Late Night Retro Television Review: Pacific Blue 1.11 “The Phoenix”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

A serial arsonist is setting Malibu on fire so, of course, the bike patrol is called in.

Episode 1.11 “The Phoenix”

(Dir by Charles Siebert, originally aired on May 11th, 1996)

Fires are breaking out all over Malibu.  Whoever the arsonist is, he seems to be targeting a shady businessman named Curtis Bilson (Michael Cavanaugh).  TC and Chris decide to start investigating the arsons themselves, even though neither one of them is in the arson division.  “Bike patrol?” the arson detective asks, when he first meets them.  However, because everyone respects Lt. Palermo, TC and Chris are allowed to investigate.  Chris, being a former jet pilot, is naturally an expert on accelerants.  “Smells like jet fuel.”  Wow, really?

(Basically, this is the equivalent of allowing a school crossing guard to head up the search for a serial killer.)

A surfer named Suicide (Sam Hennings) insists that he saw the fire being set by The Phoenix, a legendary arsonist who the police consider to be dead.  His real name was Willoughby (Tim DeZarn) and the official story is that he got caught in one of his own fires and his body was reduced to ash and that’s why he disappeared without leaving a trace behind.  That seems awfully convenient and really doesn’t make much sense when you think about it but, then again, Malibu has their bike patrol investigating a serial arsonist.  We’re through the looking glass here.

(Myself, I’m concerned by the fact that no one seems to find it weird that their source is nicknamed “Suicide.”  I’m going to guess that’s a surfer thing but still, I cringed every time TC said, “My friend, Suicide….”)

TC and Chris’s investigation leads them to Dr. Anton (Dennis Christopher), an arsonist who is currently in a mental hospital.  They try to do a Lecter/Clarice thing between Anton and Chris.  Dennis Christopher is a good actor and it appears that he was having fun playing a thoroughly demented character.  Jim Davidson and Darlene Vogel were very bad actors and it seems almost unfair to force them to share a scene like Dennis Christopher.  It’s like giving me a chance to play tennis on national television and then telling me, right when the cameras start rolling, that I’m going to be playing against the Williams sisters.  It’s just adding insult to injury.

Anyway, it turns out Willoughby is still alive and he’s targeting the businessman and he also kidnaps Lt. Palermo for some reason.  Chris and TC are able to save Palermo and the crooked guy from the inferno and Willoughby once again vanishes.  Because, of course, he does….

Meanwhile, Cory tries to catch a man who keeps bringing a snake to the boardwalk.  At one point, she accidentally gets doused in a wet t-shirt contest.  She’s win the trophy and then come back to the station without bothering to change shirts, which kind of goes against everything we’ve seen about Cory’s personality up until this point.  For some reason, Palermo also puts Cory in charge of catch a mouse that’s running around the station.  The snake, once captured, eats the mouse but then gets lost in the station.  That made me laugh just because I like it whenever its acknowledged that the bike patrol is totally incompetent.

Next week …. Chris has a new boyfriend!  Dr. Anton, maybe?  We’ll find out!

 

Late Night Retro Television Reviews: Gun 1.3 “Columbus Day”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Gun, an anthology series that ran on ABC for six week in 1997.  The entire show is currently streaming on Tubi!

This week, Gun welcomes …. JAMES GANDOLFINI!

Episode 1.3 “Columbus Day”

(Dir by James Steven Sadwith, originally aired on May 3rd, 1997)

The third episode of Gun does indeed features James Gandolfini.  Gandolfini play Walter Difideli, who seems to have quite a bit in common with Gandolfini’s best-known character.  Like Tony Soprano, Walter is proud of his Italian heritage, loudly discussing the superiority of men like Amerigo Vespucci and Christopher Columbus.  Walter makes it a point to stay home on Columbus Day so that he can properly celebrate.  Like Tony, Walter boasts about how he will always take care of his family and he also has something of a quick temper.  And, like Tony, Walter keeps a gun around the house.

However, there are a few differences as well.  For one thing, Walter is firmly on the side of law and order.  Unlike Tony, who lived in a mansion and never worried about the legality of his activities. Walter is very honest and, as a result, he and his family live in a crappy apartment.  Another big difference between Walter and Tony is that, while Tony always had a mistress, Walter is loyal to his wife, Lilly (Rosanna Arquette).  Walter is not one to cheat.  The only cheating in the marriage is done by his wife.

Walter works for TSA at an airport.  One day, he helps to chase down a terrorist.  Before the terrorist is captured, he tosses his gun — the Gun of the show’s title — into a janitor’s cart.  When the janitor later comes across the gun, he sells it to Walter for $50.

Walter wants Lilly to have a gun because he’s taking an extra job at night so that he can raise enough money to afford ballet lessons for their daughter and an engagement ring for his wife.  (When they were engaged, he could never afford to get her a ring.)  Lilly is unhappy about Walter refusing to let her work and instead expecting her to spend all of her time around the apartment.  But then Lilly meets one of her neighbors, a writer named Jack Keyes (Peter Horton).  Soon, she and Jack are having a passionate affair, one that inspires Jack to write a less-than-flattering shorty story called The Tryst.

Meanwhile, the terrorist’s collaborator wants to get the gun back and, after he finds out that Walter has it, he starts harassing Walter at work and later at his apartment.  The nervous Walter starts to carry around the gun with him.  When Lilly, upset over Jack’s short story, deletes all of his files from his laptop, the angry Jack goes down to Lilly’s apartment and kicks open the door.  What he doesn’t know is that Walter is waiting on the other side of the door, with his gun.  Jack ends up dead.  Walter is declared a hero for protecting his home.  Lilly submits Jack’s short story under her name and it gets published.  And the terrorist …. well, he’s just kind of forgotten about.

This was an unsatisfying episode, one that ended with a few too many loose ends still dangling.  (At one point, it’s revealed that Jack secretly films his encounters with Lilly but it’s one of those plot points that goes nowhere.)  An even bigger problem was that there really wasn’t anyone in this episode who seemed worthy of being the center of a story.  Walter was a hopelessly naïve blowhard.  Lilly cheated on her devoted husband and never appeared to feel the least bit of guilt about it, even after Walter gunned down her lover.  Jack was a jerk but it’s hard not to feel that he deserved better than to have his life’s work deleted by the whiny Lilly.  The performances were all good but none of the characters seemed to be worth the effort.

Still, for James Ganolfini fans, this episode does provide a bit of a dry run for Gandolfini’s legendary performance as Tony Soprano.  Imagine a world where Tony is a complete dunce and you’ll probably come up with this episode of Gun.