October Hacks: Sweet Sixteen (dir by Jim Sotos)


1983’s Sweet Sixteen takes place in a small town in Texas.

Sherriff Dan Burke (Bo Hopkins) does his best to try to maintain the peace but it’s not always easy.  Not when a good majority of the town is prejudiced against the Native Americans living on a nearby reservation.  There’s a major archeological dig happening on the reservation, headed up by Dr. John Morgan (Patrick Macnee), but the town doesn’t care about any of the artifacts that Dr. Morgan and his team might discover.  They’re too busy harassing local activist Jason Longshadow (Don Shanks) for stepping into the wrong bar.

However, a distraction from all of the casual racism has arrived in the form of Dr. Morgan’s daughter, Melissa (Aleisa Shirley).  Soon, it seems like every teenage boy and young man in town is lusting after Melissa.  Melissa, for her part, is only fifteen years old and is struggling to deal with all of the attention.  Sometimes, she enjoys the attention.  Sometimes, she just wants to be left alone.  (Believe me, as someone who had adults hitting on her when she was 13, I could relate.)  Melissa’s birthday is coming up and her mother (Susan Strasberg) is planning on throwing a big party and inviting the whole town to come over and celebrate.  Sheriff Burke thinks it’s a great idea.  “This town could use something to celebrate.”

The only problem is that any boy who so much as looks at Melissa ends up getting brutally murdered.  When an old Native American man named Greyfeather (Henry Wilcoxin) is spotted near the scene of one of the crimes, the local redneck blame him for the murders and tragedy ensues.  Sheriff Burke has to find the real murderer and, whether he likes it or not, he’s going to get some help from his kids, Hank (Steve Antin) and Marci (Dana Kimmel).

Hank and Marci really are this film’s secret weapons.  In the past, I’ve been pretty critical of Dana Kimmel’s performance in Friday the 13th Part 3 and her insistence that her character be re-written to reflect her own religious beliefs and desire to be a good role model.  However, Kimmel is really likable (and perhaps more appropriately cast) as the fiercely intelligent but still relatively innocent Marci, who reads murder mysteries and is totally excited about the prospect of getting to solve a real murder.  Hank is perhaps a bit less enthusiastic about about crime-solving than Marci but he still helps out his sister because she’s his sister.  Awwwwww!

Sweet Sixteen is a bit of an untraditional slasher film, one that is as concerned with social issues as is it was stalking and slashing teenagers.  Perhaps that explains why it has a slightly better cast than the typical 80s slasher, with veteran actors like Patrick McNee, Susan Stasberg, and Bo Hopkins acting opposite equally capable but younger actors like Kimmel, Antin, and Aleisa Shirley.  It’s also a surprisingly likable slasher film, due to the Dana Kimmel and Steve Antin’s engaging lead performances.  Honestly, I think it’s kind of a shame that there weren’t a series of films featuring Marci and Hank solving crimes.  Dana Kimmel and Steve Antin make quite a team in this above average slasher.

Back to School Part II #13: The Last American Virgin (dir by Boaz Davidson)


The_Last_American_Virgin_movie_poster

(SPOILERS BELOW!)

For the past week, I have been doing a chronological review of films about high school, college, and teenagers.  I started things off on Monday by taking a look at Teenage Devil Dolls, a film from the 1950s.  From there, I moved on to the 60s and then the 70s and now, finally, I am now ready to start in on the golden age of teen films — the 1980s!

I started things off by watching The Last American Virgin, a low-budget film from 1982 and oh my God!  Seriously, The Last American Virgin has got to be one of the strangest films that I’ve ever seen.  I can only imagine what teen audiences in 1982 must have thought when they went to see the latest sex comedy and discovered that it was actually one of the darkest and most depressing films ever made.

Actually, The Last American Virgin is two films in one.  The first film is pretty much a typical teen comedy.  Three friends — awkward but sweet Gary (Lawrence Monoson), handsome but shallow Rick (Steve Antin), and funny fat guy Dave (Joe Rubbo) — try to get laid and survive their senior year in high school.  They pick up three girls by pretending to have cocaine.  (They offer them sweet-n-low instead, which leads to a lengthy scene of the girls snorting the artificial sweetner and then saying stuff like, “This is the best Colombian that I’ve ever had.”)  They meet a lonely housewife who had sex with two of them before her husband arrives home.  (As usual, Gary misses out.)  They have sex with a crude hooker and all end up with crabs as a result.  It’s a typically crude teen comedy, distinguished only by the fact that Monoson, Antin, and Rubbo are a lot more believable as teenagers than the usual 25 year-old actors who often starred in these films.  (According to the imdb, Monoson was only 16 when The Last American Virgin first went into production.)

But, right there in the middle of the usual teen movie shenanigans, there’s this other movie taking place.  Gary is in love with Karen (Diane Franklin, who appeared in several teen films in the 80s, including Better Off Dead) but Karen is dating Rick.  When Gary finds out that Karen has lost her virginity to his best friend, he ends up sitting alone in a diner while Just Once (“I did my best … but I guess my best wasn’t good enough…”) plays on the soundtrack.  In fact, that song shows up several times during the movie.  Basically, whenever Gary tries to do anything, we suddenly hear: “I did my best … but I guess my best wasn’t good enough….”

I mean, seriously, poor Gary!  Even the soundtrack is implying that he’s a loser!

Eventually, Karen discovers that she’s pregnant.  Rick refuses to help out and promptly leaves on a ski trip.  Gary and Karen tell their parents but they’re going on the ski trip as well but instead, they go to an empty house that once belonged to Gary’s late grandmother.  Gary points out a huge, old-fashioned radio sitting in a corner and says that Karen can listen to it if she wants.  Karen starts to cry.  Gary starts to cry and swears that he’ll never abandon her.

Karen gets an abortion.  Shots of Karen at the clinic are mixed in with scenes of Gary desperately trying to raise the money to pay for her abortion.  He begs his boss for an advance on his salary.  He pawns his stereo.  All the while, U2’s I Will Follow plays on the soundtrack.

At this point, the film had gotten so serious that I was half-expecting for Gary to come to the clinic to pick up Karen, just to be told that she had died during the procedure.  But no, Karen survives.  They go back to grandma’s house.  Karen thanks Gary for all that he’s done for her.  Gary cries and says that he loves her.  Karen invites Gary to her birthday party.

Gary goes to the birthday party, bringing with him the gift of a ring.  But, as soon as Gary steps into the kitchen, what’s the first thing he sees?

Karen hugging Rick.  Both of them have tears in their eyes.  They look back at Gary.

Gary stumbles out of the party.  He gets in his car and drives away.  We get a close-up of Gary sobbing in the car…

I did my best …. but I guess my best wasn’t good enough…

AND THEN THE MOVIE ENDS!

I mean … MY GOD, HOW DEPRESSING CAN A MOVIE BE!?

And yet, that depressing ending is what sets The Last American Virgin apart.  I mean, it’s not a happy ending but it definitely elevates this low-budget and rather crude movie.  If nothing else, it feels more realistic than having Lawrence Monoson punch out Steve Antin and then live happily ever after.  Sometimes, stories don’t end with love and smiles.  Often times, they end with an awkward teenager sobbing as he drives home.

So, that’s The Last American Virgin.  It’s an odd little movie.  It was also a remake of a film that the same director had previously made in Israel and the film’s mix of low humor and high drama feels more European than American.  This is definitely a film made by an outsider, trying to imagine what American teenagers are like.  It makes for a movie that, though it may appear to be a typical teen sex comedy, is actually something else altogether.

Seriously, this is a weird one.  I’m as surprised as anyone to say that I recommend it.