’s story gives Ralph Bellamy a chance to take on the type of role that was usually given to Ray Milland.  If you only know Bellamy as the guy who was constantly getting dumped for Cary Grant in the 30s and 40s, this episode allows Bellamy a chance to show that he could be a likable and authoritative actor.  As for the Eagleman story, it was kind of uncomfortable to watch because Bob Denver looked like he was in his early 60s and it was hard not to worry about him seriously injuring himself whenever he put on the costume.

There’s an interesting moment in Rochelle’s fantasy, in which she tells Mr. Roarke that she feels foolish coming to the Island in pursuit of a “fantasy.”  She feels that she’s being childish but Roarke explains that fantasies are not childish and that one should always pursue their dreams.  Whether it was intentional or not, this scene serves as a mission statement for the entire series.  Yes, Fantasy Island was frequently silly and childish but, in the end, it still resonates because people will always have dreams and they will always have fantasies.  There will always be a place for Fantasy Island.

Music Video of the Day: I Pronounce You by The Madness (1988, directed by ????)


The Madness was a short-lived ska band that was primarily made up for four members, lead vocalist Suggs, saxophonist Lee Thompson, guitarist Chris Foreman and vocalist Cathal Smyth.  (Various guest musicians filled in one drums and bass.)  As you can probably guess by the band’s lineup, The Madness was an off-shoot from the band, Madness.  Madness had temporarily broken up over creative differences so the four members of the band who were still on speaking terms formed a new group by adding a “The” to their old name.

The Madness released one self-titled album, from which I Pronounce You was the first single.  The song imagines the feelings of bride on the eve of her arranged marriage.  At the time that this video was released, Chris Thompson described it as being a video on which the band “tried to be serious.”  Of course, serious has always been a relative term when it comes to Madness.

The Madness broke up after their first album but, fortunately, all seven of the members of Madness would come back together in 1992 and the band is still going strong.  Their latest album is set to be released at the end of this week.

Enjoy!