Hallmark Review: Bridal Wave (2015, dir. Michael Scott)


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Sorry if I forget some things, but last night after watching this movie I lost cellphone reception and thus went into a severe panic attack. Just kidding, I just said that to make the point that the losing cellphone reception thing to show how shallow and disconnected someone is in a movie is a cliche that is getting really really old. Also, I’ve been quite surprised. I can drive many miles out into the middle of nowhere and still get near perfect LTE where I live. In fact, I only know of two places where I lose cellphone reception. A room that is basically a bunker and one of my favorite parks that is in a canyon. At least this movie didn’t have people in wide flat open spaces losing GPS signals because the writers don’t know how that works.

With a title like Bridal Wave you might imagine that there must be some surfing going on here. That maybe someone is going to end up in a wedding dress on a surfboard. No such luck. This movie opens up at plastic surgeon’s office. We meet Dr. Phillip Hamilton (David Haydn-Jones) and his assistant Georgie Dwyer (Arielle Kebbel). Wait…that means!

Now we meet a girl who for her 21st birthday has just received a nose job. I’ll have to take this movie’s word at that because I look at this girl and think she has had some work done on her eyes instead.

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As I’m sure you’ve guessed already, Georgie and Phillip are closer than just colleagues and are going to be married. Now we meet the parents. It’s not worth your time introducing them. All you need to know is that all the scenes with the parents make you think this is the first time either of them have met the other’s parents. And given a conversation at the end of this movie, I think that was done on purpose. That you are supposed to read it that way. This is a movie that has some uneven writing. This bit about the parents and two conversations at the end of the movie make perfect sense and are based in reality. However, the stuff in between falls back on stupid stereotypes yet again.

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Of course that means we need to introduce the right guy. His name is Luke Griggs (Andrew W. Walker). How do we know he’s the right guy? Because we see him mention that he doesn’t own a cellphone anymore. While we are talking about cellphones. Kudos to this movie for not screwing up the fake video chat scenes the way A Ring By Spring did by accidentally leaving the the bit at the top of the screen that shows what we are seeing is a pre-recorded video.

The setup is that Phillip and Georgie have come to an island that has a hotel which is a popular place to have weddings. In other words, they see wave after wave of brides come through their place. Hence the title Bridal Wave. Griggs is an architect who lives right next door to the hotel and is a little teed off about it because of the loss of the natural beauty of the island. However, up until the end of the movie he kind of comes across like an angry old man waving his cane at the modern world. My favorite part of this is when to explain his point about how imperfections in a person are what make them perfect, he compares them to an outcropping of rocks. Yes, because human beings are exactly like inanimate objects.

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This part happens during Luke and Georgie’s nature excursion. Phillip was called away to perform some surgeries because it was too hard to have both him and Luke in the movie at the same time and have Georgie still pick Luke. During this scene is when we get the ridiculous cellphone reception thing. We also get Luke being confused as to who might want to get their ears pinned back. I totally can’t think of anyone who might want that procedure done.

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Everything else is standard stuff except for two conversations at the end of the movie. The first is when Georgie and Phillip finally sit down and talk about that they probably shouldn’t get married. The reasons they bring up make absolute perfect sense and don’t rely on BS. They do have feelings for each other and they work together so much and so well that marriage just seemed like the next logical thing for them. That’s why they really hadn’t met each other’s parents because they are so busy all the time that they kind of wind up in their own world. Makes sense!

The second conversation is when Luke sits down with the owner of the hotel. Luke basically says the hotel and the marriages don’t bother him, but what bothers him is that the design of the place robs people coming there of the beauty they should be getting by coming to this island. He wants to sell off his place next door, tear it down, and restore it to the way it looked before as a natural grotto to hold weddings in. Again, makes perfect sense!

Why couldn’t the whole movie be like that? Although just to pander to people who want one last laugh at Phillip because he must be superficial and shallow since he does plastic surgery.

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After they cut to one year later to show Georgie and Luke getting married in the grotto, we see that Phillip is with a girl he gave a nose job.

This one is far far better than A Country Wedding, but it still uses too much stereotype BS. You can do better in general, and even from Hallmark.

7 responses to “Hallmark Review: Bridal Wave (2015, dir. Michael Scott)

  1. Pingback: Hallmark Review: June in January (2014, dir. Mark Griffiths) | Through the Shattered Lens

  2. Pingback: Hallmark Review: Appetite For Love (2016, dir. David Mackay) | Through the Shattered Lens

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