I dunno if I’ve got miles to go before I sleep (let’s fucking hope not), but I’ve got miles to go before I’m caught up, so let’s keep on keeping on with the single steps that make up the journey of a thousand — you know what? Enough with the cliches already.
Spiny Orb Weaver #2, Edited By Neil Brideau – Starting things off with a shameless plug for my Patreon, I’ve been talking a lot recently about the new trend in comics toward more locally-focused anthologies over on that site, and Brideau/Radiator are taking things a step further by funding this Miami-centric ‘zine with a South Florid arts grant. The format of each issue is tight and disciplined, to be sure, but there’s room within it to tell just about any story a person could want to : the lead feature is done by a South Florida-based artist, followed…
Continuing our frenzied and likely haphazard overview/brief analysis of stuff I read over the course of my break from posting here, we happen upon the following foursome of comics —
Cabin In The Woods, Part One By Tara Booth – Admittedly, the cover price on this 2019 comic from Berlin’s Colorama is steep at 18 Euros plus shipping, but there’s no denying that it’s absolutely gorgeous, as well — which comes as no surprise given that all of Booth’s gouache-painted comics are. The title’s a bit curious given that most of the “action” takes place in the city, but rest assured that by the end (for now) of the largely-wordless narrative our heroine/authorial stand-in makes it to the rural retreat in question. Prior to that, though, we are treated to an equal parts thoughtful and dizzying display of motion and its absence, communicated via the entirely relatable means of workaday…
Adam McKay has a new movie coming out. It’s called Don’t Look Up and the cast is packed with stars. It’s apparently a comedy about two astronomers who discover that a comet is about to collide with Earth, potentially ending all life as we know it.
Here’s the teaser:
I’m not really a big Adam McKay fan. In fact, I think the last Adam McKay film that I really liked was Anchorman. The Big Short was overrated and smug. Vice was an attempt to destroy Dick Cheney that, instead, rehabilitated the former vice president’s image in the eyes of many. (I mean, seriously, it takes a certain amount of effort to screw up a film that’s only reason for existing was to portray Dick Cheney as being a sinister figure.) Both Vice and The Big Short were victims of McKay’s tendency to try too hard to prove that he’s capable of more than just Anchorman. (Let’s be honest, though. If you had to pick between Anchorman and either of McKay’s Oscar-nominated films, which one are you going for?)
McKay is not a particularly good or clever political satirist but there are people who love his work, largely because they already agree with him. His films are like the progressive, secular version of God’s Not Dead, heavy-handed, predictable, and beloved by people who exist in a very specific social and cultural bubble. Of course, both The Big Short and Vice received several Oscar nominations but that due more to Hollywood agreeing with the film’s politics than the films themselves.
Anyway, the teaser features Leonardo DiCaprio, Jonah Hill, Meryl Streep, and Jennifer Lawrence, all acting up a storm. (These are four talented actors, all of whom really need a director who is willing to say, “Okay, let’s dial it back a little.” Subtlety, of course, is not really a McKay specialty.) I’m not looking forward to this film but I’ll still watch it when it shows up on Netflix. Who knows? Maybe it’ll feel more like Anchorman than Vice. One can only hope!
On August 1st, 1981, MTV premiered. Over the course of 24 hours, 166 unique music videos were played on MTV. Yes, there was a time when the M actually did stand for music.
The 41st video played on MTV was this simple clip for the Juice Newton’s version of Angel of the Morning. Written by Chip Taylor and originally recorded by Merrilee Rush in 1968, Angel of the Morning has been covered by numerous artists. The Juice Newton version was one of the most successful and it led to Newton being the first country artist to appear on MTV.