Jedadiah Leland’s Horrific Adventures In The Internet Archive #3: Hugo’s House of Horrors (1990, Gray Designs Associates)


During today’s exploration of the horrific corners of the Internet Archive, I played Hugo’s House of Horrors (1990, Gray Designs Associates.)

In Hugo’s House of Horrors, you control Hugo.  Hugo’s girlfriend went to a haunted house to babysit and never returned.  When the game starts, you have just arrived at the house to try to find her.

First impression: I’m really digging the graphics.  That house sure does look haunted.  The spooky music that playing in the background is also pretty cool.

I guess it’s time for Hugo to enter the house.  This turned out to be more difficult then I was expecting.

Why not?  That’s a great idea!

Locked?  But look at all those eyes watching Hugo.  Maybe someone inside the house can help.

Hello?

Son of a bitch!  Maybe there’s something I’m missing.

I just tried that!

OPEN THIS DOOR!

OPEN UP!

OPEN THE DOOR, I SEE YOU STARING AT ME!

Eventually, I noticed the pumpkin at Hugo’s feet.  The key was hidden in the pumpkin so Hugo was finally able to open the door and enter the house.

Nice house.  I especially like the painting of the bat.  I sent Hugo went upstairs and had him go through that open doorway at the end of the hall.

Get in the box?  Why not?

Maybe this wasn’t such a good idea.

Oh, this is bullsh–

After the professor left, I realized that Hugo was now much smaller.  After the professor left, I decided that Hugo should leave the room too.  I don’t trust Igor.

The lesson here is don’t get into strange boxes.

This is as far as I have gotten on Hugo’s House of Horrors.  Hugo may be in trouble because it doesn’t seem that I’m very good at this game.  Maybe he will have better luck with you controlling his actions than me.

A Movie A Day #268: Destroyer (1988, directed by Robert Kirk)


A year and a half ago, serial killer Ivan Mosser (Lyle Alzado) was sent to the electric chair for murdering 23 people.  On the night that he was electrocuted, the worst prison riot in American history broke out.  The prison was closed and abandoned.  A year and a half later, a film crew has entered the prison to make a women in prison film.  Robert Edwards (Anthony Perkins) is the sleazy director.  David Harris (Clayton Rohner) is the screenwriter who fights to maintain the integrity of his script and who is an expert on the prison’s history.  Susan Malone (Deborah Foreman) is a stuntwoman and David’s girlfriend.  And Ivan is the murderer who is still half-alive and full of electricity.

Watching a forgettable, direct-to-video movie like Destroyer, it is impossible not to feel sorry for Anthony Perkins, who went from getting nominated from Oscars and working with Hitchcock to appearing in films like this.  According to the Perkins biography, Split Image, Perkins was brought in at the last minute to replace Roddy McDowall and was miserable during most of the shoot.  Since Perkins spent a good deal of his later career working with directors like the one he plays in Destroyer, it’s not surprising that he gives one of the two good performances in Destroyer and he also gets the movie’s only memorable death scene.  The other good performance comes from Lyle Alzado, a former football player who had exactly the right look for his role and who plays Ivan like a ghost who is in the throes of roid rage.  Unfortunately, both Alzado and Perkins would die within months of each other in 1992, four years after co-starring in Destroyer.

Halloween Havoc!: KISS OF THE TARANTULA (Cinema-VU 1976)


gary loggins's avatarcracked rear viewer

KISS OF THE TARANTULA is not a direct sequel to TARANTULA . Not even close. Instead, it’s a WILLARD inspired movie with spiders in place of rats, a female protagonist, and a much lower budget. Shot in Columbus, GA by director Chris Munger, this regional indie production has a few genuinely creepy moments, and has gained itself something of a cult following.

Pretty Susan Bradley has been fascinated with spiders since childhood. She lives with her loving father and bitchy mother in a mortuary where Dad plies his trade. Mom is dallying with her cop brother-in-law, Susan’s Uncle Walter, and overhears them plotting Dad’s demise. The precocious kid then sics her pet tarantula on arachnaphobe Mom, resulting in a massive heart attack.

Soon Susan’s all grown up, yet shunned by the local kids for her unhealthy obsession with eight-legged pets. Dad’s still supportive, but Uncle Walter has developed an unhealthy obsession of…

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Horror Scenes That I Love: Thomas Edison’s Production of Frankenstein


Today’s horror scene that I love is, much like The Haunted Castle and The Monster, less a scene and more an entire movie.

In 1910, Thomas Edison produced what is thought to be the first ever film version of Mary Shelley’s Frankenstein!  Clocking in at 12 minutes and 41 seconds, this film was directed by J. Searle Dawley and stars Charles Ogle as the monster.

Admittedly, the surviving prints of this 107 year-old movie are not in the greatest condition.  But I still think it’s effectively surreal and, in its way, quite creepy.  While it always takes a while for modern audiences to get used to the more theatrical acting styles of the silent films, Charles Ogle still makes for a very memorable monster.  I especially enjoy the tinted scenes where the monster comes to life.  In the video below, it start around the 2:18 mark and it’s truly a scene that I love!

Enjoy this piece of film history!

4 Shots From 4 Films: Special Lamberto Bava Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

Today’s director in Lamberto Bava, one of the most underrated directors in the history of Italian horror cinema.

4 Shots From 4 Films

A Blade in the Dark (1983, directed by Lamberto Bava)

Demons (1985, dir by Lamberto Bava)

Demons 2 (1986, dir by Lamberto Bava)

Delirium (1987, dir by Lamberto Bava)

Follow That Dream: RIP Tom Petty


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In an era of throbbing disco beats, ponderous prog rock, and angry loud punk,   Tom Petty’s rootsy, guitar-jangling sound was like a breath of fresh air blowing through the late 70’s radio airwaves. Petty was a Southern boy, but didn’t fit the ‘Southern Rock’ mode of the Allman Brothers or Marshall Tucker. Instead, he and his band The Heartbreakers were influenced by the stylings of The Beatles and The Byrds, crafting tight-knit pop tunes for the ages.

The Florida-born Petty was an artsy type of kid, an outsider in a world of machismo. He met his idol Elvis Presley when The King was making the 1961 film FOLLOW THAT DREAM on location, and three years later, when The Beatles appeared on Ed Sullivan, Tom knew what he wanted to do with his life. By age 17, he’d dropped out of high school, and three years later started Mudcrutch, a…

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Horror On The Lens: The Dead Don’t Die (dir by Curtis Harrington)


For today’s horror on the lens, we have a 1975 made-for-television movie called The Dead Don’t Die!

The Dead Don’t Die takes place in Chicago during the 1930s.  George Hamilton is a sailor who comes home just in time to witness his brother being executed for a crime that he swears he didn’t commit.  Hamilton is convinced that his brother was innocent so he decides to launch an investigation of his own.  This eventually leads to Hamilton not only being attacked by dead people but also discovering a plot involving a mysterious voodoo priest!

Featuring atmospheric direction for Curtis Harrington and a witty script by Robert Bloch, The Dead Don’t Die is an enjoyable horror mystery.  Along with George Hamilton, the cast includes such luminaries of “old” Hollywood as Ray Milland, Ralph Meeker, Reggie Nalder, and Joan Blondell.  (Admittedly, George Hamilton is not the most convincing sailor to ever appear in a movie but even his miscasting seems to work in a strange way.)

And you can watch it below!

Enjoy!

Music Video of the Day: Pet Sematary by Ramones (1989, dir. Bill Fishman)


You can hardly tell this was done by the same director who made the video for I Wanna Be Sedated by Ramones.

I Wanna Be Sedated by Ramones (1988)

I Wanna Be Sedated by Ramones (1988)

This song was obviously made for the movie Pet Sematary (1989). It’s the following guy that we have to thank for this song existing:

King is apparently a big fan of the Ramones. According to Wikipedia, King invited them to his home where he proceeded to hand a copy of the book to Dee Dee who went into the basement, and came out an hour later with the lyrics for the song. Impressive. Sure the song would go on to win the Razzie Award for Worst Original Song, but I’m assuming he both read the book and wrote the lyrics in an hour. I find that to be impressive. Still, I can understand why it won that award. All you have to do is play I Wanna Be Sedated back-to-back with this song, and it’s night and day.

The video was shot at Sleepy Hollow Cemetery in the New York village of the same name. The band plays on a hydraulic platform instead of sitting at a table while things go on around them.

Those things include Debbie Harry and Chris Stein of Blondie, and members of The Dead Boys. I couldn’t find any of them for sure. You’d think Debbie Harry would stand out, but the video quality is so bad. My best guess is that she is the one on the left.

In the end, they’re buried.

Despite the fact that Mary Lambert of music video fame directed the film, as well Pet Sematary 2: Judgement Day, the video was directed by Bill Fishman. He appears to have done around 50-60 music videos total, with the most recent one being in 2014 for The Decemberists. He directed a couple of videos for the Ramones.

Enjoy!

Horror on TV: The Twilight Zone 3.24 “To Serve Man”


On this day, 58 years ago, one of the most influential shows in the history of television, The Twilight Zone, premiered on CBS.  Created by Rod Serling, this anthology show not only featured some of the best actors and writers in the business but it also used tales of the unexpected to address some of the most pressing issues of the day.  (Many, if not all, of those issues remain relevant today.)  The Twilight Zone inspired a countless number of future filmmakers and writers and it remains popular today.  The annual New Year’s Eve and 4th of July marathons on SyFy continue to delight viewers both new and old.

When we first started doing our annual October horrorthon here at the Shattered Lens, every single episode of the original, black-and-white Twilight Zone was available on YouTube.  Sadly, that’s no longer the case.  As I sit here writing this, while several episodes from the show’s later (and largely unsuccessful) revivals have been uploaded,  there is exactly one episode of the original Twilight Zone on YouTube.

Fortunately, that episode is a classic.  In 1962’s To Serve Man, an alien (Richard Kiel) comes to Earth and invites people to return to his home planet with him.  He leaves behind a book.  When everyone learns that the title of the book is To Serve Man, they excitedly decide that the book must be an instruction manual on how to help mankind.  The truth, as we learn in the episode’s classic finale, is something a little bit different.

Here’s the episode!  Watch it before YouTube yanks it down.

Enjoy!