Late Night Retro Television Review: Friday the 13th 3.19 “The Tree of Life”

Posted on July 11, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, it’s Johnny vs the Druids.

Episode 3.19 “The Tree of Life”

(Dir by William Fruet, originally aired on May 7th, 1990)

Johnny randomly runs into a distraught woman who claims that, years ago, her daughter was abducted and her husband murdered by obstetrician Dr. Sybil Oakwood (Gale Garnett). When Jack and Micki doubt the woman’s story, Johnny investigates on his own and discovers that Dr. Oakwood is kidnapping newborn girls and raising them in her fertility clinic. It turns out that Dr. Oakwood is a druid and she’s trying to breed future Druidic priestesses.

(Don’t yell at me, this is the show’s interpretation of druidism.)

This was the next-to-the-last episode of Friday the 13th and it just feels like the writers were tired and uninspired. Suddenly, for the first time in three years, Jack and Micki are skeptical about reports of the paranormal. Johnny is back to being impulsive and, if we’re to be honest, kind of stupid. He tells the distraught mother that her daughter is being held prisoner at the fertility clinic and then is shocked when the mother runs off to the clinic without waiting for Johnny to accompany her. Once again, it all leads to a cult and an underground cavern. This entire episode feels like it was recycled from previous episodes.

I’m not an expert on paganism so I’m not going to get into whether or not this episode accurately portrayed druidic beliefs. I will say that the druids in this episode acted like every other cult that’s ever appeared on this show. They’re just like the Satanic cult that showed up at the end of season 2. Making them druids is probably one of those things that sounded good when the episode was pitched. The word “druid” brings to mind Stonehenge and all the rest of that good stuff. But, narratively, there was nothing gained nor lost by making them druids. The show treated them like any other self-destructive cult.

This episode was a bit dull. It felt like the show was taking one last shot at getting audiences to replace Johnny as Ryan’s replacement. The whole thing just felt uninspired. It certainly left your brave reviewer bereft of inspiration.

Next week, we come to the conclusion of Friday the 13th: The Series.

Late Night Retro Television Review: Friday the 13th: The Series 3.14 “Repitition”

Posted on May 23, 2025 by Lisa Marie Bowman

This week …. hey, where is everyone?

Episode 3.14 “Repetition”

(Dir by William Fruet, originally aired on February 5th, 1990)

After newspaper columnist Walter Cromwell (David Ferry) accidentally hits and kills a girl with his car, he finds himself consumed with guilt. He also start to hear the girl’s voice in his head, demanding that he bring her back to life. Walter just happens to have a cursed amulet, one that allows the owner to bring someone else back to life as long as he kills someone who is wearing the amulet. Walter’s first victim is his dying mother. But after he kills her, he starts to hear her voice demanding to be brought back to life. So, Walter commits another murder, one after the other, trying to bring back to life every one who he kills.

This was an interesting episode because neither Johnny nor Jack were anywhere to be seen. Instead, it was just Micki and she only appeared at the start and the end of the episode. The entire episode focused on Walter and his descent into madness and, it must be said, that worked just fine. This show’s strength has always been its collection of cursed antiques and this episode allowed us to see how one of them actually works. We saw how the amulet manipulated Walter and how Walter himself became more and more hooked on using the amulet’s power. I’ve always viewed the antiques as being a bit like drugs and their users being addicts and this episode certainly played into that theory.

This was an intense episode, featuring moody visuals and a strong script from David Lynch’s daughter, the future director Jennifer Lynch. After last week’s odd episode, it was nice to see an episode this week that actually got to the heart of what this series was always supposed to be about.

Late Night Retro Television Review: Friday the 13th: The Series 3.6 “Bad Penny”

Posted on March 14, 2025 by Lisa Marie Bowman

This week …. hey, it’s a good episode!

Episode 3.6 “Bad Penny”

(Dir by William Fruet, originally aired October 30th, 1989)

The Coin of Ziocles returns! Last seen being used by a cult to raise the dead, the Coin is recovered from a construction site at the start of this episode. This turned out to be the best episode of the third season so far. Here’s a few reasons why:

First off, with this episode, Friday the 13th finally showed that it still remembered its own history. The last time Jack, Micki, and Ryan sought the coin, Micki was actually killed and remained dead until Ryan and Jack figured out how to use the coin to bring her back to life. With this episode, we discover that Micki has some serious PTSD as a result of the experience which actually makes a lot of sense. In the past, I’ve always felt this show tended to gloss over just how traumatizing it would be to deal with cursed antiques on a daily basis. With this episode, we see that Micki can’t even look at the site where she was killed without starting to shake. It was realistic and Robey did a great job portraying Micki’s emotions.
In yet another nod to continuity, Johnny stole the coin and used it to bring back his dead father. In the past, I’ve felt like Johnny was a bit too quick to accept the idea of the antiques being cursed. With this episode, we saw that the inexperienced Johnny doesn’t quite understand that danger of the cured antiques. Ryan, Micki, and Jack would never have made the mistake of using the antique or trusting anything that had once been owned by Uncle Lewis but Johnny is still learning.
Steve Monarque and Sean McCann both did excellent work as Johnny and his father. Needless to say, Johnny’s father is confused when he’s brought back from the dead. His struggle to understand what was happening brought tears to my eyes. It’s been less than a year since I lost my Dad. I’d probably do the same thing Johnny did. In the end, Johnny sent his father back into the afterlife. It was so sad!
Micki writes a letter to Ryan. It’s probably one that she won’t ever send but it’s good to see that the show at least acknowledged how difficult it would have been for her to say goodbye to Ryan.
By mentioning Ryan so much, this show actually made it easier for me to accept Johnny as his replacement. Over the past few episodes, I kind of resented how quickly Johnny seemed to be stepping into replace him. This episode showed me that Ryan is still loved.
The villains — a corrupt cop and his zombified partner — were a bit over-the-top but still entertaining. For once, this episode focused on our heroes and I was glad it did.

This was an excellent episode of Friday the 13th! I hope it’s a sign of things to come for the rest of the third season.

Late Night Retro Television Review: Friday the 13th 2.24 “The Shaman’s Apprentice”

Posted on January 17, 2025 by Lisa Marie Bowman

This week, Micki is faced with a moral dilemma.

Episode 2.24 “The Shaman’s Apprentice”

(Dir by William Fruet, originally aired on May 29th, 1989)

Micki’s friend, Blair (Isabelle Mejias) is in the hospital. She’s been having serious chest pains and, as Micki puts it, she’s too young to be suffering from them. Blair finds out that she has a sarcoma and the doctors are not giving her much chance to live. Dr. Lamar (James B. Douglas), the arrogant head of surgery at the local hospital, doesn’t seem to really care whether Blair lives or dies. All he cares about is taking care of the wealthy patients who might be moved to donate some of their money to the hospital.

However, Blair has found a reason for hope. There is a Native American doctor named John Whitecloud (Paul Sanchez). He has his own clinic, one that is funded by a rich man who Dr. Lamar said couldn’t be saved. Dr. Lamar hates Whitecloud, largely because Lamar is a racist who views Whitecloud’s “shamanistic” techniques with scorn. However, Whitecloud appears to be capable of saving anyone. Of course, the doctors and the nurses who have failed to treat Whitecloud with respect have a habit of mysteriously dying, usually right before Whitecloud manages to save a terminal patient.

Whitecloud does indeed have an objects that Jack and Ryan are interested in retrieving. It’s not a cursed antique. Instead, it’s a rattle that Whitecloud stole from his grandfather, Spotted Owl (Gordon Tootoosis). Whitecloud is using the rattle to cure his patients but, for every cure, he also has to use it to kill someone else. Whitecloud even uses it to kill Spotted Owl, though Whitecloud seems to feel bad about doing it. When Jack realizes that Whitecloud’s next target is going to be Dr. Lamar, he and Ryan are determined to stop him….

….except, as Micki points out, stopping Whitecloud will mean that her friend Blair will die. Why, Micki wonders, should Lamar get to live while Blair dies? Micki argues that they should at least let Whitecloud cure Blair but Jack gently explains that it doesn’t work that way. Jack says that their job is not to play God.

Long story short: The spirit of Spotted Owl shows up to drag Whitecloud into the afterlife. Jack gives the rattle back to the tribe, despite Ryan feeling that it should be in the vault. (“It’s not ours to take,” Jack explains in that reasonable and reassuring way of his.) Micki is angry and depressed that Blair is probably going to die. Blair stands on a street corner and stares at Whitecloud’s now empty clinic. Roll the end credits!

Wow, that was depressing! But it was really the only way the episode could end and I respect the fact that the show had the courage and the integrity to stay true to itself and end on such a down note. Not many shows would have had the courage to resist coming up with some sudden, miracle solution. This episode had some really cheap looking special effects and some not-so-great acting from some of the guest stars but Chris Wiggins, Robey, and John D. LeMay were as strong as always. This episode was especially an effective showcase for Chris Wiggins, who played Jack with just the right amount of weary gravitas. This was a depressing episode but it was a good one.

Late Night Retro Television Review: Friday the 13th: The Series 2.14 “Face of Evil”

Posted on October 18, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

It’s sequel time!

Episode 2.14 “Face of Evil”

(Dir by William Fruet, originally aired on February 6th, 1989)

In this sequel to the first season episode Vanity’s Mirror, Joanne Mackey (Gwendoline Pacey) returns to Curious Goods for the first time since the death of her younger sister, Helen. Joanne reveals that she’s the one who stole the cursed gold compact at the end of Vanity’s Mirror, explaining that she simply had to have something that belonged to her sister. Jack is not amused, telling her that she should have turned it over so that it could be stored in the vault.

Calm down, Jack. Joanne knows she did something wrong and she’s trying to make amends. She is especially concerned because the compact is now in the hands of an aging supermodel named Tabitha Robbins (Laura Robinson). Tabitha is upset that her career is struggling and she’s been told that not even plastic surgery can reverse the fact that she’s just not as young as her competition. Tabitha has figured out that anyone whose face is caught in the reflection of the mirror will either die or, at the very least, suffer a terrible disfigurement. Apparently, in this case, the antique’s curse changes depending on who owns it.

I have mixed feelings about this episode. On the one hand, I could relate to Tabitha’s feelings about aging. No one wants to age and that’s doubly true when you’re working in an industry where youth is the most valuable commodity. I also enjoyed the very 80s fashion shoots that were featured in this episode. On the other hand, there were a lot of rather silly scenes of Tabitha trying to catch Ryan and Micki’s reflection in the mirror while Mick and Ryan ducked around with their hands over their faces. There’s no other way to put it other than to say it all looked really goofy.

The biggest problem with this episode is that the majority of it was taken up with clips from Vanity’s Mirror. Every few minutes, Joanne would think about Helen and we would get a flashback. Unfortunately, a lot of the flashbacks didn’t even feature Joanne so you have to wonder how exactly she was able to remember them. The constant flashbacks made this episode feel like a clip show and you know how much I hate those.

In the end, Tabitha accidentally catches her own face in the mirror’s reflection and she immediately starts aging. I guess that’s the risk you take when you try to use a mirror as a weapon. Micki and Ryan finally retrieve the compact and Jack mentions that Joanne could have saved a lot of lives by not stealing the compact in the first place. Look, Jack — she feels bad enough already! I’m sorry everyone isn’t beating down the doors of the antique shop to give you their cursed items. Get off Joanne’s back!

Oh well. At least the evil compact will hurt no one else….

Late Night Retro Television Review: Friday the 13th: The Series 2.7 “Wax Magic”

Posted on July 5, 2024 by Lisa Marie Bowman

This week, Ryan and Jack go to a carnival!

Episode 2.7 “Wax Magic”

(Dir by William Fruet, originally aired on November 14th, 1988)

Unable to get a date, loser Ryan convinces Jack to go to a traveling carnival with him.

(Okay, maybe “loser” is a bit harsh. I like Ryan and I think John D. LeMay did a pretty good playing him on the series but seriously, in this episode, Ryan is oddly whiny. Then again, I would think that Ryan would be more careful about trying to date anyone, considering that everyone with whom he falls in love either dies or is his cousin, Micki.)

Ryan and Jack discover that the carnival has been rocked by a series of decapitations. Ryan suspects that it might involve the creepy wax figure exhibit that is run by Aldwin Chase (Angelo Rizacos). Aldwin is incredibly jealous of but also very abusive towards his wife, Marie (Susannah Hoffman). Whenever someone shows too much interest in Marie, they are visited by a wax figure of Lizzie Borden. Guess who Ryan develops an obviously doomed crush on?

This was an effectively creepy episode and, with its scenes of carnival goers losing their heads, it felt like it had more in common with the Friday the 13th movies than some of the other episodes. Towards the end of the episode, Jack and Ryan are actually attacked in the antique shop and it’s actually a bit jolting, a reminder that nowhere is safe. The show ends with a twist about Marie that’s not particularly but it’s effective nonetheless. In the role of Jack, Chris Wiggins gets to deliver another one of his monologues about the nature of evil and, as always, he pulls it off wonderfully.

That said, Micki is not in this episode and that’s unfortunate. Micki is the character to whom I relate, mostly because we’re both redheads with big boobs and, therefore, we share the same struggle. There have been plenty of episode where Jack was said to be off on another mission and, in those cases, that actually raised the stakes because it left Micki and Ryan without their mentor. But not having Micki present just felt weird. Unlike Ryan, I guess she was actually able to get a date.

Late Night Retro Television Review: Friday the 13th: The Series 2.1 “Doorway to Hell”

Posted on April 26, 2024 by Lisa Marie Bowman

This week, the second season beings with the return of Uncle Lewis!

(For a dead guy, Lewis sure does return a lot.)

Episode 2.1 “Doorway to Hell”

(Dir by William Fruet, originally aired on September 26th, 1988)

The second season begins in much the same way that the first one ended, with Uncle Lewis (played, as always, be R.G. Armstrong) trying to re-enter the world of the living.

This time, he’s doing it through mirrors. According to Jack, a mirror that “witnesses” an occult ceremony becomes a doorway to the dark realms that sit between Heaven and Hell. Lewis lives in the dark realms and, since he was a big fan of mirrors, his reflection occasionally appears in the a mirror at Curious Goods. When Micki and Ryan find evidence that Lewis owned a house, they ignore Jack’s warning and go to investigate on their own.

They discover that the decrepit house is being used as a hideout by Buddy (Charle Landry) and Eddie (Louis Ferreira), two criminals who have just held up a gas station and killed an attendant. Buddy wants to go straight and was pretty much coerced into taking part in the robbery. Eddie, on the other hand, is a total psychopath who ties up both Micki and Ryan and laughs when they try to warn him about Uncle Lewis.

The house, not surprisingly, is full of mirrors and soon, Buddy gets sucked into one of them. When Buddy returns to the house, he’s possessed and shooting electricity from his fingertips. He kills Eddie and then chases Ryan and Micki around both the house and the dark realms.

Jack and his friend Rashid (Elias Zarou) watch all of this reflected in a shard of reflective glass that they found at the antique store. Whenever things start to get really exciting or scary at the mansion, we cut to Jack and Rashid staring at shard of glass and saying, “Get out of there, Ryan!”

Eventually, Jack goes to the house, enters the dark realms and distracts Lewis long enough for Ryan and Micki to destroy all of the mirrors in the house. Jack manages to escape just in time, Buddy apparently become unpossessed and the ghost of Uncle Lewis declares that he will return. Lewis’s constant shouts of “I’ll be back” are such a cliche that they can’t help but be a bit charming, especially since R.G. Armstrong always seems to be having so much fun chewing the scenery whenever he shows up as Lewis.

The second season premiere did an effective job of reminding old viewers and informing new viewers about what the show was about. The haunted house was an effectively creepy location and the dark realms were nicely atmospheric. I do wish that the premiere had not once again deployed the tired idea of Micki and Ryan ignoring Jack’s warning about impulsively investigating something on their own. I mean, that has never worked out for them. You would think that Ryan and Micki would have learned the lesson by now. Otherwise, this episode got the second season off to a good start.

Late Night Retro Television Reviews: Friday the 13th 1.15 “Vanity’s Mirror”

Posted on January 19, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week’s episode is a classic of teen angst, vanity, and murder!

Episode 1.15 “Vanity’s Mirror”

(Dir by William Fruet, originally aired on February 29th, 1988)

Poor Helen Mackie (played by Ingrid Veninger)!

A student at Hamilton High, the shy and physically awkward Helen is as unpopular as her older and far more attractive sister, Joanne (Gwendoline Pacey), is popular. Helen has a crush on Scott Thomas (David Orth), who is Joanne’s boyfriend but little does she suspect that Scott is only nice to her because he’s trying to impress her sister. Scott’s friends, including Russell (who is played by Simon Reynolds, who also played Murray the bagboy on Check It Out!), all make fun of Helen and the fact that no one has asked her to prom.

However, things are about to change for Helen because she has gotten her hands on a gold compact. All she has to do is open the compact and shine the mirror in a boy’s direction and the boy will automatically fall in love with her. It happens with Russell. It happens with Greg (Zack Ward). And Helen hopes that it will happen with Scott as well. Of course, as with all the cursed antiques, there is a catch. Helen is driven to murder anyone who is in love with her.

Needless to say, Jack, Micki, and Ryan all show up and try to get the compact from Helen before she can use it to score a prom date. But this episode truly is Helen’s story and it is dominated by Ingrid Veninger’s performance as Helen. At first, it’s impossible not to feel sorry for Helen. Everyone at school is so cruel to her that you’re on her side. But once Helen actually starts using the mirror and killing her boyfriends, she becomes far less sympathetic. She gets way too much enjoyment out of killing people and the viewer is left to wonder if it was the cursed antique that corrupted Helen or if perhaps Helen is only now showing her true self. Has Helen always been evil or is she simply lashing out at a world that has always treated her like an outsider? It’s a fair question and not one that is easily answered.

In the end, having finally stolen her sister’s boyfriend and gotten the prom date that she always wanted, Helen climbs to the roof of her high school and then plunges to her death, taking Scott with her. Micki, Jack, and Ryan can only watch helplessly and then, to top it all off, the compact disappears once again. Someone (we don’t see their face) spots it on the ground and grabs it. Considering that the episode opened with Ryan and Jack finally rather cocky about their recent successes, this episode ends with a reminder that good does not always triumph.

In other words, this is a very dark episode but also a very effective one. If nothing else, it’s an episode that shows us why it’s so important to track down and take possession of the cursed antiques. There are a lot of Helen Mackies in the world.

Late Night Retro Television Reviews: Friday the 13th 1.11 “Scarecrow”

Posted on December 15, 2023 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, Micki and Ryan visit the country and battle a killer scarecrow! Yikes!

Episode 1.11 “Scarecrow”

(Dir by William Fruet, originally aired on February 1st, 1988)

While Jack is off in Europe searching for a cursed antique, Micki and Ryan head into the country. They’ve recently received a letter from someone requesting that they come to a small rural town and collect the scarecrow that was bought from their shop years ago.

Seriously, do people usually buy scarecrows from antique shops? I mean, I always thought that half the fun of having a scarecrow was getting to build it yourself. And even if you didn’t want to build your own scarecrow, I imagine that you would probably go to a country store to buy one as opposed to heading into the city and going to an antique store.

No matter, though. Even if it doesn’t make much sense to buy a scarecrow from an antique store, the scarecrow is undeniably scary. Of course, when Micki and Ryan arrive in the town, the farmer who bought the scarecrow lies and says that someone set it on fire three years ago. However, the viewer knows that the scarecrow not only still exists but that it comes to life at night and kills people with a scythe! Every harvest, the scarecrow beheads three people and, as a result, the owner of the scarecrow has a good crop while everyone else in the town is struggling to make ends meet.

The viewer also knows that the villain of the story is Marge Lonacre (Patricia Phillips), the rather severe-looking owner of the town’s only inn. Even if the episode didn’t show us Marge activating the scarecrow early on, it would be easy to guess that she is the villain because everything about Marge — from the way she dresses to the way she glares at people to the abrupt way that she speaks — screams villainy. Oddly enough, it takes Micki and Ryan forever to figure out that Marge is the villain, even though they’re staying in Marge’s inn and Micki witnesses the scarecrow depositing a dead body on Marge’s front porch. In fact, for some reason, Micki gets into her head that the helpful sheriff (Steve Pernie) is the killer and she even locks him in a closet so that he can’t keep her from running back to the inn. Ryan and Micki are both likable and Micki’s fashion sense is to die for but, without Jack around to guide them, neither of them is a particularly effective investigator.

While searching for the scarecrow, Ryan bonds with the son of one of the scarecrow’s victims, which leads to some nicely-acted moments from John D. LeMay. I mention this because Friday the 13th, much like Nightmare Café, was always at its best when it explored the humanity of its lead characters. For all of the violence that Micki and Ryan have witnessed, they’re still trying to make the world a better and nicer place and it’s hard not to admire that.

This was an effective episode, one of that was full of creepy atmosphere and which featured one truly scary scarecrow. I think even Jason Voorhees would have avoided this country town!

Late Night Retro Television Reviews: Friday the 13th 1.1 “The Inheritance”

Posted on October 6, 2023 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th, a show which ran in syndication from 1988 to 1990. The show can be found on YouTube!

Despite the name of the series and the fact that producer Frank Mancuso was responsible for both the films and the show, Friday the 13th: The Series did not involve Camp Crystal Lake or Jason Voorhees. Instead, it was a supernatural-themed show about two cousins, Micki (Robey, who has red hair like me!) and Ryan (John D. LeMay), who inherited a cursed antique shop from their uncle, Lewis. When they discovered that Lewis spent the last few years of his mortal life selling cursed antiques, they realized that it was up to them to track down the evil items before they could cause too much harm to the world. Working with them was Lewis’s former partner, Jack Marshak (Chris Wiggins).

Episode 1.1 “The Inheritance”

(Dir by William Fruet, originally aired on October 3rd, 1987)

On a rainy night, antique store owner Lewis Vandredi (R.G. Armstrong) is literally dragged into the depths of Hell, the result of a long-ago deal that he made with the devil. The store is inherited by Lewis’s niece and nephew, Micki Foster (Robey) and Ryan Dallion (John D. LeMay).

Micki and Ryan, at first, don’t seem to have much in common. Ryan is a practical joker whose first reaction upon entering the store is to put on a rubber mask and wait for his cousin to show up so that he can startle her. The much more responsible Micki just wants to sell off whatever is in the store so that she can return home to her fiancé, an attorney who really doesn’t understand why she has to waste her time with any family stuff at all. The only thing that Micki and Ryan have in common is that neither one of them knows that their uncle made a deal with the devil to sell cursed antiques. That changes when Lewis’s former business partner, Jack Marshak (Chris Wiggins), shows up and not only tells them about Lewis’s supernatural activities but also finds the ledger where Lewis recorded all of his sales.

Uh-oh, it turns out that Micki herself has sold something from the shop. She sold an extremely ugly doll to Mr. Simms (Michael Fletcher), who in turn gave it to his bratty daughter, Mary (played by a 7 year-old Sarah Polley). Yes, the doll is cursed and yes, Mary is already using it to get revenge on anyone who annoys her. First, she uses the doll to kill her stepmother. Then, she uses the doll to kill the sweet babysitter who asked Mary to be polite about asking for snacks. When Micki and Ryan show up to retrieve the doll, Micki chases Mary to playground, where Mary uses the doll to make a statue breathe fire and a merry-go-round to spin dangerously fast. Fortunately, while Mary is tormenting Micki, Ryan walks up and snatches the doll away from her….

…. and that’s it!

Seriously, it’s kind of an anti-climatic ending but I get it. This was the first episode and, obviously, it was more important to establish why Micki and Ryan were the new owners of an antique store than to really offer up a complicated story of the supernatural. This was a pilot and it got the important part of the job done, introducing the premise and the characters. Robey and John D. LeMay were instantly likable as Micki and Ryan and the antique store was an intriguing location. The story with the doll may not have been anything special but the pilot did leave me looking forward to next week’s episode. And personally, I kind of liked how simple the solution was this week. Mary was an awful brat so there was something really satisfying about Ryan just snatching that doll away from her. Take that!

Next week: Ryan and Micki go to a monastery!