October Positivity: Last Flight Out (dir by Jerry Jameson)


The 2004 film, Last Flight Out, tells the story of Dan (Richard Tyson) and Anne (Bobbie Phillips).

Once upon a time, Dan and Anne were in love.  Perhaps they were attracted by the fact that their names rhymed.  “Dan and Anne” is just one of those phrases that just rolls off the tongue.  Unfortunately, it takes more than rhyming names to make a relationship work.  Dan was a cynic and Anne wanted to make the world a better place and, in the end, she decided she could do that better without him than with him.

Now, Anne is  missionary, working with Dr. Matteo Barrero (Adriano Gonzalez) at a village in a South American country that is, more or less, ruled by a drug cartel.  And Dan is a pilot, flying missions throughout the world and trying not to get emotionally connected with anyone.  Anne’s mentor, Tony Williams (Cliff de Young), approaches Dan with a job.  The village where Anne is working is currently under siege from a drug lord who demands that all the villagers come to work for him.  The payment that drug lord offers for their work is simple.  If they work for him, he will reward them by not killing them.  If they don’t work for him …. well, you get the idea.

Dan flies to the village, mostly to try to get Anne to safety.  But Anne explains that she won’t abandon the villagers to the drug lord.  Eventually, Anne is able to convince the village’s chief that the entire villages needs to be moved to safety.  That’ll mean putting all twenty of them on Dan’s plan and flying them away from the drug lord’s army.  Dan explains that, even if they take all the seats out of the plane, they’ll still be overweight and unable to take off.  Both Anne and Matteo tells Dan to have a little faith.

And, while the drug lord’s army fires at them from the ground, the plane does manage to take off!  But Matteo is left behind.  Back in civilization, everyone is convinced that Matteo is dead.  Dan, however, is determined to go back and, if possible rescue Matteo.  That, of course, will mean flying straight back into the gunfire and once again, risking his life for another person.  And, in this case, his name doesn’t even rhyme with Matteo’s!

Last Flight Out isn’t a bad little film.  Of course, those tempted to watch the film on Tubi should be aware that it is a faith-based production, so Matteo is very outspoken in his belief in God and the film does feature prayers while in flight.  Naturally, Dan is the atheist who changes his position after witnessing the bravery of the missionaries.  That said, the film is smart to emphasize action over preaching and Richard Tyson gives a likable performance as Dan.  In the end, one need not be filled with faith to know that slave labor is wrong.  Director Jerry Jameson, who directed a host of disaster films in the 70s and the 80s, keeps the action moving at a steady pace and, the end result, is a watchable action film.

18 Days of Paranoia #2: The Humanity Bureau (dir by Rob W. King)


Welcome to the future!  It sucks!

The 2017 film, The Humanity Bureau, takes place in a dystopian future where the government is not to be trusted and bureaucracy ruins everyone’s lives.  It’s kind of like the present except that it’s taking place in the future and Nicolas Cage works for the government.  (Of course, for all I know, Nicolas Cage might work for the government in the real world, as well.  I mean, it just kind of makes sense, doesn’t it?)

Anyway, the idea here is that, in the near future, America is out of resources.  Some of its due to climate change and some of its due to a war and apparently, there was a plague as well.  Because things got so bad, people gave up their personal freedom and basically decided to surrender control of their lives to the government.  The government responded by creating The Humanity Bureau.  The Humanity Bureau decides whether or not you’re a worthwhile part of society or if you’re just a drain on what little resources the nation has left.  If you’re not found to be an “efficient” human being, you’re deported to a city called New Eden where everyone assumes that you learn how to become more efficient or, at the very least, how to not be a burden on society.  The truth, of course, is far different.

Noah Kross (Nicolas Cage) is an agent of The Humanity Bureau.  His bosses worry that Noah might have too much real humanity to be an efficient agent.  After all, he drives an old car and he often talks about his childhood memories of going out to the lake and fishing.  Of course, when we first meet Noah, he’s busy gunning down an old alcoholic who refuses to go to New Eden so he seems pretty efficient to us.

When Noah is assigned to investigate a single mother named Rachel (Sarah Lind) and her son, Lukas (Jakob Davies), it becomes obvious that their case is personal to Noah.  Even though he’s supposed to immediately deport them, he allows them to have an extra day of freedom so that Lukas can sing Amazing Grace at a school recital.  (The kids perform in front of a gigantic American flag, just in case you’re missing the symbolism.)  When another agent (Hugh Dillon) shows up and demands to know what the hold up is, Noah, Rachel, and Lukas go on the run.  It turns out that both Noah and Rachel have a secret agenda of their own….

When you hear that a film takes place in a dystopia and that it stars Nicolas Cage, that probably creates a certain set of expectations in your head.  Unfortunately, Cage is oddly subdued for the majority of the film so those looking for a full scale Nic Cage freak-out are probably going to be disappointed.  While the film’s story has the potential to be interesting, the film never really take full advantage of just how weird things could potentially get.  This is one of those films where you know it’s the future because everyone’s in the desert.

That said, the idea of a major crisis leading to people voluntarily giving up their freedom to the state is not a particularly far-fetched one.  As I sit here writing this, a lot of people are using the panic over the coronavirus pandemic to promote their own totalitarian political vision and what’s sad is that a lot of frightened citizens are just scared enough to probably more receptive to all of that authoritarian BS than they would be under normal circumstances.  The Humanity Bureau takes place in a world where enough people have voluntarily surrendered their free will that the government can basically get away with punishing anyone who dares to think differently.  The Humanity Bureau is often an amateurish film but, when it comes to portraying how an authoritarian state could come to power and would that would mean for those who refuse to conform, it gets things exactly right.

Previous entries in the 18 Days Of Paranoia:

  1. The Flight That Disappeared

 

Back to School Part II #37: Can’t Hardly Wait (dir by Deborah Kaplan and Harry Elfont)


cant_hardly_wait_poster

Oddly enough, the late 90s and early 2000s saw a lot of movies about teenagers that all had strangely generic names.  She’s All That, Down To You, Drive Me Crazy, Head Over Heels, Get Over It, Bring It On … the list is endless.

And then you have the 1998 graduation party-themed Can’t Hardly Wait.  Can’t Hardly Wait has such a generic name that, when you first hear it, you could be forgiven for naturally assuming that it stars Freddie Prinze, Jr.  Of course, if you’ve actually seen the film, you know that it features almost everyone but Freddie Prinze, Jr.  This is one of those films where even the smallest roles are played by a recognizable face.  In fact, there’s so many familiar actors in this film that a good deal of them go uncredited.  Jenna Elfman, Breckin Meyer, Melissa Joan Hart, Jerry O’Connell, and Amber Benson may not show up in the credits but they’re all in the film.  In fact, you could argue that Melissa John Hart, playing an impossibly excited girl who is obsessed with getting everyone to sign her yearbook, and Breckin Meyer, playing an overly sensitive lead singer, provide the film with some of its comedic highlights.

(That said, perhaps the most credible cameo comes from Jerry O’Connell.  He plays a former high school jock who ruefully talks about how he can’t get laid in high school.  He’s so convincingly sleazy and full of self-pity that you find yourself wondering if maybe O’Connell was just playing himself.  Maybe he just stumbled drunkenly onto the set one day and started talking to anyone who would listen…)

Can’t Hardly Wait takes place at one huge high school graduation party, which is actually a pretty smart idea.  The best part of every teen movie is the party scene so why not make just make the entire movie about the party?  Almost every member of the graduating class is at this party and we get to see all of the usual types.  There’s the stoners, the jocks, the nerds, and the sarcastic kids who go to parties specifically so they can tell everyone how much they hate going to parties.  Eric Balfour shows up as a hippie.  Jason Segel eats a watermelon in the corner.  Sara Rue’s in the kitchen, complaining about how everyone’s a sheep.  Jamie Pressly drinks and assures her best friend that she’s at least as pretty as Gwynneth Paltrow.  (“And you’ve got way bigger boobs!” she adds, encouragingly.)  Outside, Selma Blair frowns as someone hits on her with bad line.

Of course, Mike Dexter (Peter Facinelli) and Amanda Beckett (Jennifer Love Hewitt) are the main topic of conversation at the party.  For four years, Mike and Amanda were the school’s power couple but Mike decides to dump Amanda right before they graduate.  Mike feels that he’s going to have a great time in college and he doesn’t need any old high school commitments holding him down.  His best friends all agree to dump their girlfriends too.  Mike spends the party watching, in horror, as all of his friends go back on their promise.  Amanda, meanwhile, wanders around and wonders who she is now that she’s no longer Mike Dexter’s girlfriend.

Preston Meyers (Ethan Embry) struggles to work up the courage to tell Amanda that he’s had a crush on her ever since the first day he saw her.  Meanwhile, Preston’s best friend — the reliably sarcastic Denise (Lauren Ambrose) — finds herself locked in an upstairs bathroom with Kenny “Special K” Fisher (Seth Green).  (Needless to say, Kenny is the only person who actually calls himself “Special K.”)  Kenny is obsessed with losing his virginity.  Denise, meanwhile, won’t stop talking about the sweet and dorky Kenny that she knew way back in elementary school.

And then there’s William Lichtner (Charlie Korsmo).  He’s spent his entire life being tormented by Mike and he specifically goes to the party looking for revenge.  However, he has a few beers and quickly becomes the most popular senior at the party.  He even gets a chance to bond with Mike…

Can’t Hardly Wait is a favorite of mine.  It’s one of those films that doesn’t add up too much but it’s so so damn likable that it doesn’t matter.  It’s full of smart and funny scenes and all the actors are incredibly likable.  If you’re not rooting for Preston and Amanda by the end of the movie then you have no heart.  In fact, Can’t Hardly Wait is a lot like Empire Records.  They may not be much depth to it but it’s so sincere and earnest that you can forgive it.

You can even forgive the generic name.