
Haunting by Erin Nicole
“Last night I saw upon the stair,
A little man who wasn’t there,
He wasn’t there again today
Oh, how I wish he’d go away…”

Haunting by Erin Nicole
“Last night I saw upon the stair,
A little man who wasn’t there,
He wasn’t there again today
Oh, how I wish he’d go away…”
Halloween comes closer and that means that it’s time for another holiday edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers. Today, we have 6 of my favorite Italian horror trailers!
I’ve always liked the trailer for Lucio Fulci’s The Beyond. It does a good job of capturing the dream-like amtosphere of Fulci’s classic film.
2. Raiders of Atlantis (1983)
Raiders of Atlantis is hardly my favorite Ruggero Deodato film but I do really like the trailer. Add to that, I think this might be the only Deodato trailer that’s actually safe for work. The trailer for Cannibal Holocaust features that body being found with the stake driven through it. The House on the Edge of the Park trailer features the scene with straight razor. Meanwhile, the trailer for Raiders of Atlantis has fun music and a laser-shooting statue! It also has Tony King shouting, “Come on, come on, come on!”
3. Zombie 5: Killing Birds (1987)
This movie sucks but, for some reason, I’ve always found the trailer to be very effective. I think it’s the scene with the woman smiling despite being pinned to the wall and apparently dead. That’s pure nightmare fuel.
4. Spasmo (1974)
This is from director Umberto Lenzi. I sometimes feel as if I’m the only person in the world who likes this film. As for the trailer, I just enjoy the anguished cries of “Spasmo! Spasmo!”
5. Lisa and the Devil (1973)
This is one of my favorite Mario Bava films. Yes, some of it is because the lead character is named Lisa. I’ll admit it, I like my name. However, it’s a really good film as well!
6. Tenebrae (1982)
And finally, here is the trailer for Dario Argento’s brilliant, Tenebrae!
Seriously, if you want to have a truly wonderful Halloween, watch some Italian horror! If you haven’t already discovered Bava, Fulci, Argento, Lenzi, Soavi, D’Amato, and all the rest, now is the perfect time to do so! Do it now before their work gets canceled by the online puritan mob.
(Always remember: invest in physical media.)
We Summon The Darkness is a horror/comedy that has got a devilish little twist that I can’t spoil in this review.
That’s a shame because, believe me, I would love to spoil it. I would love to tell you all about the twist and about how much I love the twit and how clever I felt it all was but really, this is a twist that you need to experience for yourself. I don’t know if it’s really possible to go into a movie blind anymore but if there’s any movie that benefits from being viewed with as little foreknowledge as possible, it’s We Summon The Darkness.
I can tell you that that movie takes place in Indiana in 1988. It follows six people — three women and three guys — over the course of one long and very eventful night. It starts with Alexis (Alexandria Daddario), Val (Maddie Hasson), and Bev (Amy Forsyth) heading to a heavy metal concert out in the middle of nowhere. As they head to the concert, we see glimpses over an evangelist (Johnny Knoxville) railing against heavy metal and Satanism. We also hear some random news reports about some recent murders, all of which appear to have been the work of Satanists. It’s obvious that this film takes place in a very religious community, one that feels it is currently under attack from the forces of darkness.
At the concert, the girls meet up with three dorky guys, Mark (Keenan Johnson), Kovacs (Logan Miller), and Ivan (Austin Swift). Ivan is the leader of the guys, an outspoken atheist who is clearly skeptical of all of this Satanic panic. Mark, meanwhile, is celebrating one last hurrah before heading off to Los Angeles. Alexis invites the boys to come back to her father’s mansion, which is apparently empty for the night. The boys agree and….
….all Hell breaks loose.
And that’s all I’m going to tell you about the plot. In fact, I probably shared too much already. What I will say is that the film takes you by surprise. Just from reading about the film’s opening few minutes, you may think you know who these characters are but, instead, they surprise you. You may also think that you know how all of the chaos at the mansion is going to play out but again, the film surprises you.
We Summon The Darkness is a clever and intense mix of horror and satire, one that keeps the audience guessing. From the strong opening to the twisty conclusion, this is a film that grabs your attention and refuses to let it go. Director Marc Meyers does a great job of ramping up the tension and he’s helped by a wonderful cast, all of whom bring their odd characters to life. Alexandra Daddario and Ivan Swift are the cast stand-outs, with Daddario especially tearing through the film like a force of nature. Though I initially assumed that Johnny Knoxville’s role was an example of stunt casting, he actually gives a good performance as a character who turns out to be far more important than you might initially assume.
We Summon The Darkness can currently be summoned from Netflix and it’s worth the watch.
This, of course, is from the soundtrack of Dario Argento’s film of the same name.
Enjoy!