Late Night Retro Television Review: Highway to Heaven 3.6 “Love at Second Sight”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

Let’s get back on the highway!

Episode 3.6 “Love At Second Sight”

(Dir by Michael Landon, originally aired on November 5th, 1986)

Jonathan and Mark are working as recreation directors at a retirement community and….

Again?

Actually, I can’t really remember if Jonathan and Mark have worked as a recreation director at a retirement community before but I do know that this is not the first time that they’ve been assigned to work at such a place.  And, if I remember correctly, both Mark and Jonathan have been assigned to work as a coach at other places.  In other words, Jonathan and Mark have a specific set of skills and they seem to center around athletics and the elderly.

Mark thinks that this assignment is going to be easy but then again, Mark thinks that about every assignment.  He might have a point here as he and Jonathan are only supposed to be helping out another angel named Ted (John McLiam).  Ted’s assignment is to help Roy (Harvey Vernon) and Laura (Martha Scott) fall in love and find happiness in their twilight years.  The complication is that Laura is Ted’s widow!  Ted doesn’t want to help his widow fall in love with another man so, instead, he goes out of his way to sabotage Roy and Laura’s relationship.  In fact, Ted starts to romance Laura himself and even proposes marriage to her.

Jonathan confronts Ted and tells him that “the Boss” isn’t going to let this happen.  Jonathan then takes Ted into the future, where he discovers that Laura has died of a broken heart and that their daughter, Margaret (Nana Visitor), is now heading in the same direction.  Realizing that he was being selfish and that he has a responsibility to help Laura move on, Ted returns to the present and pretends to be a jerk and a conman so that Laura will fall out of love with him and instead fall in love with Roy.  Ted even gets Roy to punch him so that Laura will be impressed with him.  Back to the Future, anyone?

That’s the power of love!

I have two issues with this episode.  The lesser of the two is that Ted pretending to suddenly be a jerk seems like the sort of thing that would make Laura even more hesitant about trusting another man as opposed to something that would automatically make her fall in love with Roy.  However, my main issue with this episode is that it all felt very familiar.  Last season, Jonathan was assigned to help his widow move on and he had mixed feelings about it.  (As I would think any angel would.)  This season, God gives the same assignment to another angel and again, it nearly backfires on everyone.  It actually seems a bit mean-spirited on the part of the Boss to continually give this assignment to the very people that it would most hurt, though I understand that the idea is that Ted and Jonathan both needed to move on as well.  That said, at no point does Jonathan say, “Hey, the exact same thing happened to me!”  (This was a rare episode that Landon didn’t write so it’s always possible that the actual writer wasn’t aware that he was repeating a storyline from the show’s past.)  This episode felt like a missed opportunity.

Late Night Retro Television Review: Highway to Heaven 3.5 “That’s Our Dad”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week, Jonathan and Mark are in Hollywood …. again!

Episode 3.5 “That’s Our Dad”

(Dir by Victor French, originally aired on October 29th, 1986)

Two orphans, Sarah (Kelley Parker) and Joey (R.J. Williams), are upset because they’re about to be split up.  A family wants to adopt Sarah but they don’t feel like bringing along her best friend, Joey.  Joey and Sarah wish that they could live with Bill Cassidy (Ned Beatty), the star of America’s favorite sitcom, That’s My Dad!

Sarah and Joey run away from the orphanage and end up at the studio at the exact same time that Bill is holding auditions to find a new co-star for That’s My Dad.  Sarah and Joey tell Bill about their tragic backgrounds and how they each lost their parents.  Bill, thinking that the kids are doing audition pieces, is so impressed that he tells his producer that he wants the kids to be hired immediately.  The kids think that this mean they’re being adopted!  Yay!

Unfortunately, Bill is a bitter man who, in private, doesn’t behave like the perfect father that he plays on television.  Adopt two kids?  Why would Bill want to do that!?  Fortunately, Jonathan and Mark just happen to be installing a new security system at Bill’s home.  Jonathan helps Bill to see that, even though he’s bitter, he could still redeem himself by adopting two random children.  The end result is an episode that pretty much epitome of Highway To Heaven, shamelessly sentimental but heartfelt enough to be effective.

This was not Ned Beatty’s first appearance on Highway to Heaven.  During the first season, he played two roles in The Banker and the Bum Beatty does a pretty good job in this episode, playing Bill Cassidy as someone who can be unpleasant but not so unpleasant that his later change of heart doesn’t feel credible.  From the first minute we meet Bill, we know he’s going to turn out to be not such a bad guy, if just because that’s what always happens on Highway to Heaven.  On this show, even the most unlikable of characters usually achieve some sort of redemption.  The main theme is the no one is bad as they originally seem.  That’s actually a pretty sweet message when you think about it.

Highway to Heaven did quite a few shows about show business.  I’ve read that Michael Landon was something of a workaholic and, as a result, he later felt that he missed out on spending time with his children.  Certainly, that would explain why almost every Hollywood episode of Highway to Heaven seems to feature an actor or director who needs to learn to make time for the people in their lives.

Speaking of making time for the people in your life, it’s the holidays.  This is going to be my final Highway to Heaven review for 2024.  These reviews will return on January 2nd!

Late Night Retro Television Review: CHiPs 3.1 and 3.2 “Roller Disco”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, season three begins with a classic episode!

Episode 3.1 and 3.2 “Roller Disco”

(Dir by Don Weis, originally aired on September 22nd, 1979)

It’s the roller disco episode!

From the moment that I first announced that I would be watching and reviewing CHiPs for this feature, people have been telling me about the legendary roller disco episode.  Having finally reached it, I can say that it lived up to the hype.  You’re not likely to see anything more 70s than the third season premiere of CHiPs.

Now, this was a two-hour episode so there were actually quite a few subplot going on, all of which were typical CHiPs storylines.  In no particular order:

  1. A kid named Mark (Bobby Rolofson) is roller skating around the beach and idolizing three criminals.  Can Baker show him that the good guys always win?
  2. The three criminals are Lita (Helena Kallianiotes), Ty (Fred Williamson), and Romo (Jim Brown).  Lita sets up the targets.  Ty and Romo steal their purses and their wallets and then escape on roller skates.  Ty and Romo are tired of breaking the law.  Lita demands that they continue to steal.  Eventually, it falls to Baker and Ponch to arrest them.
  3. Carlin (Larry Linville) and Franco (Larry Storch) continually cause accidents on the highway.
  4. Rock star Jimmy Tyler (Leif Garrett) is so tired that he sleeps through one of those accidents.  Looking to break free from his well-meaning but overbearing manager (Bill Daily), Jimmy decides to manage his own affairs while staying at Jon Baker’s apartment.

There’s a lot going on but the main plotline is Ponch trying to find celebrities to take part in the annual highway patrol fund raiser.  Even with his big smile, Ponch struggles to charm the celebs.  He pulls over Ed McMahon at one point but fails to recognize him until McMahon drives off.  Gatraer tells Ponch that police work comes first but also tells him that he has to find celebrities.  Gatraer’s been giving Ponch a hard time ever since the first season.  Some things never change.

Fortunately, Jimmy feels guilty for overstaying his welcome at Baker’s apartment and he makes it up to Baker and Ponch by asking his celebrity friends to take part in the fund raiser.  It’s time for a roller disco with the stars!

It all leads to this classic scene:

I recognized a few of the stars, though certainly not all of them.  I recognized Victor French because I’ve been reviewing Highway to Heaven.  I’ve also seen enough old sitcoms that I immediately recognized Robert Mandan, who was apparently the best roller skater in Hollywood.  Melissa Sue Anderson, I knew from Happy Birthday To Me.  Cindy Williams, who got two shout-outs, I knew from American Graffiti.  Is it just me or did Nancy Kulp look kind of lost?  Neither Melissa Sue Anderson nor Cindy Williams seemed to want to talk to her.

The roller disco actually goes on for fifteen minutes, which I appreciated.  The show promised a roller disco and it delivered.  It was like stepping into a time machine and traveling to the 70s.  It was a great way to start season three!

Because of the holidays, this is going to be my final CHiPs review of 2024.  My reviews of this show will return on January 6th!

Late Night Retro Television Review: Highway to Heaven 3.4 “Another Kind of War, Another Kind of Peace”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week, Jonathan and Mark bring together a family.

Episode 3.4 “Another Kind of War, Another Kind of Peace”

(Dir by Dan Gordon, originally aired on October 15th, 1986)

Clancy (Eugene Roche) is an old man who has never gotten over the death of his son in Vietnam.  He lives alone in an apartment in Los Angeles.  His only friend is Guido Liggio (Ernest Borgnine), an Italian taxi driver who lives next door.  Guido, who came to this country as a refugee during World War II, is the type of salt-of-the-Earth character who says stuff like, “Clancy, how come you no be a-nice to the people?”  And Clancy is the type of bitter old man who says stuff like, “Don’t ask me for money, ya bum!”

Jonathan and Mark show up at Clancy’s apartment and inform him that they work for an agency that brings refugees to the United States.  They explain that Clancy’s son had a child in Vietnam.  Now, both Clancy’s grandchild and the grandchild’s mother are in the United States and they need somewhere to stay.  Clancy is angered by the news, claiming that the mother is lying and just trying to get into the country.  But eventually, he agrees to allow Lan Nguyen (Haunani Minn) and Michael Nguyen (Ernie Reyes, Jr.) to stay in his apartment.  He even agrees to give Michael lunch money so that Michael won’t starve at school.  Otherwise, Clancy says that he doesn’t want to have anything to do with either of them.

Guido, on the other hand, is more than willing to host Lan and Michael.  He’s a refugee himself and, even more importantly, he’s everyone’s favorite character actor, Ernest Borgnine!  But Jonathan and Mark understand that their assignment is to bring together Clancy and his grandson.  Guido is a nice guy but he’s not Michael’s grandfather.

At school, a bully (Adam Gifford) is stealing Michael’s lunch money.  When Michael says that he needs the money for food, the bully threatens to hurt Clancy.  What a jerk!  Seriously, check out this totally 80s bully:

When the principal tells Mark and Jonathan that Michael has been spending his lunchtime searching for food in the school dumpsters, Jonathan tells Clancy.  Clancy, angered that his money is being wasted, heads down to the school and confronts the bully.  Jonathan briefly gives Clancy and Michael “the stuff,” which allows them to beat up the bully and his entire gang.  This experience brings grandson and grandfather together.  So, I guess the message here is that violence is the answer.  Forget about that turning the other cheek stuff.  Instead, just throw your bully through a car window.

This episode was pretty much what most people picture when they think of a typical Highway to Heaven episode.  It was unabashedly sentimental and a bit simplistic in its approach.  It was earnest enough to be likable though a bit too heavy-handed for its own good.  Any show that features Ernest Borgnine as a special guest star is not exactly going to deliver anything resembling a subtle story.  While this episode was never quite as good as I wanted it to be, I was still glad that Michael and his mother found a home.

Retro Television Review: Highway to Heaven 3.3 “For The Love Of Larry”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This episode features a very good boy.

Episode 3.3 “For the Love of Larry”

(Dir by Michael Landon, originally aired on October 8th, 1986)

At the start of this episode, we find Jonathan and Mark on a dangerous assignment.  They’re in the city and apparently, they’re working as undercover cops and trying to catch a local drug dealer.  At least, I assume that the people working with Jonathan and Mark were supposed to be cops.  None of them were in uniform so I guess they have just as easily been a neighborhood vigilante group.  As Jonathan and Mark prepare to confront the dealer, Jonathan says that the scourge of drugs is the greatest threat that American will ever face.

It’s a heavy assignment but it doesn’t really seem like a Highway to Heaven sort of assignment.  Usually, Mark and Jonathan are specifically assigned to help someone.  This time, though, it appears that they’ve just been assigned to help the cops do their job.  Jonathan and Mark don’t really do anything that any other cop couldn’t have done.  Mark gets excited when the dealer tries to shoot him because he’s convinced that God is causing the bullets to miss him.  Only after the dealer is captured does Jonathan reveal that God didn’t do Mark any favors.  Mark just got lucky.

Mark’s earned a break!  He and Jonathan drive off to another one of those small towns that always seem to show up on this show.  They rent a cabin for a few days.  However, Mark’s attempts at relaxation are continually interrupted by a dog.  First, the dog runs in front of the car.  Then, the dog somehow shows up at the cabin.  Even though Mark took the dog to a shelter, the dog somehow managed to get out and track Mark down.

Eventually, Mark and Jonathan figure out that they need to follow the dog.  The dog leads off the main road, to an overturned car that is hidden away in the woods.  A father and a son, both badly injured but still alive, are in the car.  Jonathan and Mark are able to rescue them but then they notice that the dog is in the back seat and was apparently killed in the crash.

The camera pans up to the sky and gets lost in the clouds.  Suddenly, the dog’s ghostly form appears and seems to actually wink at the audience, letting us know that the dog may have died but his spirit stayed on Earth long enough to rescue his owners.  (The Larry of the title is the son of the dog’s owner.)

Did this episode make me cry?  You better believe this episode made me cry!  I’m not even a dog person and I was still sobbing at the end of this episode. As I’ve mentioned before, there’s an earnest sincerity at the heart of this show that makes it effective even when it should be silly.  Having the dog appear in the clouds is the type of thing that a lot of shows probably would have screwed up.  In lesser hands, it would have been too heavy-handed and overly sentimental to work.  But, on this show, it does work.  It helps that the dog was cute.

This was a simple episode but sometimes, it’s the simple episodes that work the best.

Late Night Retro Television Review: Highway to Heaven 3.1 and 3.2 “A Special Love”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week, we start season 3 of Highway to Heaven!

Episodes 3.1 and 3.2 “A Special Love”

(Dir by Michael Landon, originally aired on September 24th and October 1st, 1986)

The third season of Highway to Heaven opens with a two-parter.

A Special Love is centered around Jonathan and Mark working at the Special Olympics and meeting a developmentally disabled child named Todd Bryant (played by a 15 year-old Paul Walker …. yes, that Paul Walker).  Given up by his parents (who only did so when told by their doctors that they would never be able to give Todd the care that he needed), Todd lives in a group home and desperately wants to be a part of a family.  Can Mark and Jonathan help Todd find the confidence to compete in the Special Olympics?  Can they reunite Todd with his older brother (played by none other than Josh Brolin), who just happens to be a coach with the Special Olympics?  And can they make his dream of being adopted come true?  You already know the answers.  This is Highway to Heaven, after all.

This is also a Scotty episode.  Scotty (played by James Troesh) is a paraplegic attorney who is married to Mark’s cousin, Diane (Margie Impert).  Scotty and Diane appeared in several episodes during the first three seasons of Highway to Heaven.  Every Scotty episode follows the same basic pattern.  Mark and Jonathan drop in on Scotty and Diane.  Scotty is feeling happy and optimistic about his future.  Then, something happens that derails whatever Scotty’s latest plan is.  Scotty gets upset and tells everyone to leave him alone.  Diane says that she can’t deal with him anymore.  While Mark comforts Diane, Jonathan tells Scotty to stop feeling for himself.  Scotty eventually apologizes.  Everything works out in the end.

Though the Scotty episodes were always predictable, I do think that Highway to Heaven deserved some credit for never turning Scotty into a saint.  Too many films and television shows tend to use disabled characters as idealized props who exists only to impress everyone with their upbeat attitude and homespun wisdom.  They show up.  They say a few words of wisdom that serve to inspire the lead character.  And then they’re never seen again.  They often exist only to help the star and their lives are never explored beyond how the lead character relates to them.  Scotty, on the other hand, was frequently angry about being a paraplegic.  Even when his life was going well, Scotty would get understandably frustrated.  Scotty was not always perfect.  He made mistakes, just like anyone else would have.  What’s important is that, in the end, he always tried to do the right thing.  James Troesch, a real-life paraplegic, was not the best actor in the world but, as was so often the case with Highway to Heaven, he played the role with such sincerity that it didn’t matter that he often sounded stiff while delivering his lines.  He brought a lot of humanity to the role.

In this episode, Scotty is upset because he has just learned that he and Diane will never be able to have children.  When both Jonathan and Diane suggest adopting Todd, Scotty bitterly refuses.  Scotty claims that, due to his disability, he wouldn’t be able to properly take care of Todd.  However, when Todd announces that he’s going to win a race at the Special Olympics to prove that he’s worthy of being adopted, Scotty realizes that he’s just using his disability as an excuse to not face up to his own fears.  Scotty and Diane decide to adopt Todd.  Unfortunately, Todd’s parents suddenly decide that they don’t want another family to adopt Todd.  They want Todd to say in the group home where he is currently living.  It leads to a teary-eyed courtroom showdown.  It also leads to a happy ending.  Again, was there ever any doubt?

The story may have been melodramatic but this was still a touching episode and a good example of how Highway to Heaven‘s earnest sincerity helped the show overcome plot twists that could have been mawkish in the wrong hangs.  The first hour is especially touching, as it’s largely a tribute to the Special Olympics and the athletes involved.  There’s a lot of negative things that can be said about the Kennedy family and their impact on American political culture but Eunice Kennedy Shriver deserves all of the credit and praise in the world for founding the Special Olympics.  This episode did make me cry and it earned every tear.

Late Night Retro Television Review: Highway to Heaven 2.24 “Friends”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week, season 2 comes to an end!

Episode 2.24 “Friends”

(Dir by Michael Landon, originally aired on May 7th, 1986)

Jonathan and Mark have a new assignment.  They’re going to be working as substitute teachers.

“I don’t want to be a teacher!” Mark says.

It’s actually kind of interesting that Mark is never happy with any of the assignments that he and Jonathan are given.  It seems like almost every assignment involves making him do something that he doesn’t want to do and also humiliating him in the process.  In this episode, Mark not only has to be a teacher but he ends up teaching Sex Education.  We don’t actually see Mark teaching the class.  In fact, Mark is actually barely in this episode.  But we certainly do hear Mark complaining about having to do it.

This episode finds Jonathan reaching out to two troubled students.  Jack Mason (Darren Dalton) is only going to school because he likes playing on the baseball team and he’d like to win the state championship before his senior year ends.  Otherwise, Jack doesn’t care about his grades or even graduating.  He tells Jonathan that his father dropped out of school and he’s doing just fine.  Jack even suggests that he personally might drop out as soon as baseball season ends.

(Jack is apparently a good baseball player but he never mentions any desire to play professionally.  That would truly make him unique amongst high school jocks.  It would also suggest that Jack is realistic enough to realize how difficult it is to make it as a professional athlete.  Jonathan gives Jack a hard time about his attitude but Jack might be smarter than he seems.)

Because Jack is failing Algebra, Jonathan arranges for Jack to have a tutor.  Jonathan selects Jenny Bates (Judy Carmen) for the job.  Jenny is a lonely girl who is good at Algebra and insecure about being overweight.  She desperately just wants to have a friend but hardly anyone at the school is willing to talk to her.  Will she be able to help Jack improve his grades?  Will Jack finally realize that his father is struggling due to his lack of a high school diploma?  Will Jack’s bitchy girlfriend (Alexandra Powers) invite Judy to a party just so she can trick Judy into putting on a bathing suit so that she can be humiliated in front of everyone?  Will the episode end with Jack on the way to graduating and Judy finally having made a friend?  This is Highway to Heaven so I think you know the answer to all those questions.

“If I can pass Algebra,” Jack tells Judy, ‘you can lose weight!”

Now, that’s definitely not something that you would hear on a network television program today.  Not in today’s age of body positivity.  That said, let’s be honest.  Being overweight is not necessarily healthy and, just as no one should be ridiculed for being on the heavy side, no one should be shamed for trying to lose weight if that’s what they want (or need) to do.

This episode was a bit on the predictable side, but that’s actually one of the things that people tend to like about shows like Highway to Heaven.  Judy Carmen gave a poignant performance as Jenny.  Darren Dalton played Jack as being a bit of an arrogant knucklehead and that made all of the scenes in which Jonathan yelled at him feel extremely satisfying.  (I should note that I recently rewatched the original Red Dawn so I spent this entire episode thinking about how Dalton betrayed The Wolverines to the Russians.)  This episode featured Jonathan at his most stern and it was an interesting change-of-pace from the gentle technique that Jonathan usually uses during his missions.

With this episode, the second season ends.  It was a good season, overall.  The show can be corny and a bit mawkish but it’s all so earnest and sincere that it’s often impossible not to be somewhat moved by it.  Next week, we start season three!

Late Night Retro Television Review: Highway to Heaven 2.23 “Children’s Children”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week, Jonathan and Mark find themselves in a Douglas Sirk-style melodrama.

Episode 2.23 “Children’s Children”

(Dir by Victor French, originally aired on April 30th, 1986)

When I watched this episode, I saw that the script was credited to David Thoreau and I immediately assumed that it had to be a pseudonym for the actual writer.  Fortunately, for once, I actually did some research and I discovered that the writer’s name actually was David Thoreau.  He wrote a few scripts that were produced in the 80s and 90s and, in fact, this was the first of seven scripts that he wrote for Highway to Heaven.  He’s also credited as writing the screenplay for the classic beach volleyball film, Side Out.

As for this episode, it finds Mark and Jonathan working at a home for unwed mothers.  Just the term “home for unwed mothers” brings to mind the 50s melodramas of Douglas Sirk and I found myself thinking about just how old-fashioned Highway to Heaven must have seemed even in the 80s.  I did a google search and I discovered that homes from unwed mothers do still exist, though they’re now called “maternity homes.”

The manager of the home for unwed mothers is Joyce Blair (Bibi Besch), who finds herself being hounded by a reporter named Dan Rivers (Robert Lipton).  Dan is determined to take Joyce down and, to do so, he brings up a past incident in which Joyce was arrested.  Dan twists the facts to make Joyce look like a criminal and soon, Joyce finds that she might not be able to keep the home open.  Why is Dan doing this?  Like most reporters on Highway to Heaven, he’s just plain evil.  But when one of the girls at the home suggests that Dan might be the father of her child, Dan learns what it’s like to be falsely accused.

Meanwhile, evil businessman Jack Brent (James T. Callahan) hopes for a chance to foreclose on the home so that he can bulldoze it and replace it with condominiums.  (Bad guys in the 80s always wanted to build condos.)  But how will he react when he discovers that his teenage son (Scott Coffey) is going to be a father and that the girl he impregnated in currently living at the home?

This episode is the type of episode that most people think of when they dismiss Highway to Heaven as just being an old-fashioned and slightly preachy melodrama.  There’s not a single subtle moment or particularly nuanced moment to be found in this particular episode.  It’s note quite as heavy-handed as that episode where Mark begged the President to talk to the Russians and reduce amount of nuclear missiles but it’s close.

Late Night Retro Television Review: Highway to Heaven 2.22 “Sail Away”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week, Jonathan helps a novelist get in touch with his long-passed muse.  He also helps him repair his relationship with his grandson before it’s time to move on.

Episode 2.22 “Sail Away”

(Dir by Michael Landon, originally aired on April 2nd, 1986)

Two novelists travel to a remote island.

Frank Worton (Lew Ayres) grew up on the island and was inspired to write a series of paperback romances based on his love for a girl named Jenna.  Sadly, Jenna died when Frank was a teenager and his books were his way of trying to get continue their relationship, if just in his imagination.

Todd Worton (David Einser) is Frank’s grandson.  Todd writes 3,000 words a day and is very strict about his routine.  He’s never written anything as successful as his grandfather’s pulpy romances and he feels that his grandfather has never respected his work.  What Todd doesn’t realize is that Frank feels the same way about him.

When they travel to the Island, Frank starts to act strangely.  He moves into the abandoned house where Jenna lived and claims that it still looks the same as it did when he was a young man.  At one point, he thinks that he sees Jenna walking along the beach.  Is he going senile or is he being haunted by a ghost?

Or is he being prepared for death?  Jonathan and Mark are running a ferry service, taking people to and from the Island.  (I can understand Jonathan knowing how to do all of this, as he’s an angel.  But how does Mark casually go from job to job?  That man’s resume must be a mess at this point.)  Just as he did with Eli Wallach a few episodes ago, Jonathan is preparing Frank to move on.  By the end of the episode, Frank is boarding a sailboat and heading off with his beloved Jenna.  But not before Todd reads the last novel that Frank wrote about Jenna and Frank reads the novel that Todd wrote about him.  The two finally make peace and Jonathan, in voice-over, tells us that both books became best sellers.

Awwww!  What a sweet episode.  This episode is largely a showcase for Lew Ayres and he definitely delivers, giving a heartfelt performance as a man haunted by his past.  If you don’t cry when he gets on that boat, you don’t have a heart and you might want to get that checked out.  You need a heart to live or so they tell me.

In the end, this is an episode that will make you want to sail away.  And while Highway to Heaven has never exactly been known as a subtle show (and I imagine that was by design), I am somewhat impressed at the restraint it must have taken to not include Styx’s Come Sail Away on the soundtrack.

Late Night Retro Television Review: Highway to Heaven 2.21 “The Torch”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week, its the most shocking episode of Highway to Heaven yet!

Episode 2.21 “The Torch”

(Dir by Michael Landon, originally aired on March 12th, 1986)

Everett Salomon (Herschel Bernardi) is a Holocaust survivor who has become wealthy and successful in the United States.  In poor health and in need of a heart transplant, Everett spends most of his time giving speeches about his experiences in the concentration camp.  He is disturbed by the rise in Holocaust denialism and has dedicated his remaining years to battling the scourge of Neo-Nazism.  In a disturbing scene that brings to mind the horrible images of the October 7 attacks, a Nazi named Cal (Robert O’Reilly) sneaks onto Everett’s property in the middle of the night and murders his dog.

Cal is a follower of Jan Baldt (Paul Koslo), a Neo-Nazi and a Holocaust denier who has turned his basement into a shooting range so that he and his buddies can fire their guns at pictures of John F. Kennedy, Martin Luther King, and Moshe Dayan.  Jan is consumed by hate and he’s teaching that hate to his young son, Rolf (played by a very, very young Mark-Paul Gosselaar).  While Jan rants about conspiracies and bankers, Rolf cleans the guns in the basement.

At a Nazi rally, Jan’s speech is interrupted by Everett’s son, Joseph (David Kaufman).  Cal proceeds to make his way through the crowd and ends up shooting Joseph dead.  When Everett hears the news, he has a heart attack and is rushed to the hospital by two paramedics, Jonathan Smith and Mark Gordon.  Meanwhile, while Jan and Cal celebrate in their basement, Rolf picks up a submachine gun and, not realizing it’s loaded, pulls the trigger and guns both men down.

Everett finally gets the heart transplant that he’s needed ever since he was first liberated from the camps.  Unfortunately, that heart comes from Jan Baldt.  At first, Everett refuses to accept the heart but then the ghosts of his parents and of Joseph appear to him and tell him that he has to continue to live and let people know the truth about what happened in the camps.

Later, Everett leaves the hospital and tells the reporters waiting outside that he will never be silent.

This seems to be one of the episodes of Highway to Heaven that anyone who has ever watched the show remembers.  Because the show is usually rather gentle and non-violent, this episode can be a rather jarring viewing experience.  The first time I saw it, the only thing that stunned me more than Joseph’s death was the subsequent deaths of Jan and Cal.  The episode ends on an uplifting note but I always find myself wondering what happened to Rolf.  Without his father around to brainwash him, will Rolf be able to learn something other than hate?  Or is it too late for him?  Is Rolf damned to follow in his father’s footsteps?

With the current rise of anti-Semitism, this episode still feels incredibly relevant.  There’s really not much difference between Jan Baldt’s rants and the stuff currently being spewed by Nick Fuentes, Candace Owens, and Brianna Joy Gray.  This episode reminds us that “never again” has to be more than just a catch phrase.