Film Review: Acapulco Gold (dir by Burt Brinckerhoff)


The poster is better than the film.

I just finished watching Acapulco Gold, a rather goofy 1976 film about …. well, who knows?

The film starts with some well-shot footage of marijuana farmers checking out their crop but then it abruptly abandons all of that to follow an American insurance salesman named Ralph Hollio (Marjoe Gortner). Ralph is at an airport in Acapulco, waiting to board a flight back to America. He’s approached by a nun who asks him to carry a piñata for her. Ralph says sure but — oh no! — that piñata is actually full of heroin! Ralph’s an unwitting drug mule and not a very good one because it doesn’t take long for him to get himself arrested and sentenced to 40 years in a Mexican prison.

Despite this run of bad luck, Ralph remains surprisingly cheerful. One is tempted to almost describe him as being a Candide-like figure but that would probably be giving this film too much credit. In prison, he meets another prisoner, a boat captain named Carl Solberg (Robert Lansing). Carl is sprung from jail by local businessman, Morgan Frye (John Harkins). Frye wants Carl to sail a boat from Mexico to Hawaii. Carl agrees but he insists that Morgan also pull some strings so that Ralph can serve as his first mate. Morgan, of course, agrees.

The film’s “action” shifts to Hawaii, where it turns out that Ralph and Carl are being used as a part of a much bigger plot. Or something. To be honest, it’s a bit difficult to figure out just what exactly is going on. Acapulco Gold has a make-it-up as you go along feel to it. Occasionally, it’s amusing. Often, it’s frustrating. As soon as you start to get in any way interested in one storyline, it gets abandoned. The film doesn’t have a plot as much as it has a bunch of scenes that we’re left to assume are meant to be somehow connected.

For instance, there’s an elderly couple who keep showing up at inopportune times, providing what I guess is meant to be comedic relief. At one point, it appears that the couple is surely doomed but, several scenes later, they show up at a golf course and they look none the worse for wear. There are lengthy sailing scenes, mixed in with lengthy helicopter scenes. None of them add much to the plot but the Hawaiian scenery is frequently nice to look at. Ralph falls for Morgan’s girlfriend (Randi Oakes) while a Congressman and a corrupt DEA agent use huge, oversized walkie-talkies to communicate with two people who we occasionally see wandering around in the jungle. There’s a golf cart chase, which ends with a labored joke about a two-strike penalty. And, since this is a low-budget 70s film, there’s a day-for-night sequence that is so ineptly lit that we can barely see anyone for several minutes of the movie. (Though his face may not be visible, one can always spot Marjoe Gortner by his hair. 70s Marjoe had a lot of hair.)

At its best, Acapulco Gold is a charmingly incoherent time capsule, a chance to hop in a time machine and go back to 1976. At its worse, it’s a total mess. That said, it’s short enough that it’s never exactly boring and the randomness of it all occasionally lends the film a dream-like atmosphere (albeit one of those dreams that you forget about after you’ve been awake for 87 minutes). As I previously stated the Hawaiian scenery is lovely and some members of the cast — Robert Lansing and Ed Nelson, in particular — do the best that they can with their inconsistently written characters. The whole thing is such a slapdash affair that it becomes oddly fascinating to watch.

As for the film’s star, Marjoe Gortner was a former child evangelist whose claim to fame was being the subject of Marjoe, a documentary in which he admitted that he didn’t believe in anything that he preached and that he was just scamming people out of their money. Perhaps not surprisingly, Gortner was usually best-cast as villains or unpredictable rogues. (His best performance was as a morally ambiguous space pirate in Starcrash.) In Acapulco Gold, Gortner is playing a normal, ordinary guy who finds himself caught up in the drug underworld. Gortner is miscast as a naive innocent and, instead of projecting any sort of shock over anything tht he experiences, Gortner’s laid back performance suggests that there were multiple reasons why this film was called Acapulco Gold.

Acapulco Gold is currently viewable on Prime. It’s not a particularly good film but Hawaii has always looked great.

Music Video of the Day: Dreamin’ by Cliff Richard (1980, directed by Brian Grant)


On August 1st, 1981, MTV premiered.  Over the course of 24 hours, 166 unique music videos were played on MTV.  Yes, there was a time when the M actually did stand for music.

The 43rd video that played on MTV was the video for Hold On To The Night by Bootcamp, a band based in my former home of Baltimore, Maryland!  The video for Bootcamp was followed by this video for Dreamin‘ from the dependable Cliff Richard.  Though Cliff never became as big a star in the States as many people expected him to, he’s a cultural icon back in the UK.

Enjoy!

The First Videos Shown on MTV:

  1. Video Killed the Radio Star by the Buggles
  2. You Better Run by Pat Benatar
  3. She Won’t Dance With Me by Rod Stewart
  4. You Better You Bet By The Who
  5. Little Suzi’s On The Up by PH.D
  6. We Don’t Talk Anymore by Cliff Richard
  7. Brass in Pocket by Pretenders
  8. Time Heals by Todd Rundgren
  9. Take It On The Run by REO Speedwagon
  10. Rockin’ in Paradise by Styx
  11. When Things Go Wrong by Robin Lane & The Chartbusters
  12. History Never Repeats by Split Enz
  13. Hold On Loosely by .38 Special
  14. Just Between You And Me by April Wine
  15. Sailing by Rod Stewart
  16. Iron Maiden by Iron Maiden
  17. Keep On Loving You by REO Speedwagon
  18. Better Than Blue by Michael Johnson
  19. Message of Love by The Pretenders
  20. Mr. Briefcase by Lee Ritenour
  21. Double Life by The Cars
  22. In The Air Tonight by Phil Collins
  23. Looking for Clues by Robert Palmer
  24. Too Late by Shoes
  25. Stop Draggin’ My Heart Around by Stevie Nicks and Tom Petty and the Heartbreakers
  26. Do Ya Think I’m Sexy by Rod Stewart
  27. Surface Tension by Rupert Hine
  28. One Step Ahead by Split Enz
  29. Baker Street by Gerry Rafferty
  30. I’m Gonna Follow You by Pat Benatar
  31. Savannah Nights by Tom Johnston
  32. Lucille by Rockestra
  33. The Best of Times by Styx
  34. Vengeance by Carly Simon
  35. Wrathchild by Iron Maiden
  36. I Wanna Be a Lifeguard by Blotto
  37. Passion by Rod Stewart
  38. Oliver’s Army by Elvis Costello
  39. Don’t Let Me Go by REO Speedwagon
  40. Remote Control and Illegal by The Silencers
  41. Angel of the Morning by Juice Newton
  42. Little Sister by Rockpile with Robert Plant
  43. Hold On To The Night by Bootcamp

We’re following the White Rabbit again in The Matrix Resurrections Trailer


It’s been more than 20 years since the original Matrix dazzled audiences. It looks like both Keanu Reeves and Carrie-Anne Moss are reprising their roles as Neo and Trinity, alongside some fresh faces in Candyman‘s Yahya Abdul-Mateen II and Underwater‘s Jessica Henwick (sporting a fresh blue hairdo). Once again, Thomas Anderson is realizing the world around him isn’t quite what it seems. Just like before, others will show up to hopefully help him find his way, all to the tune of a sweet remix of Jefferson Airplane’s White Rabbit.

So, it looks like we might be in another cycle of the One here? Anyone who saw the Matrix Reloaded should recall that there were at least 6 previous Ones before Thomas Anderson, a.k.a. “Neo” came along. What I’m curious about is how this is going to be with all the background changes. The Wachowski’s have usually made their films as a pair, from Bound to Speed Racer to Cloud Atlas. This time around, Lana’s on her own in the directing duties, though we also have Sense8 writers Aleksandar Hemon and David Mitchell on board. That should bring some familiarity to fill in the space where Lilly Wachowski would be. My first thought is that it might be like a Christopher Nolan film without his brother Jonathan on board, but we’ll see how it goes. Musically, there’s also a change. Instead of Don Davis, we have Cloud Atlas‘ Tom Tykwer & Johnny Klimek on board.

The Matrix Resurrections also stars Jonathan Groff (Frozen), Christina Ricci (The Addams Family), Priyanka Chopra Jonas (Baywatch), Neil Patrick Harris (Gone Girl), Daniel Bernardt (Nobody, The Matrix Reloaded), Lambert Wilson (The Matrix Reloaded), Erindira Ibarra (Sense8), and Jada Pinkett Smith (The Matrix Reloaded)

The film will release in theatres and HBO Max this Christmas.

Music Video of the Day: Little Sister by Rockpile with Robert Planet (1979, directed by ????)


On August 1st, 1981, MTV premiered.  Over the course of 24 hours, 166 unique music videos were played on MTV.  Yes, there was a time when the M actually did stand for music.

The 42nd video played on MTV was Rockpile covering the Elvis classic Little Sister.  As you can see in the video, they received some help from Robert Plant.  Like the video for Rockestra’s cover of Lucille, this performance was a a part of the Concert for The People of Kampuchea.

Enjoy!

The First Videos Shown on MTV:

  1. Video Killed the Radio Star by the Buggles
  2. You Better Run by Pat Benatar
  3. She Won’t Dance With Me by Rod Stewart
  4. You Better You Bet By The Who
  5. Little Suzi’s On The Up by PH.D
  6. We Don’t Talk Anymore by Cliff Richard
  7. Brass in Pocket by Pretenders
  8. Time Heals by Todd Rundgren
  9. Take It On The Run by REO Speedwagon
  10. Rockin’ in Paradise by Styx
  11. When Things Go Wrong by Robin Lane & The Chartbusters
  12. History Never Repeats by Split Enz
  13. Hold On Loosely by .38 Special
  14. Just Between You And Me by April Wine
  15. Sailing by Rod Stewart
  16. Iron Maiden by Iron Maiden
  17. Keep On Loving You by REO Speedwagon
  18. Better Than Blue by Michael Johnson
  19. Message of Love by The Pretenders
  20. Mr. Briefcase by Lee Ritenour
  21. Double Life by The Cars
  22. In The Air Tonight by Phil Collins
  23. Looking for Clues by Robert Palmer
  24. Too Late by Shoes
  25. Stop Draggin’ My Heart Around by Stevie Nicks and Tom Petty and the Heartbreakers
  26. Do Ya Think I’m Sexy by Rod Stewart
  27. Surface Tension by Rupert Hine
  28. One Step Ahead by Split Enz
  29. Baker Street by Gerry Rafferty
  30. I’m Gonna Follow You by Pat Benatar
  31. Savannah Nights by Tom Johnston
  32. Lucille by Rockestra
  33. The Best of Times by Styx
  34. Vengeance by Carly Simon
  35. Wrathchild by Iron Maiden
  36. I Wanna Be a Lifeguard by Blotto
  37. Passion by Rod Stewart
  38. Oliver’s Army by Elvis Costello
  39. Don’t Let Me Go by REO Speedwagon
  40. Remote Control and Illegal by The Silencers
  41. Angel of the Morning by Juice Newton

Back In The Saddle, Part Three : Ryan Alves, Chaia Startz, Drew Lerman, And More


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

I dunno if I’ve got miles to go before I sleep (let’s fucking hope not), but I’ve got miles to go before I’m caught up, so let’s keep on keeping on with the single steps that make up the journey of a thousand — you know what? Enough with the cliches already.

Spiny Orb Weaver #2, Edited By Neil Brideau – Starting things off with a shameless plug for my Patreon, I’ve been talking a lot recently about the new trend in comics toward more locally-focused anthologies over on that site, and Brideau/Radiator are taking things a step further by funding this Miami-centric ‘zine with a South Florid arts grant. The format of each issue is tight and disciplined, to be sure, but there’s room within it to tell just about any story a person could want to : the lead feature is done by a South Florida-based artist, followed…

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Back In The Saddle, Part Two : Tara Booth, John Sammis, And Noah Van Sciver


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Continuing our frenzied and likely haphazard overview/brief analysis of stuff I read over the course of my break from posting here, we happen upon the following foursome of comics —

Cabin In The Woods, Part One By Tara Booth – Admittedly, the cover price on this 2019 comic from Berlin’s Colorama is steep at 18 Euros plus shipping, but there’s no denying that it’s absolutely gorgeous, as well — which comes as no surprise given that all of Booth’s gouache-painted comics are. The title’s a bit curious given that most of the “action” takes place in the city, but rest assured that by the end (for now) of the largely-wordless narrative our heroine/authorial stand-in makes it to the rural retreat in question. Prior to that, though, we are treated to an equal parts thoughtful and dizzying display of motion and its absence, communicated via the entirely relatable means of workaday…

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*Sigh* Here’s The Trailer for Adam McKay’s Don’t Look Up


Adam McKay has a new movie coming out.  It’s called Don’t Look Up and the cast is packed with stars.  It’s apparently a comedy about two astronomers who discover that a comet is about to collide with Earth, potentially ending all life as we know it.

Here’s the teaser:

I’m not really a big Adam McKay fan.  In fact, I think the last Adam McKay film that I really liked was AnchormanThe Big Short was overrated and smug.  Vice was an attempt to destroy Dick Cheney that, instead, rehabilitated the former vice president’s image in the eyes of many.  (I mean, seriously, it takes a certain amount of effort to screw up a film that’s only reason for existing was to portray Dick Cheney as being a sinister figure.)  Both Vice and The Big Short were victims of McKay’s tendency to try too hard to prove that he’s capable of more than just Anchorman.  (Let’s be honest, though.  If you had to pick between Anchorman and either of McKay’s Oscar-nominated films, which one are you going for?)

McKay is not a particularly good or clever political satirist but there are people who love his work, largely because they already agree with him.  His films are like the progressive, secular version of God’s Not Dead, heavy-handed, predictable, and beloved by people who exist in a very specific social and cultural bubble.  Of course, both The Big Short and Vice received several Oscar nominations but that due more to Hollywood agreeing with the film’s politics than the films themselves.

Anyway, the teaser features Leonardo DiCaprio, Jonah Hill, Meryl Streep, and Jennifer Lawrence, all acting up a storm.  (These are four talented actors, all of whom really need a director who is willing to say, “Okay, let’s dial it back a little.”  Subtlety, of course, is not really a McKay specialty.)  I’m not looking forward to this film but I’ll still watch it when it shows up on Netflix.  Who knows?  Maybe it’ll feel more like Anchorman than Vice.  One can only hope!