Lisa Marie’s First Review of 2025: Beyond the Poseidon Adventure (dir by Irwin Allen)


On New Year’s Eve in 1972, a tragedy struck in the Aegean Sea.  Just as the clock hit midnight and its passengers wished each other a happy new year, the cruise ship Poseidon was capsized by a tidal wave.  The majority of the ship’s crew and passengers were killed in the disaster but a small group managed to climb up through the wreckage and make their way to the ship’s hull, where they were rescued.  Gene Hackman sacrificed his life so that Ernest Borgnine, Red Buttons, Jack Albertson, Carol Lynley, and Pamela Sue Martin could all survive.

We all know the story of The Poseidon Adventure and some of us have even been goaded by our sisters into singing There’s Got To Be A Morning After for karaoke night at Grandpa Tony’s.  (Grandpa Tony’s has since shut down but, for a while, it was the best place in Dallas for nachos and karaoke.)  But do you know the story of what happened after that initial group of survivors was rescued from the ship?  Have you gone Beyond The Poseidon Adventure?

First released in 1979, Beyond The Poseidon Adventure picks up directly from where the first film ended.  Mere minutes after the rescue helicopter flies off, a tugboat pulls up alongside the still capsized wreck of the Poseidon.  Needing money to pay off his debts, Captain Mike Turner (Michael Caine) has decided to declare salvage rights and claim all of the cash and jewelry that he can find in the wreckage.  Accompanying him is his mentor Dead Meat (Karl Malden) and his protegee, Annoying and Cutesy (Sally Field).  Actually, Dead Meat is named Wilbur but, as soon as Karl Malden starts to dramatically grab at his chest, viewers will know that he’s destined to heroically sacrifice himself.  Annoying and Cutesy’s real name is Celeste.  Sally Field gives perhaps the worst performance of her career as the almost always perky Celeste.  This movie came out the same year that Sally Field appeared in the film for which she won her first Oscar, Norma Rae.  I have to imagine that Field was happy to win that Oscar because it meant she would never have to do another film like Beyond The Poseidon Adventure.

Before the tugboat crew can begin to explore the Poseidon, another boat shows up.  This boat is captained by Stefan Svevo (Telly Savalas), who claims to be a doctor who is responding to an S.O.S. from the capsized ship.  Svevo and his crew insist on accompanying the tugboat crew into the Poseidon.  It’s obvious from the start that Svevo is not actually a benevolent doctor.  For one thing, the men accompanying him are armed.  For another thing, he’s played by veteran screen villain Telly Savalas.

The two crews finally enter the ship and …. hey, there’s even more people on the boat!  At the end of The Poseidon Adventure, we were told that only six people had survived the disaster but apparently, that was just a damn lie.  The ship is literally crawling with people who still haven’t gotten out.  (Why didn’t the people who rescued the first batch of survivors check to make sure that they had gotten everyone?)  There’s Tex (Slim Pickens), who says he’s from “Big D” and talks about how he owns an oil well (as we all do in Big D).  There’s Frank Mazzetti (Peter Boyle, basically playing the same loudmouth that Ernest Borgnine played in the first film) and his daughter Theresa (Angela Cartwright) and Theresa’s new boyfriend, Larry (Mark Harmon).  There’s a nurse (Shirley Jones) and a blind man (Jack Warden) and his wife (Shirley Knight).  There’s Susanne (Veronica Hamel), the cool femme fatale who has a connection to Svevo.

While Svevo searches for a crate of plutonium (what the Hell was that doing on the Poseidon?), Mike tries to get the survivors to safety.  That means once again climbing up to the hull while the ship shakes and the engines continue to explode.  Both the first film and the sequel feature the exact same footage of the engines exploding.  At this rate, I guess the Poseidon might finally sink sometime this year.

Directed by Irwin Allen (who produced the first film), Beyond The Poseidon Adventure is about as bad as a film could be.  The first film had plenty of silly moments but it also had the entertaining spectacle of Gene Hackman and Ernest Borgnine competing to see who could yell the loudest.  Beyond the Poseidon Adventure has Michael Caine and Telly Savalas both looking bored while Peter Boyle complains, “That was the worst New Year’s Party I’ve ever been to!” and Sally Field says stuff like, “I’ve been to Anzio!  It’s the pits!”  At one point, Slim Pickens says that he’s as phony as a three dollar bill.  The same could be said of this film.  Beyond The Poseidon Adventure looks and feels cheap and generates none of the suspense of the first film.

As Beyond The Poseidon Adventure ended, I found myself worrying that there might be other passengers still stuck on the ship.  I mean, apparently, it’s very easy to not only survive on a capsized cruise ship but also to be overlooked by professional rescue crews.  Unfortunately, there was not another sequel so those folks were just out of luck.

A Movie A Day #250: Taking Care of Business (1990, directed by Arthur Hiller)


Jimmy Dworski (Jim Belushi) is a convicted car thief who only has a few days left in his criminal sentence but still decides to break out of prison so he can go see the Cubs play in the World Series.  Spencer Barnes (Charles Grodin) is an uptight ad executive who needs to learn how to relax and have a good time.  When Spencer loses his organizer, Jimmy finds it.  Before you can say “The prince and the pauper,” Jimmy has access to all of Spencer’s money and the mansion that Spencer is supposed to be staying at over the weekend.  While Spencer tries to survive on the streets and track down his organizer, Jimmy is living it up, spending money, impressing a Japanese businessman (Mako), romancing the boss’s daughter, and taking care of business.

Made in the uncertain period between the end of the culture of 80s materialism and the start of the 90s indie boom, Taking Care of Business is a rip-off of Trading Places that came out six years too late to be effective.  Everything that needs to be known about Jimmy and Spencer is apparentl from the minute that Charles Grodin’s and Jim Belushi’s names appear in the credits.  Grodin was usually the best when it came to playing uptight yuppies but he seems bored in Taking Care of Business.  Belushi mugs through his role, overplaying his character’s blue collar roots.  The movie builds up to a huge confrontation between Belushi and Grodin but it never really delivers, instead devolving into a predictable buddy comedy, complete with a trip to Wrigley Field and an elaborate plan to sneak Belushi back into prison before the warden (Hector Elizondo) discovers that he’s been gone for the weekend.  Taking Care of Business has a few laughs but it’s never as good as the BTO song.

Embracing the Melodrama #31: When Time Ran Out (dir by James Goldstone)


If I had been alive in the 70s, I would have been terrified if I had ever found myself in the same general location of Paul Newman, William Holden, Ernest Borgnine, Red Buttons, Jacqueline Bisset, or Burgess Meredith.  Just based on the movies that they spent that decade appearing in, it would appear that disaster followed them everywhere.

Just consider:

Both Paul Newman and William Holden were trapped in The Towering Inferno. 

Ernest Borgnine and Red Buttons both ended up taking an unexpected Poseidon Adventure together.

Jacqueline Bisset was a flight attendant in the first Airport and nearly got killed by a mad bomber.

And finally, Burgess Meredith was a passenger on The Hindenburg.

Seriously, that’s a dangerously disaster-prone bunch of thespians!

So imagine how terrifying it must have been on the set of the 1980 film When Time Ran Out when all 6 of those actors — along with a lot of other disaster film veterans — were first gathered in one place.  People were probably running for their lives, both on-screen and off.

Lava3

When Time Ran Out takes place on an island in the South Pacific.  Shelby Gilmore (William Holden, playing yet another ruthless but essentially good-hearted businessman) owns a luxury resort that happens to be sitting dangerously close to an active volcano.  Oil rigger Hank Anderson (Paul Newman) is convinced that the volcano is about to erupt but Shelby’s son-in-law, Bob Spangler (James Franciscus), refuses to listen and claims that even if the volcano does blow, the resort will be safe.

(As a sidenote, why were William Holden’s son-in-laws always too blame in disaster movies?  First, you had Richard Chamberlain in The Towering Inferno and now, it’s James Franciscus in When Time Ran Out…)

Suspended over a volcano

Suspended over a volcano

You can just look at the film’s title (When Time Ran Out!) and guess that Bob is probably wrong.  However, Bob has other things on his mind.  First off, he’s cheating on his neurotic wife (Veronica Hamel) with a native islander (Barbara Carrera) who happens to be married to the hotel’s general manager, Brian (Edward Albert).  Brian also happens to be Bob’s half-brother and is therefore owed at least half of Bob’s fortune but nobody but Bob realizes that.

And, of course, there are other colorful guests at the hotel who will soon find themselves either fleeing from or drowning in molten lava.  There’s a white-collar criminal (Red Buttons) who is being pursued by a detective from New York (Ernest Borgnine, of course).  There’s also two retired tightrope walkers (Burgess Meredith and Valentina Cortese) and you better believe that there’s going to be a scene where one of them is going to have to walk across a plank that happens to be suspended over a river a lava…

Told ya!

Told ya!

Eventually, that volcano does erupt and…well, let’s just say that When Time Ran Out is no Towering Inferno as far as the special effects are concerned.  The scene where one random fireball flies out of the volcano and heads for the resort is particularly amusing for all the wrong reasons.  Not only does the volcano apparently have perfect aim but it’s also painfully obvious that the fireball is streaking across a matte painting.  This is the type of film where, when people plunge into a river lava, they do so with heavy lines visible around their flailing bodies.  That, along with the cast’s obvious lack of interest in the material, adds up to make When Time Ran Out a film that is memorable for being so ultimately forgettable.

The Horror!

The Horror!

(It’s odd to consider that this film was directed by the same James Goldstone who directed such memorable films as Rollercoaster and Brother John.)

When Time Ran Out is something of a historical oddity because it was the last of the old 70s all-star disaster films.  (This may have been released in 1980 but it’s a 70s film through and through.)  The movie was such a monumental failure at the box office that it pretty much ended an era of disaster films.

For that reason, it also feels like an appropriate film with which to close out the 70s.  Tomorrow, we’ll continue to embrace the melodrama with the 1980s.

when time