What Horror Lisa And The Snarkalecs Watched Last Night #156: The Crooked Man (dir by Jesse Holland)


Last night, my friends, the Snarkalecs, and I watched the latest SyFy original film, The Crooked Man!

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Why Were We Watching It?

Gawdamn, y’all (as we tend to say down here in Texas), do you remember how much fun it used to be when SyFy would premiere a different movie every Saturday night?  Back when I first started regularly watching SyFy and live tweeting with the Snarkalecs, SyFy was all about original movies.

Sadly, things have changed.  Now, we only get SyFy original movies twice during the year.  Once is during the week leading up to the latest Sharknado film.  The other time is October, when SyFy does its 31 Days of Horror.

Since the Snarkalecs are still trying to change SyFy’s policy towards original movies, we make it a point to watch every single one of them.  We also make it a point to tweet about the movies, the hope being that someone at SyFy will see that there is an audience for original movies.

That’s what we were doing last night as we watched The Crooked Man.

What Was It About?

Olivia (Angelique Rivera) gets all of her friends killed but isn’t ever really held responsible because she’s the main character in the film.

Okay, there’s actually a little more to it than that.  The Crooked Man is a hybrid of The Ring, It Follows, Candyman, Slenderman, The Nun, and … well, just about every other horror film made over the past 16 years.  It starts with a slumber party, where a group of 12 year-old girls make the mistake of listening to a song online.  The song, it’s said, will summon the Crooked Man.

Later, the slumber party is interrupted when all the lights go out.  Fortunately, there’s also a pizza delivery guy at the party and he knows how to turn the lights back on.  Well, that’s good.  However, there is yet another interruption when one of the girls, Jill, is found dead at the foot of the stairs.  Standing over her is Olivia.  Though Olivia has a knife in her hands, she swears that she didn’t kill Jill.  It was … THE CROOKED MAN!

Olivia is sent to a mental asylum for six years.  When she’s released, she returns home.  The problem is that nobody in the town wants her to come home.  And actually, they have a point because, as soon as Olivia returns, The Crooked Man starts killing everyone who was at that slumber party.

EVEN THE PIZZA GUY!

What Worked?

I will be the first to admit that most of my tweets were pretty critical last night but there were a few effectively creepy moments in The Crooked Man.  The Crooked Man himself was scary.

The Voice‘s Dia Frampton showed up to sing a song and then promptly got killed.  That definitely provided the film with a nice WTF moment.

What Did Not Work?

Okay — so the Crooked Man can only get you when you’re in the dark, right?  SO WHY DOES EVERYONE IN THE FILM KEEP TURNING OFF ALL THE LIGHTS!?  Seriously, nobody seemed to appreciate that there was a really easy solution to most of their problems…

(Actually, in all fairness, The Crooked Man had the power to kill all the electricity and plunge people into darkness.  But still, it did seem like the characters often never even considered trying to turn on all the lights.  I would have at least liked to have seen some sort of effort.)

“OMG!  Just like me!” Moments

I related to the character of Violet.  Violet was at the slumber party and therefore, she was on Crooked Man’s kill list.  And Violet put the blame right where it belonged.  On Olivia!

Seriously, Olivia, way to get all your friends killed.

Lessons Learned

If a monster can only exist in the dark, turn on the damn lights!

Horror on the Lens: The Undying Monster (dir by John Brahm)


For today’s horror on the lens, we have 1942’s The Undying Monster!

It tells the story of the Hammonds, a noble British family who, for centuries, have been haunted by suicide, murder, and rumors of a curse.  When a mysterious creature attack Oliver Hammond, Scotland Yard dispatches a scientist to figure out what’s going on.  Perhaps not surprisingly, the local villagers insist that it’s the curse.  The scientist, however, is convinced that it has to be something else…

Clocking in at 63 minutes and made on an obviously low budget, The Undying Monster is actually pretty good.  Director John Brahm emphasizes shadows and darkness, taking an almost film noir approach to this tale of gothic horror.  The Undying Monster is a hidden gem of 40s horror and here it is!

Enjoy!

Music Video of the Day: Dragula by Rob Zombie (1998, dir. Rob Zombie)


Nothing says 1998 like seeing Rob Zombie and a group of devils doing The Night at the Roxbury (1998) head bob.

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The greatest thing about this music video is knowing that Robert Osborne and/or Ben Mankiewicz saw it, which lead to him hosting TCM Underground for awhile. Thanks to Rob Zombie’s brief time there, I was introduced to Faster Pussycat! Kill! Kill! (1965).

I wouldn’t be surprised if the dancing lady is a reference to that movie. Then again, it could be any cult film from the 1960s.

Thanks to Wikipedia, I know some of the footage he uses. The bit about “superstition, fear, and jealousy” comes from the film The City Of The Dead/Horror Hotel (1960). The line is spoken by Christopher Lee. That part is played over footage from 1920’s Dr. Jekyll And Mr. Hyde. The killer robot is from the The Phantom Creeps (1939). Frankenstein is in there too. I know I’ve seen the shocked woman at the beginning somewhere, but I can’t place it. I wanna say the 1958 version of The Fly, but it’s just a guess.

There’s plenty more in there, but those are the only ones I could find. If you can tell me more, then please do so.

The car in the music video and in the song title itself comes from Grandpa Munster’s dragster on The Munsters.

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However, the car in the music video only resembles the car driven on the show.

This stuff came out in an interview that Rob Zombie gave with Billboard magazine. Don’t quote me on it, but I swear I remember him saying his dad or grandfather owned a Dragula, which is where the song came from. I could have just misheard it for Grandpa Munster. I couldn’t find a reference to that anywhere.

Of course Rob Zombie directed the music video before he went on to give us the backstory of Michael Myers that I don’t think anyone was asking about. After Halloween II (2009), I think it’s safe to say he was all but crucified. But being a zombie, it didn’t matter. He’s alive and well. Even 82-year-old John Hetlinger performed the song on an episode of America’s Got Talent back in July of this year despite not knowing what the lyrics mean–according to Songfacts.

Welcome to the club, Hetlinger! I have no idea what they mean either. This is one of those songs where I ignore the lyrics, and take Rob Zombie’s voice to be just another instrument. That goes for the music video that to this day is pure fun, whether it’s October or not.

Jeff Selis edited the music video. He’s edited over 100 music videos, and still is working today with artists like Beyoncé, Usher, Jennifer Lopez, Lana del Ray, Selena Gomez, Taylor Swift, and many more. It looks like before he was a music video editor, he was a location manager on films such as Body of Evidence (1993) and My Own Private Idaho (1991). I can’t find a credit for him working on a Madonna or Dogstar music video. That would be too awesome.

Dave Hussey was the colorist on this music video. He has worked on somewhere around 330 music videos with Ariana Grande, Taylor Swift, Eminem, Katy Perry, Britney Spears, OutKast, Aerosmith, The Offspring, Michael Jackson, and many many more. He has worked on two Madonna music videos.

Enjoy!