
“Ice Cube, will take a funky beat and reshape it
Locate a dope break, and then I break it”
The first time I heard this song it was on the plane trip from San Francisco to Washington, DC. I was part of a high school civic studies program called CLOSE-UP. It took high school students (who can afford the fee of, at that time, 2000 dollars) from all 50 states to attend a 5 day learning tour of the nation’s capital and learning how the Federal government worked. Let’s just say that even as a high school senior I was already passed the idealistic stage and onto that cynical stage.
“Jackin’ for Beats” was part of Ice Cube’s Kill at Will album and it was the CD I brought onto the plane with me and it literally became the soundtrack to my trip.
This song is literally nothing but sampled beats from other songs and remixed together to form a unique funky beat and bass sound for Cube to drop his lyrics on. Ironically, the lyrics to the song was Cube talking about him stealing (jackin’) beats he thought was cool and funky and using it himself but making it better because he’s Cube.
Below are the songs whose beats were sampled to make up this song and I have a feeling there’s probably a few more that people haven’t been able to figure out.
“If it Don’t Turn You on (You Outta Leave it Alone)” by B.T. Express * “It’s a Man’s Man’s Man’s World”, “The Payback”, “Funky President” & “Funky Drummer” by James Brown * “I Know You Got Soul” & “Hot Pants. . . I’m Coming, I’m Coming, I’m Coming” by Bobby Byrd * “Bop Gun (Endangered Species)” by Parliament * “Sing a Simple Song” by Sly & The Family Stone * “Big Ole Butt” by LL Cool J * “So Wat Cha Sayin'” by EPMD * “Ashley’s Roachclip” by The Soul Searchers * “Bon Bon Vie” by T.S. Monk * “Psychedelic Shack” by The Temptations * “Hector” by Village Callers * “More Bounce to the Ounce” by Zapp * “Big Beat” by Billy Squier * “Buzzsaw” by The Turtles * “The Haunted House” by Disney * “Welcome to the Terrordome” by Public Enemy * “The Humpty Dance” by Digital Underground * “100 Miles and Runnin” by N.W.A.”
The Kill at Will EP might mark the end of the Golden Age of Hip Hop. The fact that Cube could release a song with so many uncleared samples and get away with it is amazing. Now jacking beats is relegated to mix tapes.
(Okay, ’91 actually marks the end of the Golden Age, after Biz Markie lost his case to Gilbert O’Sullivan.)
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I put the end of the Golden Age at 1993 when Enter the Wu-Tang (36 Chambers) dropped. Pretty much any album that came after that was on a downward trajectory.
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That fits both chronologically and technically actually. A great placeholder as Rza’s production on “Enter the Wu-Tang” was the first major album after Biz lost his case; relying on obscure/low-key samples.
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Don’t don’t write off post-’93 rap either. You still have Outkast, El-P (w/ Company Flow and w/out), and the mixture of the two Run the Jewels.
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Definitely not but they’re the exception. Too much hip-hop since the early 90’s way overproduced.
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