Lisa Reviews An Oscar Nominee: In Which We Serve (dir by Noel Coward and David Lean)


“This is the story of a ship….”

The 1942 British war film, In Which We Serve, opens with footage of the HMS Torrin, a destroyer, being constructed in a British shipyard.  When the Torrin is finally finished, the men who worked on it cheer as it leaves on its maiden voyage.  The film then abruptly jumps forward to the year 1941.  The Torrin is sinking, the victim of German bombers.  The surviving members of her crew float in the ocean, holding onto debris and watching as their home for the past few years capsizes and slowly goes underneath the surface of the water.  Even as the Torrin sinks, German planes continue to fly overhead, firing on the stranded men and killing several of them.

As the men fight to survive both the ocean and the Germans, they remember their time on the Torrin.  Captain Kinross (Noel Coward, who also wrote the script and co-directed the film) thinks back to 1939, when he was first given command of the Torrin.  He remembers the early days of the war and the time that he spent with his wife (Celia Johnson) before leaving to do his duty.  As the captain of the ship, Kinross was a tough but compassionate leader.  He expected a lot out of the men but he also came to view them as his second family.  Meanwhile, Shorty Blake (John Mills) thinks about his wife and his newborn son back in London.  Everyone on the Torrin has left their families behind.  Some of them even lose their loved ones during the war, victims of the relentless German Blitz.  But, even as they float in the ocean, everyone continues to fight on, knowing that there will be bigger ships to replace the Torrin and that Britain will never surrender.

In 1942, British film producer Anthony Havelock-Allan approached Noel Coward and asked him if he would be interested in writing the screenplay for a morale-boosting propaganda film.  Coward agreed, on the condition that he be given complete control of the project and that the film deal with the Royal Navy.  Though one might not immediately think that the author of drawing room comedies like Easy Virtue and Private Lives would be the obvious choice to write a war film, Coward’s family actually had a long tradition of serving in the Navy and Coward based a good deal of the film’s action on the wartime exploits of his friend, Lord Mountbatten.  Though there was initially some concern about Coward’s insistence that he should play the lead role on top of everything else, the Ministry of Information fully supported the production of In Which We Serve.

However, Corward knew that he would need help directing the film.  He asked his friend, John Mills, for advice and Mills suggested that Coward should bring in, as co-director, “the best editor in Britain,” David Lean.  Though Lean was initially only meant to handle the action scenes, Coward quickly discovered that he didn’t particularly enjoy all of the detail that went into directing a film.  As a result, David Lean ended up directing the majority of the film.  This would be Lean’s first film as a director and he would, of course, go one to become one the top British directors of all time.

(Also of note, frequent Lean collaborator Ronald Neame served as the film’s cinematographer.  Neame later went on to have his own career as a director.  In 1972, Neame directed another film about a capsized ship, The Poseidon Adventure.)

As for the film itself, In Which We Serve is an unapologetic propaganda film, carefully crafted to inspire the British people to support the war effort and also to win over the sympathy of American viewers.  (During the film’s production, America had finally entered the war but there were still skeptics, at home and abroad.)  Along with being a war film, In Which We Serve is also a rather touching and heartfelt tribute to the strength and determination of the British people.  Though it’s a rather grim film at times and it doesn’t shy away from the fact that lives are going to be lost in the battle to defeat Hitler, it’s also a rather inspiring film.  The sacrifice will be great, In Which We Serve tells us, but it will also be worth it.  The entire ensemble — including future director Richard Attenborough, making his film debut as a frightened sailor — does an excellent job of creating memorable characters, some of whom only appear for a few fleeting moments before meeting their fate.

In Which We Serve was a box office hit in both the UK and the US.  It was Oscar-nominated for Best Picture of the year, though it ultimately lost to another film about World War II, Casablanca.

Cleaning Out The DVR #5: Around The World In 80 Days (dir by Michael Anderson)


Last night, as a part of my effort to clean out my DVR by watching and reviewing 38 movies in 10 days, I watched the 1956 Best Picture winner, Around The World In 80 Days.

Based on a novel by Jules Verne, Around The World In 80 Days announces, from the start, that it’s going to be a spectacle.  Before it even begins telling its story, it gives us a lengthy prologue in which Edward R. Murrow discusses the importance of the movies and Jules Verne.  He also shows and narrates footage from Georges Méliès’s A Trip To The Moon.  Seen today, the most interesting thing about the prologue (outside of A Trip To The Moon) is the fact that Edward R. Murrow comes across as being such a pompous windbag.  Take that, Goodnight and Good Luck.

Once we finally get done with Murrow assuring us that we’re about to see something incredibly important, we get down to the actual film.  In 1872, an English gentleman named Phileas Fogg (played by David Niven) goes to London’s Reform Club and announces that he can circumnavigate the globe in 80 days.  Four other members of the club bet him 20,000 pounds that he cannot.  Fogg takes them up on their wager and soon, he and his valet, Passepartout (Cantinflas) are racing across the world.

Around The World in 80 Days is basically a travelogue, following Fogg and Passepartout as they stop in various countries and have various Technicolor adventures.  If you’re looking for a serious examination of different cultures, this is not the film to watch.  Despite the pompousness of Murrow’s introduction, this is a pure adventure film and not meant to be taken as much more than pure entertainment.  When Fogg and Passepartout land in Spain, it means flamenco dancing and bullfighting.  When they travel to the U.S., it means cowboys and Indians.  When they stop off in India, it means that they have to rescue Princess Aouda (Shirley MacClaine!!!) from being sacrificed.  Aouda ends up joining them for the rest of their journey.

Also following them is Insepctor Fix (Robert Newton), who is convinced that Fogg is a bank robber.  Fix follows them across the world, just waiting for his chance to arrest Fogg and disrupt his race across the globe.

But it’s not just Inspector Fix who is on the look out for the world travelers.  Around The World In 80 Days is full of cameos, with every valet, sailor, policeman, and innocent bystander played by a celebrity.  (If the movie were made today, Kim Kardashian and Chelsea Handler would show up at the bullfight.)  I watch a lot of old movies so I recognized some of the star cameos.  For instance, it was impossible not to notice Marlene Dietrich hanging out in the old west saloon, Frank Sinatra playing piano or Peter Lorre wandering around the cruise ship.  But I have to admit that I missed quite a few of the cameos, much as how a viewer 60 years in the future probably wouldn’t recognize Kim K or Chelsea Handler in our hypothetical 2016 remake.  However, I could tell whenever someone famous showed up on screen because the camera would often linger on them and the celeb would often look straight at the audience with a “It’s me!” look on their face.

Around The World in 80 Days is usually dismissed as one of the lesser best picture winners and it’s true that it is an extremely long movie, one which doesn’t necessarily add up to much beyond David Niven, Cantinflas, and the celeb cameos.  But, while it may not be Oscar worthy, it is a likable movie.  David Niven is always fun to watch and he and Cantinflas have a nice rapport.  Shirley MacClaine is not exactly believable as an Indian princess but it’s still interesting to see her when she was young and just starting her film career.

Add to that, Around The World In 80 Days features Jose Greco in this scene:

Around The World In 80 Days may not rank with the greatest films ever made but it’s still an entertaining artifact of its time.  Whenever you sit through one of today’s multi-billion dollar cinematic spectacles, remember that you’re watching one of the descendants of Around The World In 80 Days.