Horror Film Review: Invaders From Mars (dir by William Cameron Menzies)


The aliens have arrived!  They landed one night in the middle of a thunderstorm and now, they’re hiding underground in a sandpit.  Only David McClean (Jimmy Hunt) was awake to witness their arrival.  He was supposed to be asleep but who could sleep through all that thunder and lightning?  (Not to mention the sound of the flying saucer!)  Unfortunately, no one’s going to believe David because he’s only 12 years old!

That’s the premise at the heart of Invaders from Mars, a nicely surreal science fiction film from 1953.

In order to humor David, a few people do go to the sandpit to look for this supposed UFO.  They include his scientist father (Leif Erickson) and a few local cops.  They all return saying that they found nothing.  They also all return in a really bad mood.  David’s formerly loving and humorous father is suddenly distant and rather grumpy.  And he no longer speaks like himself.  Instead, he is now rigidly formal, like someone still getting used to speaking a new language.  Maybe it has something to do with the strange mark on the back of his neck….

David goes into town and soon discovers that several townspeople are acting just like his father.  It’s almost as if something is controlling them!  Well, what else can David do but go to the local observatory and get the U.S. Army involved!?

Invaders from Mars may be disguised as a children’s film about a flying saucer but it actually deals with some very adult issues.  What do you do when you know that you’re right but no one is willing to listen to you?  Do you stubbornly cling to what you believe or do you just become a mindless and unquestioning zombie like everyone else?  Do you remain independent or do you get the mark on your neck?  Of course, it should also be pointed out that Invaders From Mars was made at a time when people were very much worried that America was being invaded from within by communists and subversives, all of whom would rob Americans of their individual freedoms just as surely as the aliens in David’s town.  Invaders From Mars came out two years before Invasion of the Body Snatchers but they both deal with very similar issues.

What sets Invaders From Mars apart is that it’s told from a child’s point of view.  It plays out like a nightmarish fairy tale.  The film was directed by the famous production designer, William Cameron Menzies and he gives the entire film a nicely surreal look.  The town is just a little bit too perfect while the inside of the spaceship is a maze of corridors, all overseen by a ranting head in a crystal ball.

The film’s ending was probably chilling to audiences in 1953.  For modern audiences, it’s a bit of groan-inducing cliché.  Still, the ending itself makes sense when viewed in the context of the entire film.  (It’s literally the only ending that makes sense.)  Still, ending aside, Invaders From Mars is a classic sci-fi film and one well worth watching this Halloween season.

 

Halloween Havoc! Extra: The Horrific Humor of Gahan Wilson


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For over half a century, Gahan Wilson’s macabre cartoons have been sending shivers of laughter down the reader’s spines in magazines like Playboy, National Lampoon, The New Yorker, and The Magazine of Fantasy & Science Fiction. Here is a gallery of ten ghastly giggles from the wonderfully warped mind of Gahan Wilson:

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Horror on the Lens: Robot Monster (dir by Phil Tucker)


Today’s horror film is a true classic of its kind, the 1953 science fiction epic Robot Monster.

Now, I should admit that this is not the first time that I’ve shared Robot Monster in October.  I share it every year and, every year, YouTube seems to pull the video down in November.  That sucks because Robot Monster is one of those weird films that everyone should see.  So, I’m going to share it again.  And, hopefully, YouTube will let the video stay up for a while.

As for what Robot Monster is about…

What happens with the Earth is attacked by aliens?  Well, first off, dinosaurs come back to life.  All of humanity is killed, except for one annoying family.  Finally, the fearsome Ro-Man is sent down to the planet to make sure that it’s ready for colonization.  (Or something like that.  To be honest, Ro-Man’s exact goal remains a bit vague.)

Why is Ro-Man so fearsome?  Well, he lives in a cave for one thing.  He also owns a bubble machine.  And finally, perhaps most horrifically, he’s a gorilla wearing a diver’s helmet.  However, Ro-Man is not just a one-dimensional bad guy.  No, he actually gets to have a monologue about halfway through the film in which he considers the existential issues inherent in being a gorilla wearing a diver’s helmet.

Can humanity defeat Ro-Man?  Will Ro-Man ever get his intergalactic supervisor to appreciate him?  And finally, why are the dinosaurs there?

All of those questions, and more, are cheerfully left unanswered but that’s a large part of this odd, zero-budget film’s considerable charm.  If you’ve never seen it before, you owe it to yourself to set aside an hour and two minutes in order to watch it.

You’ve never see anything like it before.

Enjoy!

Halloween Havoc! Music Extra: “Strange Brew” by Cream (Atco Records 1967)


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Last night, I caught a show called ‘The Music of Cream’, featuring the sons of bassist Jack Bruce and drummer Ginger Baker, along with guitarist Eric Clapton’s nephew,  jamming to the psychedelic blues-rock of their musical progenitors. Which brings me to “Strange Brew”, whose lyrics kinda fit in with the whole ‘Halloween Havoc!” theme this month. Plus, it’s a damn good tune! From the 1967 LP “Disraeli Gears”, here’s Cream lip-synching along to “Strange Brew”. Enjoy!:

http://www.youtube.com/watch?v=hftgytmgQgE

And if you get the chance to see ‘The Music of Cream’ in your neck of the woods, by all means do so… you won’t be disappointed!

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Weekly Reading Round-Up : 09/30/2018 – 10/06/2018, Peter Faecke


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One of the highlights of Autoptic 2018 for yours truly was making the acquaintance of Minneapolis’ own Peter Faecke, who is producing some of the most distinctive and classification-destroying minis around — and doing it just a few blocks from my own house? Yeah, it’s a small world and all that, but the coolest thing about Faecke’s work is that it’s proof positive that he actually lives on a different world than most of us altogether, one where the rules and conventions of sequential storytelling aren’t so much subverted as they are both adhered to and utterly dispensed with simultaneously.

Before you jump all over me for saying something so blatantly contradictory on its face, relax — I know that last sentence makes no fucking sense whatsoever. But then, neither does much of what’s on offer in Faecke’s comics — yet that doesn’t mean they don’t all work within the…

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Music Video of the Day: Shame by Stabbing Westward (1996, directed by Paul Cunningham)


“Who was the girl in Stabbing Westward’s video for Shame?”

For those of us who grew up in the 90s, that is question that we’ve been asking ourselves for 22 years.  Who played Julie, the leggy brunette who found herself threatened by her ex-boyfriend while the band ate popcorn and watched from the couch?

It only took me a minute of research to discover that Nick was played by an actor named Clint Curtis.  If he seems familiar, you may have seen him in movies like Deep Rising, The Mexican, or Splatter: Love, Honor, and Paintball.  But no one seems to know who played Julie, though a lot of people still wonder.  I’ve seen speculation that she was a model or maybe she was dating a member of the band.  On one message board, someone even thought that she may have been played by the actress, Alana Urbach.  (She’s wasn’t.)

Even if we don’t know who played Julie, Shame is a smart video from an underrated band.  It was directed by Paul Cunningham, who is probably best known for directing the video for Radiohead’s High & Dry.