Book Review: Nostradamus Predicts The End Of The World by Renee Noorbergen


In the year 2010, I was at Half-Price Books when I came across an old paperback called Nostradamus Predicts The End Of The World.  The book was full of the cryptic prophecies of the French astrologer Nostradamus, along with interpretations of that what those predictions actually meant.  The book argued that, by using those interpretation, once could come up with a chronological narrative of the next great world war.  The book predicted that World War III was going to break out in the 90s, that New York was going to be destroyed in 1999, and that the world, as we knew it, would be over with around the year 2000.  Once I saw that the world has apparently ended ten years ago, my sense of humor demanded that I buy the book.

Since that time, a few people have told me that I shouldn’t laugh at stuff like this and that, just because the dates were wrong, that doesn’t mean that it’s not going to happen.  Some have pointed out that the passage in which Nostradamus predicted a nuclear bomb hitting New York in 1999 could have just as easily been a prediction of 9/11 and that perhaps Nostradamus either misinterpreted the date or maybe it was originally meant to happen in 1999 but got pushed back a few years or …. well, there’s always a reason, isn’t there?  My argument, of course, is that the only time that Nostradamus gives a date for any of his predictions, he was wrong.  It’s probably not coincidental that Nostradamus picked a date that was so far in the future, he wouldn’t have to worry having to explain himself.

The thing with Nostradamus though is that his “prophecies” were so vaguely written that they could pretty much be interpreted to mean anything.  Indeed, it seems like a compelling argument could be made that his prophecies were actually meant to keep him in favor with the wealthy and royal patrons who subsidized his life.  Much of what he wrote works as Rorschach test.  Readers are going to find what they’re looking for.

For instance, the author of Nostradamus Predicts The End of the World was apparently looking for a battle-by-battle history of the Third World War.  For the author, that was found in Nostradamus’s prophecies.  The book argues that conflict in the Middle East would lead to a World War between the U.S., Russia, and China and that apparently only Australia would be spared.  Towards the end of the book, the author fixates on a red-haired general who apparently referred to in several of Nostradamus’s prophecies.  One wonders why Nostradamus would specifically tell us the year that New York was going to be destroyed and why Nostradamus would, as some have claimed, warn about an evil German leader named “Hister” but while leaving vague the identity of the general who is going to be the key to saving the world.  Indeed, what even is the point of being able to see into the future if you’re going to be so deliberately vague in your reporting that no one is going to know what you’re talking about?

Interestingly enough, even though it’s been over 22 years since the date that Nostradamus the world would end, there are still people posting his prophecies online and saying that he predicted everything from Trump to COVID to AOC.  Never stop believing, I guess.

International Horror Review: Starship Invasions (dir by Ed Hunt)


Once, during an interview, the distinguished British horror actor, Christopher Lee, was asked to name the worst film in which he had appeared.

Being a very busy actor who appeared in well-over 200 films, Lee paused for a minute to give it some thought and then eventually said that, in 1977, he had appeared in a Canadian science fiction film in which he played a mute alien who was using a suicide ray to conquer Earth. Though he wasn’t quite sure what the title had been, that was his pick for the worst movie in which he had ever appeared.

Now, considering some of the films in which Lee appeared, that’s a bold statement. Was Lee correct? Was that film — which was entitled Starship Invasions — the worst film in which he ever appeared?

Well …. maybe. It’s certainly not one of his best. Lee plays Captain Ramses, who is the leader of the Legion of the Winged Serpents. The legion’s home planet is about to be destroyed by a supernova so he has taken it upon himself to find a new planet to colonize. Earth looks pretty good to him!

Christopher Lee remembered Ramses as being mute. Actually, he communicates through telepathy. We hear his words but his lips never move. The same is true of every alien that appears in the film. And yes, this could be an example of how different and more advanced the aliens are when compared to the humans but a more likely explanation is that it was cheaper to film the outer space scenes without sound and then just dub in the character’s “thoughts” later.

For reasons that are never quite clear, the Legion of the Winged Serpent abducts several Earthlings before then unleashing their suicide ray. Prof. Allan Duncan (Robert Vaughn) is the UFO expert who investigates the abductions before eventually getting abducted himself by a race of good, gray aliens. The gray aliens are determined to save the Earth from the Legion. It’s never really explained why.

Meanwhile, the suicide ray is causing chaos on Earth as people all over are driven to kill themselves and others. And the ray has just been aimed at Duncan’s wife (played by Helen Shaver) so Allan and the good aliens better hurry up and defeat Ramses and the bad aliens!

Is Starship Invasions really that bad? Well, it’s certainly not …. great. Christopher Lee is properly imposing as Ramses but even he occasionally has a “What have I gotten myself into?” look on his face. Most of all, Starship Invasions is very much a product of the 1970s. When Ramses visits a space station, it looks a lot like an incredibly tacky mix of a fitness center and a cocktail lounge. The fashion of both the Earthlings and the aliens is very much of the era. Robert Vaughn wears a turtleneck that just screams “community college history teacher.” The special effects are rather cheap and the plot never makes much sense. The scenes with the suicide ray, however, are surprisingly effective and the film does have a certain campy charm to it, especially if you’re into low-budget 70s sci-fi. Starship Invasions is probably not Christopher Lee’s worst film. It’s just one of his cheapest.

6 Shots From 6 Horror Films: 2002 — 2004


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at 2002, 2003, and 2004!

6 Shots From 6 Horror Films: 2002 — 2004

28 Days Later (2002, dir by Danny Boyle, DP: Anthony Dod Mantle)

The Ring (2002, dir by Gore Verbinski, DP: Bojan Bazelli)

Bubba Ho-Tep (2002, dir by Don Coscarelli, DP: Adam Janeiro)

House of 1,000 Corpses (2003, dir by Rob Zombie, DP: Alex Poppas, Tom Richmond)

Underworld (2003, dir by Len Wiseman, DP: Tony Pierce-Roberts)

Dawn of the Dead (2004, dir by Zack Snyder, DP; Matthew F. Leonetti)

Horror Film Review: Night Tide (dir by Curtis Harrington)


Long before he became Hollywood’s favorite quirky character actor, Dennis Hopper was a young performer who was known for his devotion to the method and for being more than a little difficult. In fact, directors like Henry Hathaway had gotten so frustrated with Hopper and his refusal to “compromise his art,” that, by the time the 1960s rolled around, Hopper had gone from being a promising young star to being virtually blacklisted.  He had gone from scene-stealing turns in Rebel Without a Cause and Giant to struggling to get anyone at the major studios to even admit to knowing who he was.

Unable to get a job on a mainstream film, Hopper teamed up with another unconventional talent, director Curtis Harrington. A film critic-turned-experimental filmmaker, Harrington was talented but, like Hopper, he had a reputation for being an eccentric.  An openly gay artist who was living and working a time when that was still a crime in some states, Harrington gravitated to other outsiders so it was perhaps inevitable that he and Dennis Hopper would become early collaborators and make a film together.

That film was 1961’s Night Tide. Harrington directed while Hopper played Johnny, a naïve young sailor who, while in on leave in Santa Monica, meets a mysterious woman named Mora (Linda Lawson). Mora works as a mermaid at a sideshow. Her boss is the overly possessive and somewhat brutish Captain Samuel Murdock (Gavin Muir). Captain Murdock makes it clear that he doesn’t want Johnny to have anything to do with Mora. Is it because he’s worried about losing Mora or is there another, more supernatural reason?

Johnny hears rumors that the men who fall in love with Mora tend to disappear. Mora, herself, explains that she’s a Siren. Her destiny is to lead sailors to their doom. Johnny tells her that’s ridiculous but what if she’s right?

It’s a strange film, one that moves at its own slow and rather deliberate pace. As Mora, Linda Lawson delivers her lines hesitantly, as one might expect from someone who is having to pretend to be a human being. Meanwhile, Dennis Hopper gives a compelling but nervous performance as Johnny. As written, Johnny is a pretty bland character but Hopper plays up Johnny’s sense of isolation. He’s far from home, he doesn’t know many people in town, and the woman he loves just explained that she’s a sea monster. One can understand why Johnny is a bit jumpy. There’s a few scenes where Hopper’s devotion to the method works against him. He’s convincing when he’s at the center of the scene but a bit too fidgety in the scenes where he just has to listen to other people speak. But, ultimately, Hopper’s performance works. He plays Johnny with a mix of fresh-faced innocence and hints of instability.

As I said, it’s not a conventional film. It moves at its own dream-like pace. The film was shot in black-and-white and that’s the version to see. Avoid the colorized version, in which the colors are so garish that they ruin the film’s surreal atmosphere. Night Tide is an experiment that won’t be for everyone but, when taken on its terms, it’s definitely intriguing.

Live Tweet Alert: Watch Sometimes They Come Back with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, Tim Buntley will be hosting 1991’s Sometimes They Come Back!

In this adaptation of a Stephen King short story, the dead refuse to stay dead!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Horror on the Lens: Faust (dir by F.W. Murnau)


Today’s Horror on the Lens is a silent German film from 1926. Based on the legend of the alchemist who sold his soul to the Devil, Faust was dismissed by European critics when it was initially released but it has since been recognized as one of the greatest cinematic examples of German Expressionism.

It was after directing this film that Murnau traveled to Hollywood and directed his masterpice, Sunrise: A Story of Two Humans. (Murnau was also responsible, many years earlier, for directing Nosferatu.) The role of Fasut was played by Swedish actor Gosta Ekman, who tragically developed an addiction to cocaine while making the film and who would die as a result in 1938. Playing the role of Mephisto is German actor Emil Jannings, who would later go to win the very first Academy Award for Best Actor. Unfortunately, with the advent of sound, Jannings — who had no interest in learning English — returned to Germany and, after making some classic films with Marlene Dietrich, spent the rest of his career appearing in Nazi propaganda films. Whether or not Jannings was a committed Nazi or just an opportunist remains a point of contention but it’s still undoubtedly not the career path that one would hope for one of the very first Oscar winners.

Here is Faust:

Music Video of the Day: West End Girls by Pet Shop Boys (1984, directed by Eric Watson and Andy Morohan)


Is Chris Lowe a ghost in this video?

He better be, just so I can justify picking this video during our annual Shattered Lens Horrorthon. 

Neil Tennant and his ghost friend go for walk through London.  Among the sights that we see: Waterloo Station, Tower Bridge, West Minster, the South Bank, Leicester Square, and a protest outside the South African Embassy.  (This video was filmed at a time when South Africa was still ruled by Apartheid.)  Both Fletch and Desperately Seeking Susan are playing at a cinema.

This was the video that first introduced the US to the Pet Shop Boys.  Watching it makes me nostalgic for London.

Enjoy!