I came across this particular AMV (anime music video) while trying to find something else. There really hasn’t been many good AMV’s done with 2010’s hit anime series, Highschool of the Dead, which I find very peculiar. Maybe it’s the extreme ecchi nature paired with zombies which makes some people uncomfortable. I, for one, is not one of those people so I was really surprised when someone made a great AMV from this anime. The latest AMV of the Day is simply titled: “Highschool of the Dead Game”.
The title may be simple, but the video itself ended up looking quite complex in it’s execution. From the mind of AMV creator linnepin007, the video takes the many awesome scenes and sequences from Highschool of the Dead and made it to look like a sizzle reel for an upcoming roleplaying game. The game looks to make each character in the series as a playable one in the game right down to individual stats, character classes and even personal anthems and rally cries.
I know that for some the amount of fan-service in this series ruins it for them and how the series should’ve stuck to just the horror, but this AMV’s creator has realized one thing which has attracted legions of anime fans to this series: it’s fun. This is what this AMV has done to further help sell the series. It highlighted the fun aspect of the anime to ludicrous levels. It helps that the creator used an audio clip from Shaun of the Dead in the very start of the video.
The AMV did well enough that it garnered two awards at this year’s AnimeCon: Editor’s Choice and Audience Choice Awards.
Anime: Highschool of the Dead (Gakuen Mokushiroku)
So, earlier today, I saw Final Destination 5 and guess what isn’t half as bad as you might think?
Now, I’m going to assume that if you’re reading this review, then you probably already know what this film is about. Seriously, once a film has reached its fifth installment, you have absolutely no excuse for not knowing what’s going on. Still, just in case you need to be reminded, here’s how this series works. All of the Final Destination films follow the same basic storyline: a group of attractive but generally anonymous people are gathered together for some everyday event like Nascar or a flight to France. Suddenly, there’s some huge disaster that generally involves a lot of things exploding and people dying. However, it turns out that the disaster we just saw was instead the main character’s vision of what’s going to happen. That character freaks out which leads to him and a handful of other people avoiding the disaster. However, by not dying, they’ve managed to tick off Death and soon, our survivors are dying in a variety of ludicrously convoluted ways, the key being that they’re dying in the order that they died in the original vision. (Fortunately, Tony Todd shows up in each film and explains how it all works.) Anyway, in each film, we learn of a different way to cheat death and each film ends with both the final survivors and the audience learning that actually you can’t cheat death. In many ways, the Final Destination series is the perfect reflection of the 21st Century. The same crap keeps happening and, in the end, we’re all doomed regardless.
Final Destination 5 sticks to established formula. This time, the big disaster is a bridge collapse and the twist is that a survivor can fill death’s quota by killing someone else. That’s kind of a neat idea and the film actually has a little bit of clever fun with that at the end. Still, I wish the film had taken the whole idea to its logical, grindhouse extreme and just had all the survivors running around desperately looking for innocent people to murder.
There’s a lot of very legitimate criticisms that one can make about Final Destination 5. Though the supporting cast is well-chosen (especially Miles Fisher — who could be Tom Cruise’s twin brother, seriously, David Koechner and Courtney B. Vance), the main character is played by Nicholas D’Agosto, who gives a performance that is so free of charisma that you have a hard time believing that he was ever alive to begin with. Emma Bell plays D’Agosto’s girlfriend and it is seriously amazing to see how little chemistry the two of them have together. (Then again, this also helps to make the film’s final twist entertaining as opposed to traumatic…) As much as I love to see Tony Todd doing his Tony Todd thing, it’s hard not get impatient with the fact that these characters need to be told that they’re in a Final Destination film.
But let’s be honest — those criticisms may be valid but who cares? This is a Final Destination film and if you’re not willing to consider it on the basis of what it is, then don’t waste your time watching it and bitching about how it’s not The Help. Judged solely on that basis, Final Destination 5 is actually a return to form for the series. The deaths are all nicely done and memorably grotesque and there’s a real nasty twist at the end of the film that basically serves as a reward for all the horror fans who have stuck with the series since the beginning. I wish I could tell you what that twist was but seriously, it’s way too neat for me to spoil it. I’ll just say that I squealed in delight when I saw it.
Finally, this is a 3-D film that was actually made in real 3-D. The 3-D was not tacked on as an afterthought and, as a result, this is rare film that actually uses the 3-D to make the movie better as opposed to just trendier. This is a film where guts spill freely, eyeballs literally pop out of the screen, and it’s all just the perfect definition of good, stupid fun.
(That said, I do have to admit that this film was apparently made specifically to freak me out because, oh my God, it’s like they exploited every single fear that I have. As Arleigh can tell you, I am terrified of two things — heights and drowning. Which means that if you really want to see me scared, just get me thinking about the prospect of plunging several hundred feet into a large body of water. Seriously, just typing that freaks me out. So, of course, what does this film open with? A freaking bridge collapsing. And don’t even get me started on the laser eye surgery…agck! I’ll just stay blind as a bat, thank you very much.)
For this week’s edition of Lisa Marie’s Favorite Grindhouse and Exploitaiton Trailers, we actually have a loose theme as opposed to just me tossing up random stuff. That theme: Out Of Control Youth. (Cue dramatic DAH-DAH-DAAAAAH music)
Normally, I try to avoid doing “theme” trailer posts because they require way too much concentration on my part. However, this week, as I selected the trailers I wanted to feature, I slowly realized that I was doing just that and I was actually being a pretty good job at it.
Take heart, Out of Control Youths. This post is dedicated to you.
I may be wrong but just judging from the trailer, I think this film might be about “women in chains.” Pam Grier, of course, everyone knows. The white mama was played by Margaret Markov, who later married exploitation film producer Mark Damon.
Eventually, I guess the kids from Over the Edge grew up to be the kids from Suburbia. I’ve got this one on DVD but every time I’ve tried to watch it, I’ve ended up falling asleep. Not necessarily because the film is bad. I just always end up trying to watch it at 4 in the morning for some reason.
I just love that the credits at the end of the trailer announce that this film features a “special appearance” from Peter Fonda.
5) Mission Hill (1982)
“Mission Hill: A Neighborhood where anything can happen…” This is the type of film that I often fantasize about appearing in. Naturally, I would be the girl singing. I can’t really sing but that’s what post-production dubbing is for, right?
This is another one that I have on DVD but I haven’t found the time to watch yet. This appears to be a film in which psycho children kill … well, everything. All I know is that if I’m ever taking a bath and some little child comes wandering in with a bunch of fish, I’m jumping up and running. I don’t care how wet and naked I am.
The scene in Danny Boyle’s “Sunshine” where the crew reaches Mercury is one of my favorites. It may not be as powerful as Kaneda’s Death, but this is one of those moments I can watch and smile at. There are no words, but visually, It’s an awesome moment of reflection in the scheme of things. John Murphy and Underworld’s music add a nice touch to this.