Horror TV Review: The Walking Dead 11.6 “On the Inside” (dir by Greg Nicotero)


Who is Connie?

I have to admit that, when I started watching the latest episode of The Walking Dead a few days ago, I had absolutely no idea who Connie was.  As I’ve stated before, I actually stopped watching the show after Carl Grimes shot himself during season 8.  With Carl dead, it really didn’t seem like it was going to be worth following the show to whatever bleak destination it was heading towards.  So, I sat out two and a half seasons.  I missed the final appearance of characters like Rick Grimes and Michonne.  I missed the death of Jesus during season 9, which was unfortunate since that was one character who really got on my nerves.  And, most importantly, as far as this week’s show was concerned, I missed the introduction of Connie.

And yet, despite not really knowing who she was, I was enthralled by her storyline.  Connie (played by Lauren Ridloff) and Virgil (Kevin Carroll) spent the majority of this week’s episode trapped in a house.  On the outside of the house, there were Walkers.  On the inside was something even more frightening, a group of feral human beings who, though still living, had reverted to mindless cannibalism.  For the first time in a long time, The Walking Dead was genuinely scary.  The Walkers, who are far too often treated as an afterthought on this show, were a legitimate threat and the feral people made me jump every time they emerged from the shadows.  I was frightened for Connie and Virgil, despite not being totally sure who they were.  For once, I cared about whether or not the film’s human characters would survive and it’s been a while since I’ve been able to say that about The Walking Dead or, for that matter, any other zombie-themed show or movie.

Director Greg Nicotero deserves a lot of credit for this episode.  He did a wonderful job maintaining suspense and an atmosphere of impending doom.  The scenes of Connie and Virgil in the house felt a bit like an homage to the Dead films of George Romero.  Beyond the location, the twin threats of the Walkers and the Ferals brought to mind one of the main themes of Romero’s work — i.e., there’s not that big of a difference between the dead and the living.  One could argue that the Ferals are just getting an early start on their eventual fate.

The Connie/Virgil storyline was so intense that I was actually happy for the somewhat more subdued scenes involving Darryl and the Reapers.  They have me a chance to catch my breath, even if the Reapers themselves still haven’t really established themselves as anything more than just this season’s group of misdirected bad guys.  Naturally, I felt bad for Frost but, at this point, I can’t really say that I’m surprised by his fate.  There’s been many Frosts over the past few years of The Walking Dead.

On The Inside was definitely a triumph.  It reminded me of why, way back in 2010, people were so excited about this show in the first place.  Hopefully, this will bode well for the rest of season 11.

Scenes That I Love: Tony Soprano Dreams Of A House In The Sopranos


Since this weekend is going to see both the release of The Many Saints of Newark and the start of our annual October Horrorthon, I thought that this would be an appropriate time to share a creepy scene that I love from The Sopranos.

The Sopranos was well-known for its dream sequences. For me, this dream from the season 4’s Calling All Cars is one of the best of the series. It’s full of menace and ominous atmosphere, from the minute we see Tony being led to the house by the deceased Ralphie. And then, when that mysterious shadow appears on the staircase — AGCK!

I’ve read online speculation that the woman in the shadows was meant to represent Tony’s mother, who will be played by Vera Farmiga in The Many Saints of Newark. Young Tony Soprano, meanwhile, will be played by Michael Gandolfini, the son of the late (and missed) James Gandolfini.

I look forward to watching (and, hopefully, reviewing) The Many Saints of Newark on October 1st!

Lisa Marie’s Week In Television: 9/19/21 — 9/25/21


I spent most of this week planning and preparing for the big October horrorthon (yes, it does take a month to prepare) but I did watch a bit of television.  I also made the decision not to watch American Crime Story: Impeachment, despite having the two most recent episodes on the DVR.  The first episode just didn’t capture my interest and there’s way too much that I want to do to spend any more time than necessary on the Clintons.  So, Impeachment is now off my DVR.  If I hear that it’s good, I might get caught up with it later.

Here’s some thoughts on what I did watch this week:

Bachelor In Paradise (Tuesday Night, ABC)

I’ve stopped paying attention to what actually happens on this show.  Some of that’s because I’ve been busy getting ready for October.  More of it, though, is just because this show is primarily about watching attractive people hang out on the beach.  Actually paying attention to what they’re talking about would just take away from the fun of it all.

Big Brother (24/7, Paramount Plus and CBS)

Yay, it’s almost over!  The highlight of this week was Kyland nearly getting into physical altercation with Xavier over being voted out of the house.  I had mixed feeling about the whole thing.  It was interesting television but I didn’t particularly feel good about watching it.  I wrote more about this show over at the Big Brother Blog!

Dancing With The Stars (ABC, Monday Night)

I used to love this show but I’ve kind of been over it for a while.  I will still set the DVR for this season but, after just one episode, I really have a hard time imagining anyone other than JoJo and Jenna winning.  I’m torn, because I liked Dance Moms, The Office, and the Spice Girls.  I guess I’m Team Melora/JoJo/Melanie.  I would definitely prefer not to have Mr. Peloton win.

Friday the 13th: The Series (YouTube)

This is an old 80s horror show, which ran for about three seasons and was about a cursed antique store.  (Jason Voorhees is nowhere to be seen.)  All three seasons, I recently discovered, been uploaded to YouTube.  I watched a few episodes this week in preparation for our upcoming Shattered Lens Horrorthon!  I’ll have more to say about this show in October.

King of the Hill (Wednesday afternoon, FX)

The episode where Hank and Bobby enter the father/son shooting contest despite the fact that Hank’s a terrible shot is one of the few cartoons to consistently make me cry.  It’s such a sweet episode.

Ordinary Joe (Monday Night, NBC)

This is a new series about a guy named Joe.  The day he graduates from college, he has to make a decision.  He can either go talk to the girl he just met or he can talk to his girlfriend or he can talk to his uncle.  The show features three alternate realities, each determined according to whom he decided to speak with.  In one reality, Joe is a rock star.  In another, he’s a cop.  In another, he’s a nurse.  Unfortunately, he’s pretty boring in all three of those realities.  The idea behind this show is interesting but the pilot suffered from some pretty obvious This Is Us-style plotting.  We’ll see how the rest of the series does, though.  The premise has enough promise that I’ll give it a second and probably even a third chance.

Smash (Friday, E!)

Yes, E! did indeed do a Smash marathon on Friday.  I watched an episode or two, perhaps hoping the show would turn out to be more fun than I remembered.  Smash is the show that made the term “hate watch” well-known.  To be honest, it was rarely even interesting enough to be a hate watch.  The Marilyn musical feels like it really would be a pain to sit through.  This is the show that begged us to believe that Katharine McPhee could somehow be a better Marilyn Monroe than both Megan Hilty and Uma Thurman.  It was a disappointing show, let’s just leave it at that.

(Dammit, now I want to rewatch the whole thing.)

Survivor (Wednesday Night, CBS)

Yay!  Survivor’s back!  I wrote about the 41st Season Premiere at the Reality TV Chat Blog!

The Ultimate Surfer (Tuesday Night, ABC)

I honestly didn’t even realize that Tuesday was the finale until a few minutes before the show ended.  That’s how much I was actually paying attention to the show.  As I’ve said before, the appeal of this show was essentially that it featured attractive, wet people.  Congrats to the winners.

The Voice (Monday Night, NBC)

I watched a bit of The Voice but I have to admit that I got bored with it.  The singers are good but they’re all good in the same generic way.  Blake and Kelly are the fun judges.  I would probably want to be on Kelly’s team, just because we’re both from Texas.

The Walking Dead

I wrote about this week’s episode here.

TV Review: The Walking Dead 11.5 “Out of the Ashes” (dir by Greg Nicotero)


As opposed to what we’ve previously seen since the start of the 11th season, this week’s episode of The Walking Dead focused on multiple storylines.

At the Satellite Outpost, Negan and Maggie continued to argue about whether or not anyone else in their party would be smart, lucky, or brave enough to join them.  At this point, Maggie and Negan pretty much sound like an old married couple and, considering the chemistry between Lauren Cohan and Jeffrey Dean Morgan, that could very well be what they end up becoming by the time the show ends.  Sorry, Glenn!  Anyway, this time Maggie won the argument because Gabriel and Elijah eventually showed up and proved that people could be depended upon.  Yay, Maggie!  Unfortunately, if Gabriel’s the best you go, you probably have bigger problems to deal with than just a philosophical disagreement.

At Alexandria, Judith tried to keep the other kids from taunting the Walkers and potentially getting everyone killed.  Judith had a point but seriously, no one likes a snitch.

Aaron, Carol, Lydia, and Jerry returned to the ruins of Hilltop on a supply run.  It turned out that Hilltop was also being used as a home by the last surviving Whisperers!  Their leader, Keith, insisted that the Whisperers were no longer a threat.  Aaron didn’t quite buy that and he wanted to torture and then kill Keith.  Fortunately, Carol talked him out of it.  Keith lost an arm but he got to keep his life.  And he also told them where Connie’s hiding!  Now, of course, is where I should remind our readers that, until the start of this season, I hadn’t really watched the show since Carl died so I’m not exactly sure who Connie is.  But I guess I’ll soon find out.

Meanwhile, at the Commonwealth, Eugene and the crew got to watch a really neat presentation on VHS tape that welcomed them into the community.  Eugene then went for a walk with Stephanie and nearly screwed everything up when he broke into the radio room and tried to contact Alexandria!  Or did he?  See, my theory is that the Commonwealth is still setting Eugene up.  They’re manipulating him to reveal everything that he knows about Alexandria but they’re doing it in a way that makes it seem as if they actually don’t want to know anything about Alexandria.  They’re manipulating him into contacting Alexandria by pretending like it’s something they don’t want him to do.  It’s all very clever and it’s the type of thing that Eugene always seems to fall for, despite the fact that he’s the smartest guy on the show.

This week’s episode, which was directed by Greg Nicotero, was a definite improvement over the past few episodes.  I liked the fact that it focused on several different groups, as opposed to getting bogged down with one repetitive storyline.  I liked that it revisited the Whisperers and showed that, as far as they were concerned, they were the heroes and the Alexandrians were the villains.  (The show has always been at its best when it has acknowledged that even the bad guys are just scared, lonely, and trying to survive the end of the world.)  The Judith subplot was handled well and showed that some things — like obnoxious children –are never going to change.

Mostly, though, I just liked the Commonwealth stuff.  From the minute I saw that introduction on the VHS tape, I was all about the Commonwealth.  The intro may have looked cheap and all the happy scenes were obviously staged but, seriously, it’s easy to see why some people would find it appealing after spending years fighting other humans and trying to avoid Walkers.  I loved the way the tape went from celebrating community to celebrating “security.”  It felt very relevant to our current times, a true libertarian’s nightmare.  You want to have ice cream and watch your kids play?  Then you’ve got to accept the legion of armored men watching everything that you do.  And, as always, I loved the oddball intensity of Josh McDermitt in the role of Eugene.  I would seriously watch a spin-off that was just Eugene going to different communities and voicing his disappointment with their life choices.

This was a good episode, one that took a look at how different communities are trying to find some sort of normalcy in the face of the zombie apocalypse.  The remains of the Whisperers are just scrounging to survive.  Alexandria is trying to balance the needs of the collective with the need of every human being to be an individual.  And the Commonwealth is living in denial, embracing the myth that random chaos can be controlled by strictly enforced order.  

I’m looking forward to seeing where things to go.  After a few weak episodes, The Walking Dead might be able to reclaim some of its lost narrative momentum.  Here’s hoping!

Here’s What Won At The 73rd Emmy Awards


Watching the Emmys tonight, I realized that I really don’t watch as much TV as I think I do. Seriously, I’m running so far behind on the shows that everyone else has already watched that I still need to finish up WandaVision.

So, needless to say, I’m in absolutely no way qualified to pass judgment on whether the Emmys went to the right people and shows this year. So, I’ll just say congrats to winners!

As for the show itself — well, it was advertised as being a return to fun but it just left me feeling depressed. Everyone seemed to be trying way too hard to convince both themselves and the viewers that they were having a great time. The more they tried to act like they were having fun, the less fun it all seemed. I don’t know. Maybe I’m just in a weird mood tonight.

Anyway, ignore me! Here are the winners!

Supporting Actress, Comedy
Hannah Waddingham, Ted Lasso (Apple TV+) (WINNER)

Rosie Perez, The Flight Attendant (HBO Max)
Hannah Einbinder, Hacks (HBO Max)
Aidy Bryant, Saturday Night Live (NBC)
Kate McKinnon, Saturday Night Live (NBC)
Cecily Strong, Saturday Night Live (NBC)
Juno Temple, Ted Lasso (Apple TV+)

Supporting Actor, Comedy
Brett Goldstein, Ted Lasso (Apple TV+) (WINNER)

Carl Clemons-Hopkins, Hacks (HBO Max)
Paul Reiser, The Kominsky Method (Netflix)
Kenan Thompson, Saturday Night Live (NBC)
Bowen Yang, Saturday Night Live (NBC)
Brendan Hunt, Ted Lasso (Apple TV+)
Nick Mohammed, Ted Lasso (Apple TV+)
Jeremy Swift, Ted Lasso (Apple TV+)

Supporting Actress, Limited Series, Movie or Anthology
Julianne Nicholson, Mare of Easttown (HBO) (WINNER)
Renée Elise Goldsberry, Hamilton (Disney+)
Phillipa Soo, Hamilton (Disney+)
Jean Smart, Mare of Easttown (HBO)
Moses Ingram, The Queen’s Gambit (Netflix)
Kathryn Hahn, WandaVision (Disney+)

Supporting Actor, Limited Series, Movie or Anthology
Evan Peters, Mare of Easttown (HBO) (WINNER)
Daveed Diggs, Hamilton (Disney+)
Jonathan Groff, Hamilton (Disney+)
Lin-Manuel Miranda, Hamilton (Disney+)
Anthony Ramos, Hamilton (Disney+)
Paapa Essiedu, I May Destroy You (HBO)
Thomas Brodie-Sangster, The Queen’s Gambit (Netflix)

Outstanding Writing For a Drama Series
The Crown (Netflix) Peter Morgan (WINNER)
The Boys (Amazon Prime Video), Rebecca Sonnenshine
The Handmaid’s Tale (Hulu), Yahlin Chang
Lovecraft Country (HBO), Misha Green
The Mandalorian (Disney+), Dave Filoni
The Mandalorian (Disney+), Jon Favreau
Pose (FX), Ryan Murphy, Brad Falchuk, Steven Canals, Janet Mock, Our Lady J

Outstanding Directing For a Drama Series
The Crown (Netflix), Jessica Hobbs
Bridgerton (Netflix), Julie Anne Robinson
The Crown (Netflix), Benjamin Caron
The Handmaid’s Tale (Hulu), Liz Garbus
The Mandalorian (Disney+), Jon Favreau
Pose (FX) Steven Canals

Supporting Actress, Drama
Gillian Anderson, The Crown (Netflix) (WINNER)
Helena Bonham Carter, The Crown (Netflix)
Emerald Fennell, The Crown (Netflix)
Madeline Brewer, The Handmaid’s Tale (Hulu)
Ann Dowd, The Handmaid’s Tale (Hulu)
Yvonne Strahovski, The Handmaid’s Tale (Hulu)
Samira Wiley, The Handmaid’s Tale (Hulu)
Aunjanue Ellis, Lovecraft Country (HBO)

Supporting Actor, Drama
Tobias Menzies, The Crown (Netflix) (WINNER)
O-T Fagbenle, The Handmaid’s Tale (Hulu)
Max Minghella, The Handmaid’s Tale (Hulu)
Bradley Whitford, The Handmaid’s Tale (Hulu)
Michael K. Williams, Lovecraft Country (HBO)
Giancarlo Esposito, The Mandalorian (Disney+)
John Lithgow, Perry Mason (HBO)
Chris Sullivan, This Is Us (NBC)

Outstanding Writing For a Variety Series
Last Week Tonight With John Oliver (HBO) (WINNER)
The Amber Ruffin Show (Peacock)
A Black Lady Sketch Show (HBO)
The Late Show With Stephen Colbert (CBS)
Saturday Night Live (NBC)

Variety Talk Series
Last Week Tonight with John Oliver (HBO) (WINNER)
Conan (TBS)
The Daily Show with Trevor Noah (Comedy Central)
Jimmy Kimmel Live! (ABC)
The Late Show with Stephen Colbert (CBS)

Variety Sketch Series
Saturday Night Live (NBC) (WINNER)
A Black Lady Sketch Show (HBO)

Outstanding Writing For A Comedy Series
Hacks (HBO Max), Lucia Aniello, Paul W. Downs, Jen Statsky (WINNER)
The Flight Attendant (HBO Max), Steve Yockey
Girls5eva (Peacock), Meredith Scardino
Pen15 (Hulu), Maya Erskine
Ted Lasso (Apple TV+), Jason Sudeikis, Brendan Hunt, Joe Kelly
Ted Lasso (Apple TV+), Jason Sudeikis, Bill Lawrence, Brendan Hunt, Joe Kelly

Outstanding Directing for a Comedy Series
Hacks (HBO Max), Lucia Aniello (WINNER)

B Positive (CBS), James Burrows
The Flight Attendant (HBO Max), Susanna Fogel
Mom (CBS), James Widdoes
Ted Lasso (Apple TV+), Zach Braff
Ted Lasso (Apple TV+), MJ Delaney
Ted Lasso (Apple TV+), Declan Lowney

Lead Actress, Comedy
Jean Smart, Hacks (HBO Max) (WINNER)
Aidy Bryant, Shrill
Kaley Cuoco, The Flight Attendant (HBO Max)
Allison Janney, Mom (CBS)
Tracee Ellis Ross, Black-ish (ABC)

Lead Actor, Comedy
Jason Sudeikis, Ted Lasso (Apple TV+) (WINNER)
Anthony Anderson, Black-ish (ABC)
Michael Douglas, The Kominsky Method (Netflix)
William H. Macy, Shameless (Showtime)
Kenan Thompson, Kenan (NBC)

Competition Series
RuPaul’s Drag Race (VH1) (WINNER)
The Amazing Race (CBS)
Nailed It! (Netflix)
Top Chef (Bravo)
The Voice (NBC)

Outstanding Directing For A Limited Or Anthology Series Or Movie
The Queen’s Gambit (Netflix), Scott Frank (WINNER)
Hamilton (Disney+), Thomas Kail
I May Destroy You (HBO), Michaela Coel
I May Destroy You (HBO), Sam Miller
Mare Of Easttown (HBO), Craig Zobel
The Underground Railroad (Amazon Prime Video), Barry Jenkins
WandaVision (Disney+), Matt Shakman

Outstanding Writing For a Limited Or Anthology Series Or Movie
I May Destroy You (HBO), Michaela Coel (WINNER)
Mare Of Easttown (HBO), Brad Ingelsby
The Queen’s Gambit (Netflix), Scott Frank
WandaVision (Disney+), Chuck Hayward, Peter Cameron
WandaVision (Disney+), Jac Schaeffer
WandaVision (Disney+), Laura Donney

Lead Actress, Limited Series, Movie or Anthology
Kate Winslet (Mare of Easttown) (WINNER)
Michaela Coel (I May Destroy You)
Cynthia Erivo (Genius: Aretha)
Elizabeth Olsen (WandaVision)
Anya Taylor-Joy (The Queen’s Gambit)

Lead Actor, Limited Series, Movie or Anthology
Ewan McGregor (Halston) (WINNER)
Paul Bettany (WandaVision)
Hugh Grant (The Undoing)
Lin-Manuel Miranda (Hamilton)
Leslie Odom, Jr. (Hamilton)

Lead Actress, Drama
Olivia Colman, The Crown (Netflix) (WINNER)
Uzo Aduba, In Treatment (HBO)
Emma Corrin, The Crown (Netflix)
Elisabeth Moss, The Handmaid’s Tale (Hulu)
Mj Rodriguez, Pose (FX)
Jurnee Smollett, Lovecraft Country (HBO)

Lead Actor, Drama
Josh O’Connor, The Crown (Netflix) (WINNER)
Sterling K. Brown, This Is Us (NBC)
Jonathan Majors, Lovecraft Country (HBO)
Rege-Jean Page, Bridgerton (Netflix)
Billy Porter, Pose (FX)
Matthew Rhys, Perry Mason (HBO)

Variety Special (Live)
Stephen Colbert’s Election Night 2020: Democracy’s Last Stand Building Back America Great Again Better 2020 (Showtime) (WINNER)
Celebrating America — An Inauguration Night Special (Multiple Platforms)
The 63rd Annual Grammy Awards (CBS)
The Oscars (ABC)
The Pepsi Super Bowl LV Halftime Show Starring The Weeknd (CBS)

Outstanding Variety Special (Pre-Recorded)
Hamilton (Disney+) (WINNER)
Bo Burnham: Inside
 (Netflix)
David Byrne’s American Utopia (HBO)
8:46 – Dave Chappelle (Netflix)
Friends: The Reunion (HBO Max)
A West Wing Special To Benefit When We All Vote (HBO Max)

Comedy Series
Ted Lasso (Apple TV+) (WINNER)
Black-ish
 (ABC)
Cobra Kai (Netflix)
Emily in Paris (Netflix)
Hacks (HBO Max)
The Flight Attendant (HBO Max)
The Kominsky Method (Netflix)
Pen15 (Hulu)

Drama Series
The Crown (Netflix) (WINNER)
The Boys (Amazon)
Bridgerton (Netflix)
The Handmaid’s Tale (Hulu)
Lovecraft Country (HBO)
The Mandalorian (Disney+)
Pose (FX)
This Is Us (NBC)

Limited Series
I May Destroy You (HBO)
Mare of Easttown (HBO)
The Queen’s Gambit (Netflix) (WINNER)
The Underground Railroad (Amazon)
WandaVision (Disney+)

Lisa Marie’s Week In Television: 9/12/21 — 9/18/21


Again, this was another week where I didn’t watch much.  But I have a good reason.  Number one, I was up at Lake Texoma for the first part of the week and I forgot to set the DVR to record a few shows.  Number two, I accidentally DVRed a reshowing of the first episode of Impeachment and I missed the second episode and, since I didn’t care much for the first episode, I didn’t bother to rewatch.  Number three, I somehow totally forget abut the Brooklyn Nine Nine finale.  That was such a good show but I always had a hard time figuring out when it was actually airing.  Finally, I watched quite a few movies this week as I continued to prepare for October!

So, here’s a few notes on what little television did I watch:

Allo Allo (Sunday Night, PBS)

Having avoided (through a convoluted set of circumstances) marrying the head of the community resistance, Rene found himself being targeted for death by that same resistance.  Rene was forced to once again fake his own death and then wander around the village disguised as his father, which meant putting on a fake beard.  Rene even resorted to asking Herr Flick to “lock me up in one of your dungeons for a few days,” but Flick refused because they couldn’t just have people wandering in from off the street.  Rene even asked Office Crabtree to arrest him.  “Are you confessing to a cream?” Crabtree responded, in his broken French.  It was all a bit complicated and, in the end, nothing really worked out.  But it made me laugh and that’s the important thing.

Bachelor in Paradise (Tuesday Night, ABC)

Because I forgot to set the DVR, I only saw one of this week’s episodes of Bachelor in Paradise.  Lil Jon was the new host because eventually, every reality show will be hosted by Lil Jon for a week.  I didn’t really pay too much attention to the show, to be honest.  I had just gotten back from the lake and I was tired.

Big Brother (All the Time, CBS and Paramount Plus)

It’s almost over and I’m happy about that.  I like Big Brother but I always get a bit bored with it towards the end.  I’m still writing about the show over at the Big Brother Blog.

Hell’s Kitchen (Monday Night, FOX)

I was happy that Trenton won, even though he did occasionally act like a bit of a jerk.  Still, he obviously earned his victory and I’m sure that Megan will find success as well, even if she didn’t ultimately win Hell’s Kitchen.  I really liked this season.  The kinder, gentler Chef Ramsay was fun to watch and, for once, he really seemed to actually enjoy working with the younger chefs.  Who would have thought that Hell’s Kitchen would end up becoming the most positive and feel-good reality show of 2021?

Moone Boy (Sunday Night, PBS)

Two episodes of Moone Boy aired on Sunday.  I recorded both.  The first featured the Moones trying to fool granddad into giving up his house so that Fidelma, Dessie, and the baby would have some place to live other than with them.  Meanwhile, Martin wandered about with a video camera, hoping to capture something that could be sent to Ireland’s version of America’s Funniest Home Videos.  Fortunately, it turned out that Grandad’s home was full of bats and when they attacked Dessie, Martin had his video!  The second episode featured Martin and Padraic all excited about the idea of aliens having landed in Boyle.  Can you blame them?

Open All Hours (Sunday Night, PBS)

After overordering, Arkwright desperately tried to get his customers to buy extra apples.  Meanwhile, Granville continued to wonder how his once promising life had descended into the living Hell of being a 40 year-old stockboy.

The Ultimate Surfer (Tuesday Night, ABC)

Though two episodes aired this week, I only watched the 2nd episode.  I still have no idea what’s happening on the show, beyond that it features a lot of attractive people getting wet.  But, sometimes that’s all a show needs.

The Walking Dead (Sunday Night, AMC)

I wrote about the latest episode of The Walking Dead here.

Yes, Minister (Sunday Night, PBS)

PBS aired two episodes of Yes, Minister and I recorded both of them, despite having seem both of them before.  That’s just how good this show is!  The first episode featured Jim unsuccessfully trying to reduce the power and size of the civil service.  The second episode featured a lively debate about whether or not the government should allow citizens to have any privacy.  Even though this show is over 40 years old, both episodes continue to feel extremely relevant to our current situation.  That’s the mark of a good show.

TV Review: The Walking Dead 11.4 “Rendition” (dir by Frederick E. O. Toye)


I was up at Lake Texoma this weekend so I missed the latest episode of The Walking Dead when it originally aired.  I did, however, set the DVR for it.  I came back from the lake on Tuesday of this week and while I was eager to watch most of the shows that I had recorded, I really couldn’t summon up much enthusiasm for The Walking Dead.  For the show’s first four or five seasons, The Walking Dead is what I would have immediately watched but, eleven seasons in, the show no longer holds the promise of the unexpected.  Instead, it has settled down into a comfortable pattern.

Earlier today, when I finally did get around to watching Rendition, it all felt very, very familiar.  Once again, Darryl ended up wandering off on his own  Once again, Darryl ended up getting captured and tortured by the latest group of evil humans, The Reapers.  We learned a little about Reaper culture but, despite the whole religion angle, it turns out that the Reapers are just like every other group of evil humans who have shown up in the show.  At this point, even Darryl should be wondering how the exact same thing can keep happing to the exact same guy.

(At first, I was going to say that this episode did change things up a bit by having one of Darryl’s ex-lovers turn out to be a Reaper.  But then I remembered that Darryl’s brother turned up at the Governor’s prison and that was actually a lot more impressive because Darryl’s brother actually had a definable personality of sorts.  He came across as being something more than just a plot point.)

The gimmick with The Reapers is that, before the zombie apocalypse, they served in Afghanistan and they’re now ultra-religious.  That does explain why the Reaper from last week was so happy to see Gabriel and so insistent that Gabriel pray for him.  It also explain why the leader of the Reapers is named Pope, even though that seems more than a bit heavy-handed on the part of the writers.  But who knows?  Maybe this story arc will actually give Gabriel something to do other than glare at everyone with his one good eye.  One can only hope.  Watching this episode, it was hard not to contrast Gabriel’s cry of, “There is no God here!” to Pope’s request (or was it a demand) that Daryl believe in the Reapers’ version of God.

That said, this episode felt way too familiar.  It was well-acted and competently directed and all of that but it still felt a bit too safe for an episode during the final season of a show that, regardless of what it may be now, was once a pop cultural juggernaut.  If you’re like me and you’re hoping things will go out with not just a bang but with a few hundred bangs, it’s impossible not to be disappointed with this season so far.  Let’s hope things pick up and we actually do get the type of finale that The Walking Dead deserves!

Lisa Marie’s Week In Television: 9/5/21 — 9/11/21


Jeff and I have been up at Lake Texoma since Wednesday so I haven’t watched much television.  There’s nothing wrong with that, of course.  Sometimes, it’s important to take some time off.

Here’s a few thoughts on what I did watch this week:

Allo Allo (Sunday Night, PBS)

After being absent for a few weeks, Allo Allo is back on PBS!  Having won his freedom from the Communist Resistance, Rene finds himself still expected to marry the head of the Communists.  Meanwhile, Herr Flick continues to search for the missing painting, Edith somehow does not realize that Rene is cheating on her with literally everyone on the show, and Crabtree continues to speak very bad French.  It was a strange but entertaining episode.

Bachelor in Paradise (Monday and Tuesday Night, ABC)

This week, temporary host Lance Bass was replaced by Tituss Burgess.  Unlike the sarcastic David Spade and the overly earnest Bass, Burgess was just kind of boring, though it was fun to watch the Bachelors and the Bachelorettes all pretend to be huge Unbreakable Kimmy Schmidt fans.  Anyway, though I watched them, I didn’t really pay much attention to either one of this week’s episodes.  It’s a show about attractive people hanging out on the beach.  You really don’t have to pay that much attention to what’s actually going on.  Just enjoy the scenery.

Big Brother (All The Time, CBS and Paramount Plus)

It’ll be over by the end of this month!  Until then, I’m writing about it over at the Big Brother Blog.

Dragnet (Weekday Mornings, MeTV)

I finished binging Dragnet this week, watching the final three episodes of the show’s fourth season on Monday and Tuesday.  In a minute, the results of that binge.

Monday got started with an episode in which Joe and Gannon were investigating a string of robberies.  A woman called them and claimed that her ex-husband was responsible.  However, it turned out that he wasn’t responsible and that his ex was just trying to get him in trouble because she was still angry over the end of their marriage!  However, it then turned out that, even though he wasn’t responsible for the crimes his wife accused him of, he was still holding up other stores!  It was actually kind of an interesting story though, Dragnet being Dragnet, all of the action did stop for a lengthy explanation of how fingerprinting works.  This was followed by another episode in which Joe and Gannon tracked down a thief, this time a safecracker.  The safecracker was well-played by G.D. Spradlin, who later played Sen. Pat Geary in The Godfather Part II and Col. Corman in Apocalypse Now.  This episode was also memorable for featuring a crime victim named Mr. Letterman.  Needless to say, whenever his name was mentioned, I immediately pictured David Letterman looking annoyed.

On Tuesday, I set the DVR to record the final episode of the 60s revival of Dragnet.  This episode, called “The Victims,” followed Joe and Gannon over the course of one night, as they investigated a series of crimes.  They investigated a few robberies and yet another murder at a boarding house.  Throughout it all, the emphasis was placed less on the detectives and more on the traumatized victims of the crimes that they were investigating.  Throughout the show’s run, even during the campy third season, Dragnet centered around the idea that that the job of the police was to protect and serve the public and this episode emphasized that point.  With the exception of a scene where Joe (rightly) reprimanded a patrolman who didn’t show enough compassion for a robbery victim, there was no moralizing.  Instead, Joe and Gannon did their jobs as best they could and tried to help out the innocent victims of terrible crimes.  It was the perfect final episode for this series.

Now that my binge of Dragnet is over, I can say that it wasn’t a bad show at all.  Yes, it’s dated, as any show that ran from 1967 to 1970 would be.  And yes, the drug-and-hippie shows were frequently campy.  But there really weren’t as many episodes about drugs and hippies as I imagined.  Instead, for the most part, this was just a show about two men trying to do the right thing and protect their community.  Some of the episodes were undeniably silly and it’s easy to laugh at any episode in which Friday and Gannon went undercover but quite a few of the episodes hold up well as police procedurals.  If nothing else, the show is an interesting time capsule of when it was made.  As a history nerd, I enjoyed it.

Hell’s Kitchen (Monday Night, FOX)

On Monday night, there were two episodes of Hell’s Kitchen, meaning that two chefs were eliminated ahead of next week’s finale.  Steve was the first to go, with Chef Ramsay saying that Steve had talent and a good attitude but that he wasn’t vocal enough in the kitchen.  Second to go was Brynn, who Rasmsay said had the makings of a great chef but who still needed to learn how to control her emotions.  I don’t think anyone who has watched this season was surprised to see those two chefs eliminated but I did appreciate that Ramsay emphasized their positive traits and encouraged them, even as he sent them out the door.  I like the kinder, gentler Ramsay.

Three chefs remain and the finale is next week!  Personally, I’m rooting for Trenton.

Impeachment: American Crime Story (Monday Night, FX)

This is the third installment of Ryan Murphy’s American Crime Story series and it deals with the impeachment of President Bill Clinton.

The first installment of American Crime Story dealt with the O.J. Simpson trial and it worked largely because the involvement of Scott Alexander and Larry Karaszewski worked as a buffer against producer Ryan Murphy’s worst instincts.  The second installment, about Andrew Cunanan and Gianni Versace, started out strong but ended up getting so bogged down in its reverse chronology gimmick that it lost whatever narrative momentum it had going.  It’s too early to pass judgment on the third installment but I’ve had my doubts about it from the beginning.  In what world, I wondered, could an Arkansas hillbilly like Bill Clinton, a living caricature of everything that is wrong with American politics, somehow be played by the handsome and charming Clive Owen?  Even with Monica Lewinsky reportedly signing on as a co-producer, it was hard to imagine Ryan Murphy ever producing a show that would truly be critical of a Democrat, even one as terrible as Bill Clinton.

The first episode was uneven.  It dragged a bit, lacking a dramatic set piece like O.J. Simpson getting arrested or Versace getting shot, in broad daylight, outside of his mansion.  Instead, this episode built up to Bill Clinton calling Monica Lewisnky for phone sex but the effect was ruined by the sight of Clive Owen wearing a prosthetic nose.  The majority of the episode was taken up with Sarah Paulson, acting up a storm as yet another obnoxious character with no social skills and while Paulson did her usual good job, it all felt rather familiar.  The episode worked best during the few scenes that focused on Paula Jones, well-played by Annaleigh Ashford.  Jones was the first woman to accuse Clinton of sexual harassment and, in the days before Me Too, she was ridiculed and caricatured as being “trailer trash” by the rabidly pro-Clinton national media.  In the scenes in which Jones faced a barrage of ridicule and outrageously sexist questions from the press, Impeachment showed why this decades-old political scandal matters.

Mom (Weekday Afternoons, Paramount Plus)

On Tuesday afternoon, as I was packing to go up to the lake for the week, I had Mom playing in the background.  I think I went through about four episodes.  I didn’t pay much attention but, from what I saw, each one seemed to be more depressing than the last.  This show always reminds me of why I could never be an alcoholic because there’s no way I’d ever be able to bring myself to sit through those AA meeting with all of their rules.

Moone Boy (Sunday Night, PBS)

After being gone for a few weeks, Moone Boy is once again airing on PBS on Sunday Night.  This week’s episode featured Padraic running away from home and Debra trying to launch a new career as a marriage counselor.  Needless to say, things didn’t go as planned for either one of them.  It was a funny episode, as they tend to be.  I especially enjoyed it when Martin and Padraic attempted to take up shoplifting.

Open All Hours (Sunday Night, PBS)

Open All Hours is back on PBS.  This week, Arkwright went to a funeral and left Granville alone at the store.  Though Granville seemed to enjoy having some time to himself, I’m going to guess that he probably spent most of the time wondering how he had ever ended up trapped in a go-nowhere existence, living in a run-down shop as an indentured servant to a greedy old man who cared not whether his employee lived or died.  It was a pretty dark episode.

Talking Dead (Sunday Night, AMC)

It was fairly dull Talking Dead this week.  Sometimes, Talking Dead is the perfect way to recover from an intense viewing experience.  Other times, it just reminds you that it’s essentially a one-hour infomercial for The Walking Dead.  This week was a case of the latter.

The Ultimate Surfer (Monday and Tuesday Night, ABC)

Much as with Bachelor in Paradise, I have no idea what’s actually happening on this show.  I just know that it features attractive people surfing and that’s really all that matters.

Upstart Crow (Sunday Night, PBS)

On Sunday, I rewatched the first episode of Upstart Crow, with Will working on Romeo and Juliet, Kate lobbying for a chance to play the lead role despite the law against allowing women on stage, and Will’s family wondering why his poems don’t make much sense.  I had seen it before but it all held up very well.

The Walking Dead (Sunday Night, AMC)

I (finally) reviewed this week’s episode earlier today.  You can read my thoughts by clicking here.

Yes, Minister (Monday Morning, PBS)

Yay!  Yes, Minister is back on PBS!  They’re reshowing the show from the beginning so I rewatched the first two episodes on Monday morning.  The first dealt with Jim Hacker learning about his new ministry and getting expertly manipulated by Sir Humphrey for the first time.  This was followed by the episode in which Jim discovered that the world’s newest dictator was an old college classmate.  Both episodes held up well to repeat viewing.  In fact, having to deal with the daily reality of a Biden presidency has led me to have a greater appreciation for this show’s satirical portrayal of shallow politicians and devious civil servants.

TV Review: The Walking Dead 11.3 “Hunted” (dir by Frederick E. O. Toye)


Seeing as how it’s been nearly a week since it aired, I guess I should go ahead and review the latest episode of The Waking Dead. No doubt about it, we’re all about timely reviews here at the Shattered Lens!

The latest episode of The Walking Dead was …. well, it was okay. Actually, it was better than okay. It was actually pretty good. It was well-directed. It was well-acted. There was plenty of gore, if that’s what you’re into. There were a lot of walkers. The Reapers continued to do villainous things for vague reasons. Duncan and Agatha died, so we won’t have to keep track of them anymore. After being absent for the previous two episodes, Carol showed up long enough to do her whole “compassionate but ruthless” thing. Gabriel announced, “God isn’t here anymore” before stabbing a guy in the head. It was all well-done and effective but, and I say this a lot when it comes to The Walking Dead, it was also pretty familiar. That’s the problem when a show like this goes on for 11 seasons. By this point, almost any show is going start to repeating itself and that’s been the case with The Walking Dead for a while now.

The repetitive nature of the show always leaves me with mixed feelings. Yes, the Reapers are frightening and evil but how are they any different from any of the other frightening and evil groups that have showed up over the course of this show? Yes, being eaten by a walker is not a pleasant thought but, by this point, we know that, unless it’s a season finale, only minor characters have to really worry about getting eaten by a walker. Maggie is not going to get eaten by a walker, at least not this early in the season. Neither is Negan, if just because it’s fairly obvious that show’s writers enjoy coming up with sarcastic dialogue for him. That said, I do think The Walking Dead deserves some credit for remaining consistent in its portrayal of a world without hope. The world of The Walking Dead has always been dark and dangerous and the worst thing that the show could do, at this point, would be to pretend like things will ever get better. Even Gabriel has lost his faith, accepting that the world is now ruled by chaos and random destruction.

The stuff with Carol and the horses felt like it was mostly just tacked on to give Carol and Rosita something to do but I enjoyed the interplay between Negan and Maggie. Jeffrey Dean Morgan and Lauren Cohan had an interesting …. well, I guess you’d have to call it chemistry …. in their scenes together. The first three episodes of the season have devoted a lot of time to comparing and contrasting Maggie and Negan’s leadership styles and, interestingly enough, it seems like Maggie has more in common with Negan than she wants to admit. One gets the feeling that her refusal to abandon Alden was as motivated by Maggie’s need to not turn into Negan as it was by any humanitarian impulse. Still, one can see that Maggie is starting to see that Negan might be right. Survival in world ruled by chaos often means abandoning compassion.

Overall, this was a good episode. At this point, The Walking Dead has lost its power to shock but it’s nice to see that it can still occasionally tell an effective story.

Lisa Marie’s Week In Television — 8/29/21 — 9/4/21


I’ve been on a cleaning binge over the past week so I didn’t really watch that much. I did get hit with insomnia on Wednesday, which led to me watching a lot of true crime. It also led to me being beyond exhausted on Thursday. Anyway, here’s what I watched this week!

Bachelor In Paradise (Monday and Tuesday Night, ABC)

Lance Bass has replaced David Spade as the guest host. On Monday’s episode, he was very enthusiastic and very earnest and it felt totally wrong for this deeply silly and extremely shallow little show. As for Monday’s episode, the men are still hung up on stuff that happened during their time on the Bachelorette and it’s kind of pathetic. (“You weren’t there for the right reasons!”) As for the women, Demi is my favorite because she’s unapologetic when it comes to creating drama. She understands what this show is about. As for Tuesday’s episode …. well, I didn’t really pay attention to be honest. There was a lot of arguing on the beach. My favorite part of this show remains the totally self-aware and delightfully silly opening credits.

Big Brother (24/7, CBS and Paramount Plus)

I’m writing about the trainwreck of a show over at the Big Brother Blog.

Dead Silent (Wednesday morning, ID)

This is a true crime show about murders that occurred in isolated locations. I watched three episodes on Wednesday morning. One of them dealt with a particularly gruesome crime that occurred in my home city of Dallas. Yikes! It’s a scary world out there.

Dragnet (Weekday mornings, MeTV)

I’ve only got a few more episodes left until this binge is over.

On Monday, things got started with an episode in which Joe and Gannon investigated the case of a seemingly helpful woman who was actually conning old people. This was yet another episode where Joe and Gannon went undercover! I always enjoy the undercover episodes because it’s not like Joe and Gannon actually change their behavior in any way. They’re still obviously cops but no one ever seems to notice. This was followed by an episode in which Joe and Gannon investigated a murder at a boarding house, which was something that happened fairly frequently on Dragnet. This episode also featured a classic scene where Joe and Gannon convinced a reporter to hold back on publishing a story by appealing to sense of civic duty. That reporter would lose his job today. He probably would have lost in in 1970, too.

On Tuesday, the DVR only recorded the 1st episode. Either I forgot to set it to record both episodes or the cable could have gone down. (I was asleep, so who knows?) These things happen. Anyway, the episode that was recorded featured Gannon and Friday searching for a missing college student who, because of his drug addiction, had fallen in with a bad crowd. It wasn’t a bad episode, despite the fact that if featured the most clean-cut heroin addicts imaginable. For once, the emphasis was on helping drug addicts instead of just throwing them in jail.

On Wednesday morning, the DVR actually recorded both episodes. The first episode featured Joe and Gannon investigating a man who was manufacturing and selling amphetemines out of his home. They had to prove that the man was actually the one who did the manufacturing, which they managed to do through handwriting analysis. (It turns out that the man was foolish enough to leave his notes out where anyone could find them.) It was actually a pretty good episode, focusing more on police work than on heavy-handed moralizing. (That’s the main difference between the third and fourth seasons of Dragnet.) The second episode featured Joe and Gannon taking down a gang of criminals who would kidnap dogs and then return them to collect the reward. The best thing about this episode is that all of the dog owners were portrayed as being kind of crazy. I’m a cat person so I approved.

I forgot to set the DVR to record Thursday’s episodes. Sorry.

Friday got started with one of my favorite episodes, perhaps my second favorite after the third season episode where Joe and Gannon appeared on the talk show and debated the hippies. In this episode, Joe was taking a night class at the local community college when he noticed that one of his classmates had a baggie of weed hidden in his notebook. Joe arrested the student and, as a result, was kicked out of class by his left-wing professor. Joe asked for a chance to plead his case. Fortunately, it turned out that another classmate was an attorney who pointed out that the professor didn’t have any any right to kick Joe out in the first place. Featuring smug liberals, anti-drug hysteria, and a self-righteously indignant Joe Friday, Night School is a classic Dragnet episode. This was followed by an episode where Joe and Gannon worked in the Internal Affairs Department and cleared the names of two homicide detectives accused of stealing money from the victim of a crime. It was a good, solid episode but it could have used more hippies.

Hell’s Kitchen (Monday Night, FOX)

The black jackets were handed out and, sadly, both Emily and Antonio were sent home. I surprised myself by crying a little when Emily was eliminated but, to be honest, it wasn’t the first time that I’ve teared up this season. I’ve actually gotten quite emotionally involved with this show.

As you may have guessed, I’ve really enjoyed this season of Hell’s Kitchen. I’ve actually preferred it to Big Brother. The fact that Chef Ramsay has been a bit nicer this season than he has in previous seasons has been a surprising but also a welcome change. As much as everyone loves it when Ramsay yells and curses, he seems to be a lot more sincere when he’s actually praising a chef that he’s sending home and telling them to keep learning and not give up their dreams.

Hometown Homicide (Wednesday Morning, ID)

This is a true crime show about homicides that occur in small communities. I watched two episodes on Wednesday morning while I was working on some things. I’m not sure why, exactly, I ended up watching so much true crime on Wednesday. I guess it was just the mood I was in. Sometimes, you want confirmation that the world is as scary and dangerous as you think it is.

It’s Always Sunny In Philadelphia (Sunday morning, FX)

I watched Chardee MacDennis 2: Electric Boogaloo, which wasn’t quite as good as the first Chardee MacDennis episode but which still featured a pretty good guest turn from Andy Buckley. This was followed by the episode where Frank fell out of a window, which is one of the few It’s Always Sunny In Philadelphia episodes that I’ve never been able to make my way through. That gash on the back of Frank’s head just freaks me out too much.

Man With A Van (Wednesdsay Morning, ID)

Apparently, this entire series is about men who owed vans and abducted women. I had insomnia on Wednesday morning so I watched an episode. It was about a 16 year-old girl in Arkansas who got abducted by a man with a van. It was disturbing to watch and, as with most true crime shows, it was hard not to tell that the show was exploiting a real-life tragedy. Still, the message was a good one: stay away from weird men who own vans.

60 Minutes (Sunday Night, CBS)

Good God, this show is like a hundred years old and so are most of the reporters on it. I imagine the same that can be said for the people who watch it every week. Myself, I only watch it when Big Brother gets preempted by a football game and I have to impatiently wait for Scott Pelley to get off my TV.

Talking Dead (Sunday Night, AMC)

Josh McDermitt continually pointing out that it made no sense for Maggie to leave Gage to die was the highlight of this week’s Talking Dead. McDermitt was, in fact, so charming and funny that I found myself really hoping that he’ll find another high-profile role after The Walking Dead ends.

The Ultimate Surfer (Monday, Tuesday, and Friday Night, ABC)

I struggle to follow most of what happens on this show. Growing up, I lived in a lot of different states and I experienced a lot of different cultures but I never met any surfers so I’m at a bit of a disadvantage when it comes to this show. (If it was The Ultimate Ballerina or The Ultimate Motorcycle Gang Member, I would be on more familiar ground.) But honestly, the only thing that really matters about this show is that everyone looks really good. If you’re going to make a show about surfing, be sure to populate it with people who you would actually want to see on the beach.

The Walking Dead (Sunday Night, AMC)

I reviewed the latest episode here.

Your Worst Nightmare (Wednesday Morning, ID)

This is a true crime show. I woke up at two in the morning on Wednesday and, unable to get back to sleep, I watched two episodes. Both of them were about young women being abducted by crazed stalkers. It was probably not the best thing to watch at 3 in the morning, to be honest.