Here’s the Teaser for 11.22.63


James Franco in Dallas!?

Yes, please!

(James was actually in Dallas filming last month but I was on vacation so I missed him.)

It’s just unfortunate that James is going to be appearing in yet another rehash of the Kennedy assassination.  Allow me to turn on my sarcasm as I say that this film will probably be a totally fair and even-handed portrait of my home city and that everyone in the cast will actually try to get the local accents right (as opposed to sound like a bunch of yankees with peanut butter in their mouth).

But, ultimately, all that really matters to me is that 11.22.63 stars James Franco!  It’ll be available on Hulu starting on February 15th, 2016.

Here’s the Trailer for Midnight Special!


Just recently, I found myself wondering what had happened to Jeff Nichols’s Midnight Special?  This film was one of the most highly anticipated films of 2015 and why not?  After all, Nichols previously gave us Take Shelter and Mud.  And Midnight Special starred Michael Shannon, a great actor if there ever was one.

But then suddenly, people stopped talking about Midnight Special and I wondered where it had gone.  Well, now I have my answer.  It’s gone to March of 2016.

Usually, whenever a release date changes, that’s a bad sign but you know what?  I believe in Jeff Nichols and I believe in Michael Shannon and I can’t wait to see Midnight Special!

 

#LateNightMovie review: Mission Stardust


Mission Stardust: Nov 14, 2015

This is how many weeks in a row I am late with the #LateNightMovie review? At least one week, each week, lately! Tho it doesn’t show, I promise I am trying to do better!

This last week (Nov. 14, 2015) we watched ‘Mission Stardust’ and seriously, if you haven’t watched this movie, go and watch now! (link below) I found this movie again while perusing the depths of the You Tubes!

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Director:

Primo Zeglio

Writers:

Kurt Vogelmann (as as K.H. Vogelmann)

Sergio Donati

Stars:

Langs Jeffries as Maj. Perry Rhodan

Essy Perrson as Thora

Joachim Hansen as Dr. Manoli

Plot:
Sent to the Moon to to save an alien who is trying to save her race, a group of astronauts are attacked by a band of Robots.

Review:
Based on the “Perry Rhodan” * novels, which I have read several times over, I did like this movie. Actually, more than the reviews I have read, this is one of the better movies in the series. But I have to fall back on my book reading for a minute. And I know all of us book readers do this, Yes, read the book series before watching a movie. If you can’t, this movie is worth the watch. Very snarkable, but yet, not closely inlined with the book series.

*Perry Rhodan is a series of books from the German authors KH Scheer and Walter Ernsting

The quips from the LNM gang were great!

First off Kelly reminded me :

kellythul:
redact all boos PAtrick

and I did,Kelly!

kellythul:is that Gerald Webb? He dresses like Gerald…

But after that, I turned them back on! Booo!!!

Becky:
The coolest kermits EVA!

Sweet_Iron_Man:
spacex still can’t land the booster rocket like that too soon!

WarrenPeas64:
Pinch me, tell me I’m not dreaming… harder… now slap me and call me a dirty little boy

Well, Warren….your dreams are yours, nobody judges!

TRDowden:
Freud would have a field day with this movie

Pinky Guerrero:
Jes #SpaghettiScifi #greatbandname

Janeen_FluffyJ:
Honey, woman are always in command

Is so true, Jinni!

hwilson2009:
Bam! Pow! Pew pew pew!

Hols bringing the pew pews!

Sweet_Iron_Man:
their goes a VW cheating emissions again

HAHA! Steve!

And as much as I could recap this movie, Warren did it best!

WarrenPeas64:
From what I can tell, the producers took 10 4th graders in Munich, told them to write 2 pages of something to do with space, then mixed up their non connected stories randomly and filmed it.

If you want to watch and see the fun…here ya can!

 

Thanks to Cindy, Ambie, Becs, Jes, Pinky, Kelly, Kurt, Lisa, Phil, Steve, Tammy,Warren for LateNightMovie with me again!

4 Shots From 4 Films: The Touch of Her Flesh, Nightbirds, Dream No Evil, Last House On Dead End Street


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films.  As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

After spending the previous week watching and reviewing 19 Lifetime films, this edition of 4 Shots From 4 Films is my return to the grindhouse.

4 Shots From 4 Films

The Touch of Her Flesh (1967, directed by Michael Findlay)

The Touch of Her Flesh (1967, directed by Michael Findlay)

Nightbirds (1969, directed by Andy Milligan)

Nightbirds (1969, directed by Andy Milligan)

Dream No Evil (1970, directed by John Hayes)

Dream No Evil (1970, directed by John Hayes)

Last House on Dead End Street (1977, directed by Roger Watkins)

Last House on Dead End Street (1977, directed by Roger Watkins)

Hallmark Review: The Nine Lives Of Christmas (2014, dir. Mark Jean)


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Gotta admit, I was worried when I started this movie up. No, not because Mark Jean directed it. I was worried because it was written by Nancey Silvers. Nancey Silvers is the one who brought us the scripts for A Country Wedding and The Color Of Rain. But, it turned out to be decent.

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The movie opens up and we meet Zachary Stone played by Brandon Routh. Yep, the abandoned 2006 Superman himself. The firehouse he works at is putting together one of those hunk calendar things. Even the photographer hits on him.

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Now we meet Marilee White (Kimberly Sustad). She’s a veterinarian student and works at a pet store.

He finds a cat named Ambrose. She is a cat lover herself, but her landlady has a strict no pet policy so she has to hide it. Although we don’t see the bar graph for it like we did in The Wish List, it does look like there’s a high probability she’s going to eat a whole tub of ice cream.

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They meet at a grocery store and either I’m going crazy and seeing it everywhere at this point, or that is the boom mic popping in from the top of the frame.

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There honestly isn’t much to this story. I mean there is some product placement like this.

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They make sure you get a good look at that Folgers coffee. There’s also this rather unfortunate line.

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Finally, trying to figure out where this movie is supposed to take place and this shot not helping matters.

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Some shots will say Portland and others will say Jamestown. Luckily, the filmmakers left in this shot…

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in case we really wanted to know this was shot in Fort Langley, British Columbia, Canada. Or at least that one scene was done there.

Otherwise, what you have here is a straightforward, but well acted enough standard Hallmark romance. Just add cats. I mean he’s dating a girl who’s a stuck up female dog. She’s tossed aside pretty quickly. Marilee’s friend does put her on a dating site, but they don’t do anything with that. They keep spending time together, so do their cats, and eventually they end up together.

Well, there is this with the dating site.

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Uh, doesn’t that mean she has selected she is a man? I mean given there is no other part to that profile page that indicates her gender and it is above the “Looking for a:” box.

There’s really only one problem I had. This film kind of ends, but still has running time left. She hangs up some mistletoe hoping for a kiss from him. He cleverly pretends to not see it for a bit, then swoops in and kisses her. They are already living together at this point. The movie should end there, but it doesn’t. Instead, she mistakenly thinks he went out with some blonde, they’re apart for a bit, and then they find each other again. It should have ended on the kiss, whether that meant stopping the film where it occurred or moving that scene later into the film. It’s an unnecessary last minute speed bump.

That’s a minor complaint. There isn’t anything special here, but I liked the two leads and believed they actually liked each other. This movie even did the moving focus from one actor to another pretty much right. You’d think that is a given, but not in Hallmark movies. Sometimes they move the focus too slow and it gives you time to dwell on the change when there’s no reason to. This movie doesn’t do that.

Sorry there isn’t more to say. At least we can leave it on a shot that makes Brandon Routh look like he’s a psycho with a sign that says “Merry Christmas” behind him!

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Adventures in Cleaning Out The DVR: The Unauthorized Beverly Hills 92010 Story (dir by Vanessa Parise) and The Unauthorized Melrose Place Story (dir by Mark Griffiths)


Well, it’s finally done!  A week ago, I started the process of cleaning out my DVR.  I’ve lost track of how many movies that I have watched and reviewed.  And now, finally, I can say that I have finally reached a stopping point.  When I started this process, I only had 5 hours of space left on my DVR.  I now have 48 hours of space.

Keep Calm Because Lisa Rocks

I’m reviewing my final two “DVR” films in one post because they really do go together.  But before I get to the review, here’s a little background.  Lifetime now has it’s very own version of the Marvel Cinematic Universe.  True, it hasn’t proven as popular as the MCU nor have any of the films been as critically acclaimed as Guardians of the Galaxy or the first Avengers.  But, all the same, these four Lifetime films share a common continuity.  Call it the Lifetime Cinematic Universe.  LCU for short.

I’m talking, of course, about the Unauthorized films.  In these films, Lifetime takes us behind the scenes of an iconic old television show.  The first of these films was the absolutely terrible The Unauthorized Saved By The Bell Story.  Then, earlier this year, we got the not-terrible-but-extremely-forgettable Unauthorized Full House Story.  Finally, on October 3rd and the 9th, Lifetime broadcast the latest two entries in the LCU — The Unauthorized Beverly Hills 90210 Story and The Unauthorized Melrose Place Story.

I was on vacation when both of those films were originally broadcast but, fortunately, my sister had the foresight to set the DVR to record both of them!  YAY!

(Seriously, my sister’s the best.)

Unauthorized Beverly Hills

Of the two films, The Unauthorized Beverly Hills 90210 film was definitely the best.  In fact, it’s definitely the best of the LCU films to be released so far.  The film starts with a teenage Tori Spelling (played by Abby Ross, who is a lot prettier than the real Tori Spelling will ever be) convincing her father, producer Aaron Spelling (Dan Castellenata), to take a chance on a TV show about high school students.  Spelling recruits Darren Starr (Adam Korson) to run the show and together they cast a group of hopeful performers and fight with the nervous TV execs who worry about the slightest bit of controversy.

They also have to deal with lead actress Shannen Doherty (Samantha Munro), who proves herself to be as difficult as she is talented.  Whereas the Saved By The Bell and Full House films suffered because of a lack of behind-the-scenes drama, The Unauthorized Beverly Hills 90210 film is all about conflict.  From the minute that we first see Shannen, she’s making sure that everyone knows that she’s the star.  And yet, despite that, Shannen Doherty remains a compelling and sympathetic character.  Samantha Munro (who played Anya on my beloved Degrassi) gives a wonderfully complex performance.  When she eventually ends up trying to beat up Jennie Garth (Abbie Cobb, who also appeared on the 90210 reboot), it’s more than just a cat fight.  It’s Shannen declaring that she’s a star and she’s not going to let anyone push her to the side.  And, even if Jennie hasn’t really done anything to deserve being called out, the film ultimately makes the case that Shannen, alone out of the cast, was the one who understood how Hollywood actually worked.  Shannen’s a fighter because she knows the only other option is to be a victim.

Director Vanessa Parise does a good job keeping the action moving and giving us a glimpse of what it’s suddenly like to be world-famous.  Some of the film’s best sequences are just the camera tracking through the studio, giving us a look of each star in his or her dressing room and providing a glimpse into the different personalities who make up the show’s ensemble.  As opposed to the previous Unauthorized films, you finish the Beverly Hills 90210 Story feeling that it was a story worth telling.

One final note — Alyssa Lynch, who played Tiffani-Amber Thiessen in The Unauthorized Saved By The Bell, shows up playing the same role in Unauthorized 90210.  It’s a nice nod to continuity.

The Unauthorized Melrose

The Unauthorized Melrose Place Story picks up where Beverly Hills 90210 ends.  Darren Starr (Korson again) decides that he wants to do a show about people in their 20s.  Aaron Spelling (Castellenata, again) agrees to produce.  Once again, we get a lot of scenes of nervous network executives trying to tell Starr and Spelling what they can and can not do on television.

There’s a great scene in Unauthorized Melorse Place in which Heather Locklear  (Ciara Hanna) strolls out on the soundstage, smirks, and says, “Did anyone order a bitch?”  It’s a great line (and one that I’ve been using ever since I first saw the commercials for Unauthorized Melrose) but, unfortunately, Locklear’s just talking about her character.  Whereas Unauthorized 90210 was all about conflict, Unauthorized Melrose seems to be about how well people get along behind the scenes.

True, there’s a few scenes where the actresses compete for the spotlight and there are hints of jealousy among the cast.  Actor Doug Savant (Joseph John Coleman) gets upset because the network won’t let his gay character have a substantial storyline.  Otherwise, there doesn’t appear to have been much drama behind the scenes at Melrose Place.  That’s a good thing for the people who worked on the show but it doesn’t exactly make for a very compelling unauthorized story.

Along with the characters of Darren Starr and the Spelling family, both the Unauthorized Beverly Hills Story and the Unauthorized Melrose Place Story have one other thing in common, a shared joke.  Both films feature actors talking about losing a role to Brad Pitt and someone else replying with, “Who?”  It’s kind of an obvious joke but, again, I always appreciate continuity.

Keep Calm and Love Lisa

And that’s it!  With these two reviews, I have now not only cleaned out my DVR but I have reviewed every single original film that has appeared, in the year so far, on both the Lifetime network and SyFy!  Thank you for your indulgence and I now return you to regularly scheduled programming…

 

Myths and Legends: John Ford’s MY DARLING CLEMENTINE (20th Century Fox 1946)


gary loggins's avatarcracked rear viewer

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“When the legend becomes fact, print the legend”, says the newspaperman in John Ford’s 1962 THE MAN WHO SHOT LIBERTY VALANCE. The facts surrounding the famous O.K. Corral shootout are given a legendary backstory by screenwriters Samuel G. Engel and Winston Miller in MY DARLING CLEMENTINE. It may be historically inaccurate, but Ford’s painterly eye (aided by DP Joe MacDonald) elevate this low-key Western to high art. Every frame is a portrait, a Frederic Remington or N.C. Wyeth brought to life in glorious black-and-white.

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In Ford’s version of the tale, Wyatt Earp and his brothers are driving cattle to California. Wyatt meets up on the trail with Old Man Clanton, who offers to buy the herd. Wyatt turns him down, but Clanton doesn’t give up easily. Wyatt and brothers Morgan and Virgil go into the “wide open town” of Tombstone for an evening of relaxation, while baby brother James stays to tend the herd. When…

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