Song of the Day: Femme Fatale by Nico and the Velvet Underground


Today’s song of the day comes from Lou Reed.  Andy Warhol reportedly asked Lou Reed to write a song about how Edie Sedgwick was a femme fatale.  It’s a song that captures the fascination that Edie inspired amongst artists in the 60s and beyond.  It may not be the most positive portrait of Edie as a person but at least it’s not quite as bitter as Bob Dylan’s Like A Rolling Stone.

Here she comes,
You’d better watch your step,
She’s going to break your heart in two,
It’s true.

It’s not hard to realize,
Just look into her false colored eyes,
She’ll build you up to just put you down,
What a clown.

‘Cause everybody knows
She’s a femme fatale
The things she does to please
She’s a femme fatale
She’s just a little tease
She’s a femme fatale
See the way she walks
Hear the way she talks.

You’re written in her book,
You’re number thirty-seven, have a look.
She’s going to smile to make you frown,
What a clown.

Little boy, she’s from the street.
Before you start you’re already beat.
She’s going to play you for a fool,
Yes, it’s true.

‘Cause everybody knows
She’s a femme fatale
The things she does to please
She’s a femme fatale
She’s just a little tease
She’s a femme fatale
See the way she walks,
Hear the way she talks.

‘Cause everybody knows
She’s a femme fatale
The things she does to please
She’s a femme fatale
She’s just a little tease
She’s a femme fatale
Oh, oh, oh, oh, oh
She’s a femme fatale
Oh, oh, oh, oh, oh
She’s a femme fatale
Oh, oh, oh, oh, oh
She’s a femme fatale

It’s about a hundred years old that song …

Songwriters: Lou Reed

A Blast From The Past: The Velvet Underground in Boston (dir by Andy Warhol)


 

In the late 60s, The Velvet Underground often performed at the Boston Tea Party, a concert venue in — you guessed it! — Boston.  Lou Reed described the Boston Tea Party as being the band’s favorite place to play and the Velvets’ performances at the venue would eventually become legendary.  The Velvet Underground would attract an audience made up of bikers, Harvard students, MIT Students, Northeastern Students, celebrities, and a young Jonathan Richman.

In 1967, artist Andy Warhol attended a performance and filmed the show.  He got 33 minutes of footage, one that doesn’t quite work as a concert film but which does work marvelously as a time capsule.  While the music itself is often distorted (and this is not the film to watch if you’re wanting to hear your favorite songs performed live), Warhol’s camera does capture the feel of the psychedelic 60s, complete with strobe lights, sudden zoom shots, and an audience that alternates between moving to the music and standing still in a state of stoned contemplation.  Warhol films like someone who has just gotten his first camera and can’t wait to experiment and see what it can do.  The end result is actually rather likable, even if it is often incoherent.  The enthusiasm and the excitement of filmmaking and capturing history comes through.  When you’re first learning and experimenting with film, there’s nothing cooler than a sudden close-up or a sudden pull back to reveal the size of the crowd.  The film finds Warhol having fun with the camera and the footage is ultimately rather hypnotic.

It’s a true time capsule.  Here is The Velvet Underground in Boston.

 

 

Music Video of the Day: Sunday Morning by The Velvet Underground & Nico (2017, dir. James Eads)


I’ve been dying to do this on an actual Sunday morning.

I have no special info on this video other than a couple things below and the usual YouTube comment section nonsense. It amounts to people complaining that the video is too hippie, and that the group made fun of hippies in songs like Sweet Jane–a song that starts out trippy. If anything, the only problem I see is that if the quote over on Wikipedia from Andy Warhol is correct, then the song is supposed to be about paranoia. I’m not sure the images get that across.

I don’t care. I love the song. It has always felt warm, comforting, and like an out-of-body experience. This video reflects that for me.

It was directed by James Eads, who also did the art.

The animation was done by Chris McDaniel.

The only other credit for either of them that I can find is that James Eads designed the poster for the film What Would Bear Do? (2013). You can visit his website here, which has some of his artwork.

You can read a little about how the two met to take Eads artwork and turn it into animation here.

There are numerous videos and other pages of their animated images.

Enjoy!