Film Review: Wire Room (dir by Matt Eskandari)


Wire Room tells the story of Justin Rosa (Kevin Dillon).

Once upon a time, Justin was a member of the Secret Service.  But, for reasons that are never really made clear, Justin was eventually demoted and found himself working for Homeland Security.  After 18 years, Justin has finally achieved his dream.  He’s been assigned to a wire room, a high-tech command center where HSI agents conduct surveillance on high-profile criminals.  On his first day, Justin shows up late.  He gets yelled at by his superior, Shane Mueller (Bruce Willis).  Justin explains that he couldn’t find anywhere to park.  Shane is not impressed.  Of course, Shane takes a taxi to and from work because Shane is a total alcoholic who likes to spend his free time at the local strip club.

After meeting Shane and Nour Holborow (Shelby Cobb), Justin is left in the wire room alone.  His sole job is to keep an eye on a British arms dealer, Eddie Flynn (Oliver Trevena, who chews the scenery with relish).  Shane is obsessed with taking down not only Eddie but also all of the corrupt cops that are on Eddie’s payroll.  Eddie has no idea that his entire mansion is wired and that Homeland Security is watching him while he wanders around the house in his leopard-print robe.  Eddie also doesn’t know that a bunch of assassins are coming to his house to try to kill him.

Realizing that Eddie is about to be killed, Justin tries to call Shane but Shane is too busy getting drunk to answer his phone.  When Nour calls about an unrelated manner, Justin asks her for advice.  She tells him to call Shane.  He already tried that!  Realizing that Homeland Security is full of drunks and incompetents, Justin decides to call Eddie himself.  Soon, Justin and Eddie enter into an uneasy partnership.  Justin tries to keep Eddie alive while Eddie tries to figure out how Justin knows what’s happening at his house.  To me, it would seem like it shouldn’t be difficult for Eddie to figure out that Homeland Security has wired his house but no one in this movie is particularly smart.

Wire Room was one of the last movies that Bruce Willis made before announcing his retirement from acting.  Willis doesn’t get much screen time and his dialogue consists mostly of profane insults.  That said, it is nice to see Willis playing a good guy again and there’s even a few hints of the old Willis charisma to be found in his performance.  If nothing else, he seems to enjoy the scenes in which Shane gives Justin a hard time.  As for Justin, he really is a truly stupid character who makes so many obvious mistakes that it’s hard not to worry about the fact that he’s been entrusted with keeping the homeland safe.  Fortunately, Kevin Dillon is an actor who can make stupidity likable.  (There’s a reason why Johnny Drama was the only character on Entourage that anyone really cared about.)

Like the majority of Willis’s recent films, Wire Room is a low-budget action film.  The special effects aren’t particularly special and the action scenes are fairly rudimentary.  A huge problem with the film is that the viewer is never quite sure how close or how far anyone is from the titular location.  For instance, we’re continually told that people are heading towards the wire room but it seems like it takes them forever to actually show up.  At one point, we see a group of bad guys heading up to the wire room but, somehow, Justin and Shane still have time to scrounge up some weapons and have a fairly detailed conversation before any of them actually arrive.  For all of the shooting and the yelling, Wire Room also never convinces us that there’s much at stake as far as the story is concerned.  Shane, for instance, doesn’t seem to be particularly upset when Justin tells him about what is happening at Eddie’s house, despite the fact that Eddie’s death would destroy Shane’s investigation into police corruption.  If Shane, the man in charge of the investigation, doesn’t care about what happens then why should we?

That said, there is some perhaps unintentional enjoyment to be found in Wire Room.  Kevin Dillon plays Justin as being so dense and so slow-witted that the film almost becomes a parody of the recent spate of movies and television shows that have been released about hyper competent government agents.  There are laughs to be found and Bruce Willis gets to be the good guy again.  Wire Room is not a particularly memorable movie but it is a decent time waster.

Catching Up With The Films of 2022: Wrong Place (dir by Mike Burns)


After his wife is killed in a car crash, former police chief Frank Richards (Bruce Willis) takes a job as a security guard for a small town convenience store.  It’s not really a demanding job.  As we see in one montage, Frank spends most of his time playing solitaire.  However, one evening, Frank steps out back to have a cigar and he just happens to catch meth dealer Virgil Brown (Massi Furlan) executing a man.  Frank promptly disarms and arrest Virgil.

Virgil’s son, Jake (Michael Sirow), is not happy about this.  Knowing that Frank is the only eyewitness who can testify against Virgil at his trail, Jake heads off to kill Frank.  However, when Jake arrives at Frank’s cabin, he discovers that it is inhabited by Frank’s daughter, Chloe (Ashley Greene), and her girlfriend, Tammy (Stacey Danger).  Jake tries to take Chloe and Tammy hostage but Chloe turns out to be a lot tougher than he assumed.  Chloe is waiting to hear whether or not she’s cancer-free and, as she explains to Jake, she has nothing to lose by risking her life and fighting him.  And while Jake is certainly dangerous and quick to fire his gun, he’s also not the most competent criminal to ever come out of the backwoods of Alabama.  If you’re guessing that this leads to several scenes of various characters chasing each other through the woods and shooting at each other, congratulations!  You’re right!

This was one of the last films that Willis made before announcing his retirement last year.  Watching the film, it’s easy to see that Willis was struggling a bit.  There’s none of the swagger that viewers typically associate with Bruce Willis and he delivers many of his lines in a flat monotone.  That said, this film is still a better showcase for Willis than American Siege or Fortress: Sniper’s Eye.  Indeed, in the early scenes with his soon-to-be-deceased wife, Willis feels a bit like the Willis of old.  Even if Bruce Willis was struggling to remember his lines, his eyes still revealed a lot of emotional depth.  In the scenes where he and his wife discuss getting older and mention how scary it is to be sick, the dialogue carries an extra resonance.  If nothing else, the role of a decent man who will do anything to protect his family seems like a more appropriate final role for Willis than the various crime bosses that he played in some of his other ’22 films.

Unfortunately, Wrong Place gets bogged down with the whole hostage subplot.  There’s only so much time that you can spend watching people yell at each other before you lose interest.  Ashley Greene, Stacey Danger, and Michael Sirow all give convincing performances but the film itself falls into a rut.  When Jake is first introduced, he seems like he could be an interesting villain.  He doesn’t really know what he’s doing but he’s determined to impress his father.  (Sadly, it’s pretty obvious that Jake’s father will never be impressed with anything Jake does, regardless of what it may be.)  Jake’s incompetence makes him even more dangerous because it also makes him impulsive and quick to anger.  Unfortunately, the film doesn’t do much with his character.  Once the action kicks in, he just become another generic backwoods villain.

I get the feeling that the director meant for Wrong Place to be more than just another action film.  The film moves at its own deliberate pace and, even after the hostage situation has concluded, the film still goes on for another ten minutes.  One gets the feeling that the director wanted to make a sensitive film about the relationship between a headstrong daughter and her old-fashioned father.  But, because this film was also a low-budget action film, he also had to toss in some backwoods meth dealers.  The film has some moments of unexpected emotional honesty, many of them curtesy of Ashley Greene.  But, in the end, it keeps getting bogged down with endless scenes of people running through the woods with guns.  The end result is an uneven film but at least Willis gets to play a hero again.

Back to School #67: Coach Carter (dir by Thomas Carter)


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You all have got twitter to blame for this review.  I vaguely remember Coach Carter playing in theaters back in 2005 but I didn’t see it.  To be honest, the only thing that bores me more than high school football is high school basketball.  I have to admit that I really can’t stand to watch basketball, largely because I hate the way the player’s shoes are always squeaking on the court.  It just hurts my ears.

But, I’ve noticed that whenever Coach Carter shows up on television, everyone on my twitter timeline seems to get excited about it.  Coach Carter is one of those films that is obviously popular with a lot of people so, when I saw that it was going to be playing on Showtime last week, I figured why not?

And you know what?

Coach Carter is actually a pretty good movie.  If I don’t seem overly enthusiastic about it, that’s because I’m just not into sports.  But I do love movies and Coach Carter is an effective film.  That it’s predictable isn’t really that much of a surprise.  Predictability is actually probably one of the main appeals of the sports genre.  But Coach Carter is distinguished by a strong cast and it has a pretty good message to boot.

Plus, it’s based on a true story!  How true I don’t know but I’d like to think that the movie stuck pretty close to the facts if just because the story is so appealing.

Anyway, the Coach Carter of the title is played by Samuel L. Jackson.  At the start of the film, Carter takes over as basketball coach at the same inner city high school that he graduated from.  When he first starts, his team is rude, disrespectful, and undisciplined.  The majority of them have little direction in their lives and have basically pinned whatever hope they have for the future on eventually playing professional basketball.

(I will admit right now that I was really excited to discover that Channing Tatum played one of the players.  The only thing that would have made me happier would have been for James Franco to suddenly show up.)

Carter informs his team that, in order to play for him, they have to be willing sign a contract that states that they will treat everyone respectfully, that they will wear a tie on game days, and that they will all maintain a C+ average.  Some of the players refuse to sign (and are promptly kicked off the team) but those who do quickly discover that Carter expects them to honor the terms of the contract.

And, under Carter’s leadership, the team goes on to have a great season.  They’ve got an undefeated record and appear to be heading for the play-offs when Carter discovers that several members of the team have failed to keep up their grades.  To the shock of both the faculty and the community, Carter benches his entire team and announces that none of them will play until all of them have at least a 2.3 GPA.

Needless to say, it all leads to one of those emotional school board meetings that always seems to show up in films like this.

As I stated above, it’s all fairly predictable but the movie itself is well-made.  And if anyone was born to play an outspoken basketball coach who isn’t going to let anyone tell him how to run his team, it’s Samuel L. Jackson.  Jackson is one of those actors who is so good and so powerful that I think we sometimes tend to take him for granted.  Perhaps the best thing about Coach Carter is that it gives Jackson a chance to show what he’s truly capable of doing as an actor.

Again, I really don’t know that much about basketball and I’m not a fan of the game.  But, with all that in mind, I was still entertained by Coach Carter.  If nothing else, it proved that a lot of the people on my twitter timeline aren’t crazy.