Ryan C.'s Four Color Apocalypse

Somewhere in the inky depths of a dark, dank, foreboding dungeon, a fish head quite literally out of water finds itself trapped, and in desperate need of escape — will he/she/it make it?
This is the basic question at the heart of cartoonist Laurence Engraver’s 2018 Hollow Press-published Drippin’, a comic that takes absolutely full advantage of its format (obsidian-toned thick paper, dense white inks) and the sheer, enviable skill of its creator to tell a largely-wordless (barring the occasional animal sound effect) and exceptionally harrowing tale of survival against insurmountable odds. You think you know horror comics? This is a horror comic.

And by that I mean horrific to its core — from its dangling hooks to its murky passageways to its creaky wooden stairs to its vaguely Lovecraftian denizens, this book conjures an atmopshere — forgive me, but I’m going there again — dripping with a kind…
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