Turkish Film Fest: Turkish Mad Max/Ölüme son adim (1983, dir. Çetin Inanç)


I didn’t think it was possible, but they did it. This movie is even better than Turkish First Blood. Again, you can stop reading now if you want to and just go watch it. I won’t blame you. The only downside to this movie, if you can call it that, is that I think the tie-in to Mad Max might have been an afterthought. It’s feels more like they had an action packed script for the three leads to star in, then decided to throw in a few Mad Max elements such as the leather outfit and weapon from the Mad Max poster. I could be wrong, but it’s the impression that I get. Let’s dig in!

The movie begins on this shot of Kaan or Kagan (Cüneyt Arkin) climbing up onto the top of a building. He makes his way to a stairwell where bad guys start to flow in. He lights some dynamite and appears to chuck it onto the angry no arms and no legs dummy from Turkish First Blood.

Regardless, it kills some of the bad guys. Kaan beats on one guy, then takes him around by the neck and begins to lead him down the stairs. Cut to title card. Arkin is once again in badass mode for this movie. However, this time around we get to see him do some more acting.

Then we meet every slimy businessman and bikini girl from every Turkish movie of this era. Arkin says hi the Arkin way. By shooting him in the hand.

Jeez! Where’s Buddy with his Healing Hands when you need him?

Turns out Kaan was delivering a small package for this guy. It also turns out what was in it was used by a girl who subsequently died before his eyes. Kaan isn’t happy to say the least. Especially after this guy says “they were destined to die”. Kaan says “and so are you”. He makes the guy eat the whole package of heroin and watches him die.

Now we cut to Kaan dealing some cards onto a bed. Then guys start to come into the room. I think the first part of this scene is only to remind us that Arkin is going to be doing more of that knife throwing to kill guys in this movie. Seriously, he kills a lot of people by simply throwing a knife that flies like a projectile. You’d think he worked in a carnival for many years before taking up whatever his job is in this movie.

After dispatching those bad guys, the main guy comes into the room and has a job for Kaan. He wants Kaan to bring a professor who has, or is, developing a new medicine. Kaan takes the job, then cut to another room where we are introduced to the second member of Kaan’s team.

This is Ali played by Yildirim Gencer. Yildirim Gencer is the one who played Kilink in Kilink In Istanbul, Kilink vs. The Flying Man, and Kilink: Strip And Kill. This is when a strange old man bursts into the room.

This leads to a rather comical little scene where this old man appears to be having a lot of trouble firing this rifle. In fact, eventually they just end up starting to fight. After Ali pins the old man we find out that the old man is really Kaan in disguise.

This is how we learn that two of them are friends, and have a rather unique relationship. This is one of the things that makes this better than Turkish First Blood. This isn’t just one scene, but something that develops over the course of the film.

Now for another call back, we meet the third member of Kaan’s team played by actress Emel Tümer. Emel Tümer played the girl in Turkish First Blood. Except this time she’s going to be kicking butt and blowing people away right along side Arkin. We meet her during this scene where she is having a drinking contest with this guy. Of course she wins, but then the surrounding guys pin her down as if at the very least they are going to feel her up. This is honestly a great scene because of this.

Kaan and Ali enter the room and Arkin gets this smile on his face as if to say, “Hi boys! Hope you enjoyed what little you just got because I’m about to even up the odds and you won’t like what me, my friend, and she has in store for you.” And beat the crap out of them they do.

During this whole fight they are also talking to each other to catch up. We find out that she has at least been in a relationship with Ali at some point and probably Kaan as well. It ends with them taking a little breather and enjoying a drink with each other.

Then we get a sequence that I’m not sure of the plot purpose. However, it does give the film a chance to have her get shot in the butt, which is kind of funny. But more importantly, it introduces us to the coin flipping thing that Kaan does in this movie. He’ll flip a coin to see whether he or Ali will do something, Ali always calls heads, and loses every time. It also gets in something else that will carry throughout the movie. That Kaan and Ali really are fond of her. Next she gets behind the wheel and proceeds to tell Ali she didn’t appreciate being shot in the butt by his friendly fire.

I love the back and forth here between Ali and her, which does end up like it should because she isn’t paying attention to the driving while doing all this talking.

Of course she’s gonna need some help pushing that car. Heads or tails?

Now is when the action largely takes over the movie. I’ll try to hit the high points here.

Arkin is ready for his Mad Max poster now.

I didn’t expect Turkish Mad Max to be the one where Arkin wields a bow and arrow.

At this point, they find the professor and his wife. Arkin gets some nice poses in here too.

Then there’s a conversation between Kaan and Ali. I didn’t pick up the in joke till I looked up that Ali was played by the same actor who plays Kilink, but I get it now. Kaan tells Ali: “You’re a celebrity nevertheless. Twice even. At being a crook and at scoring ladies.”

Now comes a humorous action sequence where they have obviously returned to the set of Turkish First Blood. It’s funny because during the majority of this scene they are doing battle with stock footage.

This is where we find out that the guy who hired Kaan has double crossed them. Big surprise there. About as much of a surprise as the fact that they return to the quarry set of Turkish First Blood and I believe the set of Turkish Star Wars where Arkin punched rocks.

Of course more action ensues and Ali once again loses the coin toss and has to carry the professor who was shot during the battle. Next we return to what I assume are the caves from Turkish First Blood. We also get this great shot.

Then we get what is probably the most insane action sequence in any of these Turkish movies I’ve watched so far. After everyone but Kaan goes down the side of a rock face on a rope, Kaan tries to go down. He’s got people at the top and on sides of him. The scene is hilarious as Kaan switches between shooting and many knife throws to deal with the bad guys. There is no way I can do this over the top action sequence justice. Just take my word for it that it’s pretty cool in it’s lunacy.

Once they are safe, we get a nice little scene where Kaan gives Emel Tümer’s character a flower. Ali then asks him where his present is to which Kaan gives him his cigarette. “A cigarette for death”. Then they’re off to battle some more stock footage. We get some more action, then Ali finally finds out that Kaan has been using a coin that is tails on both sides this whole time.

Now all the friendship stuff between Kaan and Ali comes to a head when Ali is left trying to get to the truck Tümer and Arkin are in while bad guys close in behind him.

He honors his friend’s plea and shoots him. After some more action, Arkin and Tümer return to the guy who hired them and do him in for lying to them that it was medicine when it was drugs. It ends with this look on Arkin’s face.

I really enjoyed this one. Aside from the Django one, these were fun for me to watch and write about. I hope you had a good Thanksgiving week.

Turkish Film Fest: Kilink Vs. The Flying Man/Kilink uçan adama karsi (1967, dir. Yilmaz Atadeniz)


vlcsnap-2015-11-16-14h07m51s819

It’s time for part II in the Kilink saga. And wouldn’t you know it, those 20 minutes I mentioned at the end of the previous review are this movie. Yep! Turns out the version I watched was the correct version. The unsbutitled version I came across just seamlessly attached the 20 minutes from this film onto the end of the previous one. I say 20 minutes because this movie spends about that amount of time recapping the first film, and it’s only about a 48 minute movie as a whole. Honestly, you could watch this movie without having seen the first one. It even bothers with the opening credits that already recapped things in the first film before we saw the events they were showing. Also, it turns out the stills they showed at the end of the unsubtitled bit I saw weren’t for nothing. This movie is missing chunks of itself. That’s why there is a quick unrelated scene followed by stills with voiceover narration to fill in what has been lost at the end of the film. That said, the bits that are left are still rather entertaining. In addition, the person who did these subtitles was different from the person who did Kilink In Istanbul. Now Superman says “Shajam” and Kilink says “bullshit”.

vlcsnap-2015-11-16-14h08m14s741

I still can’t get over how the opening credits play somewhat sinister music over them, yet the majority of what they show is Superman doing things. We are supposed to be rooting for Superman (Irfan Atasoy), right? I mean only in so much as Kilink (Yildirim Gencer) keeps getting away so we can have more movies.

vlcsnap-2015-11-16-14h28m27s576

I’m really glad they left in the blonde fondling herself scene in the recap. It’s really crucial to the plot of this movie that we see that again.

vlcsnap-2015-11-16-14h42m08s660

And I also can’t get used to seeing her make out with Kilink. And yes, it does go there in this film. I will get to that later.

This movie picks up where the first one left off. We follow Kilink to an island where we get to see his weapon in action.

vlcsnap-2015-11-16-14h49m43s548

That may look like it’s just a flamethrower, but we do see it blow off the side of rock face so it must be pretty powerful. Of course Superman (called The Flying Man in this one) has to show up to ruin Kilink’s plans. Kilink sees him coming and blasts his boat out of the water.

vlcsnap-2015-11-16-14h54m13s938

I sort of complained in my review of the first Kilink film that they had three henchmen on screen at the same time wearing shirts with the letter ‘K’ on them, but I’ve changed my mind. Thanks to this movie I can say I’ve seen a movie where the KKK come after Superman…sort of.

Kilink captures Orhan, which is this Superman’s human version, along with the boat captain who was brining Superman to the island. Kilink tells all his hostages that “you’ll have a long journey. I’ll send you to hell.” Big words, but considering Superman is just a Shajam away, I like this guy’s response.

vlcsnap-2015-11-16-14h59m45s796

Then Kilink apparently has sex with the blonde, or at least one of them. We see him lay down on her and kiss her. Then it cuts and we see this.

vlcsnap-2015-11-16-15h00m55s013

I can totally buy that Shajam turns Orhan into Superman and that a flamethrower is an ultimate weapon, but how does sex with Kilink work? He appears to be putting on a belt, but I still don’t know if he’s literally supposed to be a skeleton or a guy in a skeleton suit. Does he just pay all the sexual attention to her since his equipment is kind of dead? Maybe that’s why she follows him wherever he goes. It’s a puzzling scene that is shortly followed by what I guess is them having sex again, but on a rock.

vlcsnap-2015-11-16-15h02m20s951

At least I think it’s her. There are two blonde girls in this that follow him around, but it’s tough keeping track of who is who.

Anyways, while girls dance for Kilink, Superman finally decides to emerge and go after him. Just as in the first one, Superman means business and dives right into the action. I like that during this we get little exchanges between the guards before they are taken care of.

vlcsnap-2015-11-16-15h07m51s676

We get more dancing and Superman getting the other hostages to safety before he finally crashes Kilink’s party. Kilink whips out his weapon and tries to use it on Superman before running away with it pointed at him.

vlcsnap-2015-11-16-15h13m11s826

It does seem to hold him at bay before he works around it and gives it a karate chop. Probably wouldn’t have been such a big deal if he had simply walked around the other side of the weapon. Of course if he had done that, then Kilink might not have gotten away. Superman thinks he has caught up with him, but it turns out to be an imposter.

vlcsnap-2015-11-16-15h14m48s795

That’s a running thing in these movies. Either someone pretends to be Kilink, or Kilink wears a flesh mask to pretend to be someone else. However, those parts are pretty rare.

Now we hit the wall in terms of what has survived of this film. We get this brief sequence where Kilink appears to be showing up to rob some rich lady, then the stills kick in. They tell us that Kilink killed the princess of Austria, and took all her jewelry. That would have been neat to see. So would have been this “unique fight” that apparently took place on Galata’s tower.

vlcsnap-2015-11-16-15h18m15s881

Kilink falls to his death, or at least it appears he is dead, but the movie assures us that he will be seen again. And of course he will because I have at least two more of these Kilink films to go. One of which immediately follows this one. Unfortunately, I don’t think it has Superman in it based on IMDb’s description, but we’ll see after I watch Kilink: Strip and Kill.

Turkish Film Fest: Kilink In Istanbul/Kilink Istanbul’da (1967, dir. Yilmaz Atadeniz)


Earlier this year I reviewed probably the best known Turkish Superman film called The Return of Superman. It’s Thanksgiving week and there are bunch of these fun Turkish movies. I thought I would review a few this week, starting today through Saturday. That, or I have a backlog of these movies and this is a good excuse to watch them. Either way, I hope you enjoy them.

vlcsnap-2015-11-13-11h53m04s740

We are beginning with Kilink In Istanbul. Kilink is the Turkish knockoff version of the Italian comic book character called Killing. This is one of several of these. The best way I can think of to describe them is to compare them to the Fantomas serials from the 1910s. Except if Fantomas was a sadistic kidnapper, murderer, and all around really really nasty guy. I don’t recall Fantomas being this bad. And if Inspector Juve were Superman. No joke, this is Kilink (Yildirim Gencer) fighting Superman (Irfan Atasoy). Although, my subtitles just call him Superhero and other places you see him called the Flying Man, but come on. Just take a look at him.

vlcsnap-2015-11-13-18h24m12s467

At the beginning there is a somewhat confusing opening credit sequence. It’s clearly gonna play at the start of each of these to give a little introduction to the characters. Speaking of characters, here’s the other one.

vlcsnap-2015-11-13-11h56m11s291

And Kilink wears that skeleton thing for the entire movie. The question is what exactly is he in this. During the opening credits some people bring in a coffin, inject a mummy with something, it rises up, and underneath is Kilink. Was he hanging out in there? Was he hiding in there? Was he resurrected? It never really says. He just takes off the stuff, starts to plan a crime, then in seconds is off to do it.

vlcsnap-2015-11-13-18h15m52s350

That being to kill this doctor who he once knew. Presumedly, before he died. Apparently, he has some formula that Kilink needs to complete his ultimate weapon. Kilink thinks he has what he needs, but it turns out pieces are missing. Now we are introduced to the doctor’s son. This is an odd scene because it’s really random. The son is at a graveyard when all of a sudden this guy appears.

vlcsnap-2015-11-13-18h23m04s714

He tells the son he’s going to give him a list of powers. I’m not going to repeat it since it’s almost the exact same thing that Superman’s father says in The Return Of Superman to Superman. You can see it in that review. He tells him that all he needs to say is “Shazam” and he will become Superman. Then he gives him a warning that “only in great danger must be used and not in front of others.” Then POOF! He’s gone up in smoke just as quickly as he came.

vlcsnap-2015-11-13-18h25m37s676

In short order, Kilink’s henchmen show up and try to take Superman hostage. This is when we find out that this Superman is not like the Superman from The Return Of Superman. In that one, he basically stands there till the person tires themselves out, then Superman tosses them aside. This Superman dives right into the action. Sometimes quite literally.

vlcsnap-2015-11-13-18h31m57s169

Superman is already a thorn in Kilink’s side.

vlcsnap-2015-11-13-18h33m37s020

Did I mention this movie moves fast? This movie moves fast! Meanwhile, Kilink is going around reminding us he’s a bad guy. Like when he goes after this girl.

vlcsnap-2015-11-13-18h56m31s482

Then he proceeds to rape her?

vlcsnap-2015-11-14-14h56m42s054

I put the question mark there because I’m not really sure. It seems like that’s what is going to happen, but then she seems to be in to it. Also, there’s a girl later in the movie with the same color hair. I’m pretty sure she hooks up with him, but I’m not 100% positive. That part was a little difficult to follow. Let’s just say, Kilink has a history of being nasty to scantily clad women like the Wikipedia article on the character says. Not that he’s any better to the guys. And that a girl who looks like this is at his side for the remainder of this movie.

At this point, aside from henchmen around Kilink and some people around Superman, it basically becomes a series of showdowns between Kilink and Superman in one form or another. Here’s some highlights.

vlcsnap-2015-11-14-15h18m40s485

Superman Flys

Superman Flys

vlcsnap-2015-11-14-15h22m21s548vlcsnap-2015-11-14-15h26m13s780

vlcsnap-2015-11-14-16h08m18s107

vlcsnap-2015-11-14-16h23m05s569

I know this was shot in Turkey and the villain’s name does start with a ‘K’, but perhaps they should have only had two henchmen in this shot.

vlcsnap-2015-11-14-16h18m37s690

It certainly is an entertaining hour or so. It really does move fast. It’s like an old serial such as Fantomas, Les Vampires, Judex, or Spiders. It’s a series of action sequences that really don’t move the plot forward, but just set up Kilink and Superman as enemies, then it just ends.

vlcsnap-2015-11-14-16h27m00s095

Well, I have three more of these so I guess we’ll see what happens. In one of them Kilink fights Django. I wonder if that one will ripoff Spaghetti Western music in addition to the James Bond music it uses in this one. Ought to be interesting!

Note: There is a version of this on YouTube that appears to have 20 minutes more of runtime that aren’t even acknowledged as existing on IMDb. Unfortunately, it doesn’t have subtitles and my copy does come up and say “End Of Episode”. In these extra 20 minutes or so it appears Kilink gets his weapon working. Kilink also spends some quality time with his lady friend. A woman dances for Kilink. Then Superman shows up to beat people up. We get to see Kilink and Superman fight a bit. Honestly, you’re not missing much. It’s more of the same: Kilink being evil and Superman fighting people. It also ends out of nowhere. However, if you happen to speak Turkish, then by all means, seek out this clearly more complete version.