Diner (1982, directed by Barry Levinson)


Which member of the Diner gang would you be?

I think that is the question that everyone, or at least every guy, asks themselves after watching Barry Levinson’s debut film.  Most would probably want to say that they’re Boogie (Mickey Rourke), because he’s cool, all the ladies love him, and he makes creative use of a popcorn box at the movies.  Some would probably say that they want to be Fenwick (Kevin Bacon) because he’s smart and sarcastic.  No one wants to be Billy (Tim Daly) or Eddie (Steve Guttenberg), even though we would all want to be their friend.

The truth is that most of us would probably be Shrevie (Daniel Stern), the just-married one who is discovering that being an adult means working an unglamorous job and discovering the rest of the world doesn’t care about your taste in music.  The luckiest of us might be Modell (Paul Reiser), the funny one who doesn’t get a story but who makes a lot of jokes.

Diner was one of the first great hang-out movies.  There is no plot, at least not in the traditional sense.  Instead, it’s about a group of long-time friends who live in Baltimore in 1959.  They grew up together.  They went to high school together.  They’ve been hanging out at the same diner for as long as they can all remember.  And now, they’re at the point in their lives where the world expects them to act like adults and accept all the responsibility that goes along with that.  It’s a film that celebrates their friendship while also acknowledging that some of them are using that friendship as an excuse to not grow up.  They escape into trivia and movies, with one minor character reciting Sweet Smell of Success by memory.  Fenwick drinks.  Boogie gambles.  Even Billy, who doesn’t even live in Baltimore anymore, reverts to his old ways as soon as he returns for Eddie’s wedding and ends up sucker punching someone because of an old high school incident.

The preparations for Eddie’s wedding gives the film what structure it has.  Eddie is marrying the unseen Elyse, assuming she can pass his demanding quiz about the Baltimore Colts.  (That may sound unfair but if you’re from Baltimore, you’ll understand.)  While Eddie gets ready for his wedding, Shrevie’s marriage to Beth (Ellen Barkin) seems to be falling apart and she finds herself tempted to cheat with Boogie, who has his own problems with a local bookie.  Meanwhile, Billy learns that his girlfriend (Kathryn Dowling) is pregnant.

The film is about friendship and the friendships between the men feel real.  Levinson held off on shooting the largely improvised diner scenes until the end of the film, by which time all of the actors had developed their own idiosyncratic relationships with each other.  The heart of Diner is to be found in scenes like the one where Modell tries to ask for someone else’s sandwich without actually coming out and asking for it.  The dialogue in that scene and so many others has the ring of age-old friendship.  Though the film makes it easy to see why Mickey Rourke and Kevin Bacon become movie stars while Tim Daly has spent most of his career on television, the entire cast is still perfect in their roles.  It’s about as strong as an ensemble as you could ever hope to see.  They become the characters and watching the movie, it’s impossible not to see yourself and your friends in their performances.

Barry Levinson has gone on to direct many more films but for me, Diner will always be the best.

 

In The Line Of Duty: Ambush In Waco (1993, directed by Dick Lowry)


In Waco, Texas, a scruffy and frustrated musician named David Koresh (Tim Daly) has announced that he is the messiah and is gathering followers to live with him in a compound.  The Branch Davidians, as they are known, spend hours listening as the increasingly unhinged Koresh gives lengthy sermons.  There are rumors that Koresh is abusing the many children who live in the compound and that he is stockpiling weapons for a confrontation with the government.

The ATF makes plans to raid the compound and take Koresh into custody.  Under the supervision of Bob Blanchard (Dan Lauria), the agents run several practice raids.  However, when the day of the actual raid comes, they discover that the David Koresh and the Branch Davidians aren’t going to give up so easily…

Ambush in Waco is a dramatization of the infamous raid that led to a 51-day stand-off between the government and the Branch Davidians, a stand-off that ended with the compound in flames and the deaths of several innocent children.  Over the years, the siege in Waco has often been cited as an example of both government incompetence and law enforcement overreaction.  Instead of arresting Koresh during one of his many trips into town, the ATF decided to do a dramatic raid for the benefit of the news cameras and they were unprepared for what was waiting for them inside of the compound.  After 51 days of negotiations, the FBI tried to force Koresh out and, in the eyes of many, were responsible for the death of every man, woman, and child inside of the compound.  For many, the events in Waco represent the government at its worse.

You wouldn’t know that just from watching Ambush In Waco.  This made-for-TV movie was put into production while the siege was still ongoing.  As a result, the film shows the events leading up to the initial raid but nothing that followed.  Since it would be years before the full extent of the government’s incompetence at Waco would be uncovered, Ambush in Waco today feels like propaganda, a whitewash of a shameful moment of American law enforcement history.  The ATF is portrayed as being thoroughly professional while Koresh is a dangerous madman who is on the verge of trying to lead a violent revolution.  Today, we know that wasn’t the case.  Koresh may have been a loser with delusions of grandeur but he probably would have been content to spend the rest of his life hidden away in his compound.  Meanwhile, newly appointed Attorney General Janet Reno was so eager to prove her toughness that the situation was allowed to get out of control.  That’s not something you’ll learn from watching Ambush in Waco.

Of course, that doesn’t mean that David Koresh wasn’t a bad dude.  Tim Daly is this film’s saving grace, giving an outstanding performance as an unstable, wannabe dictator.  Ambush in Waco shows how someone like Koresh could end up attracting so many followers and it also shows how even the most well-intentioned of people can be brainwashed.  Though the film may not convince us that the ATF was justified in their actions, it does show us why we should be weary of anyone who claims to have all the answers.

A Movie A Day #271: Spellbinder (1988, directed by Janet Greek)


Jeff Mills (Tim Daly) is an attorney who might be unlucky in love but who still owns a copy of every movie that Frank Capra has ever directed. (There is even a scene where two of his friends are seen looking at his movie collection and saying, “He’s got every movie Capra ever made!”)  Miranda (Kelly Preston) is the beautiful and mysterious woman who Jeff saves from an abusive boyfriend.  Within minutes of meeting her, Jeff invites Miranda to say with him in his apartment.  For Jeff, it is love at first sight but his friends (Rick Rossovich and Diana Bellamy) worry that Jeff is getting in over his head with a woman about whom he knows nothing.  Weird things start to happen in Jeff’s apartment and a woman (Audra Lindley) shows up in his office, taunting him about how she dug up his mother’s bones and used them in a black magic ceremony.  Eventually, Miranda confesses that she is on the run from a Satanic coven that was planning on sacrificing her but is she telling the whole truth?

Spellbinder is an enjoyably daft movie, especially if you are a fan of Kelly Preston.  It’s not that the rest of the cast isn’t good but this really is Preston’s show and her mix of All-American beauty and otherworldly sexiness is put to good use as the enigmatic Miranda.  It is easy to believe that Jeff would fall in love with her despite not knowing much about her.  The movie also has a few good scare scenes, like one in which the faces of all the members of the coven suddenly appear crowded around a window, staring in.  A slickly made example of how Hollywood made money off of the Satanic panic of the 1980s, Spellbinder is essentially The Wicker Man set in Los Angeles and is more entertaining than Neil LaBute’s actual remake.  (Even if it doesn’t have any bees.)