Review: Violent Night (dir. by Tommy Wirkola)


“Ho Ho holy shit.” — Santa Claus

Violent Night (2022), directed by Tommy Wirkola, is a wild ride that shakes up the traditional Christmas movie formula by turning Santa Claus into a battle-hardened warrior. David Harbour stars as this unconventional Santa, who is far from jolly; he’s a grizzled, somewhat cranky, and disillusioned figure with a Viking warrior past. The movie sets itself apart with a premise that throws a group of ruthless mercenaries into a wealthy family’s Christmas Eve gathering, only to discover Santa isn’t the harmless old man they expected. Instead, he’s a fierce protector who fights back with brutal efficiency.

The story unfolds at the mansion of the affluent Lightstone family during their holiday reunion. The family is full of tension, with secrets and resentments bubbling just beneath the surface. When a gang of mercenaries led by the villainous Scrooge (John Leguizamo) invades the house to steal a fortune rumored to be stashed there, the family members become hostages. Among them is Trudy, a young girl who still believes in Santa and becomes an emotional anchor for the story. What follows is a chaotic clash as Santa unleashes his warrior skills in a bloody and often darkly humorous fight to protect Trudy and take down the intruders.

One of the strongest aspects of Violent Night is David Harbour’s performance. His Santa is not the usual cheerful holiday icon but a rough-around-the-edges hero with a quick wit and a fierce sense of duty. Harbour brings a compelling mix of grit and warmth, making Santa both intimidating and surprisingly endearing. His fight scenes are impressively choreographed, with inventive use of Christmas-themed props that add a unique flavor to the action. The humor, often delivered through clever one-liners and absurd situations, enhances the movie without overloading it, striking a balance between dark comedy and action thriller.

The action sequences are a highlight, filled with creative and over-the-top violence that turns traditional Christmas decorations into lethal weapons. From candy canes to Christmas lights, the film embraces its outrageous concept fully, often with a smirk and knowing wink to the audience. This approach to action and humor makes it feel like a holiday-themed grindhouse film, which will certainly appeal to viewers looking for something different from typical festive fare.

However, the film is not without flaws. The storyline sometimes leans too heavily on clichés and predictable twists, particularly around family drama and criminal motives. While the Lightstone family members are meant to add complexity to the narrative, many come across as caricatures, which lessens emotional impact. The pacing occasionally suffers as well, with some scenes dragging or feeling repetitive amid the barrage of action. Furthermore, the movie’s tone can be uneven—certain moments of humor or sentimentality clash with brutal violence, which might alienate viewers who prefer more consistent storytelling.

The supporting cast delivers performances that range from serviceable to over-the-top, fitting the film’s campy and exaggerated style. John Leguizamo’s Scrooge is a memorable villain with a sneer and attitude that fits the tone, while Beverly D’Angelo adds a touch of dark humor as the wealthy matriarch. The character of Trudy serves as the emotional heart of the film, grounding the chaos with a child’s innocent belief in magic and goodness. Yet, some secondary characters feel underdeveloped, existing mostly to provide fodder for the violence or comedic moments.

Visually, Violent Night embraces the glitz and cold grandeur of a wealthy family’s mansion, contrasted sharply by the gritty and bloody action that unfolds. The cinematography and production design showcase the holiday setting effectively, using wintery landscapes and elaborate Christmas decor as backdrops that add to both the festive and lethal atmosphere. The film keeps a brisk pace, aided by energetic direction, though it sometimes prioritizes style over substance.

In terms of themes, Violent Night plays with the clash between holiday cheer and harsh realities, exploring ideas about family, belief, and redemption through its unusual take on Santa Claus. It taps into a more cynical view of Christmas but ultimately doesn’t abandon the underlying message of hope and protection. This mixture, however, occasionally feels forced, as the violent antics often overshadow character development and emotional depth.

Overall, Violent Night is an entertaining and unconventional holiday film that is best enjoyed with an appetite for absurdity and dark humor. It stands out for pushing boundaries with its brutal action scenes and a refreshingly gruff Santa, offering a festive movie experience that fits more in the niche of chaotic fun rather than heartwarming tradition. While it may not win over purists looking for classic Christmas storytelling, it offers a distinctive alternative for those who want their holiday films with a hard edge and plenty of explosive moments. For viewers who can embrace its mix of camp, carnage, and seasonal spirit, Violent Night delivers a wild, memorable ride that defies expectations.

What Lisa Watched Last Night #230: Match, Meet, Murder (dir by Nicholas Treeshin)


Last night, around 3 in the morning, I watched the Lifetime film, Match, Meet, Murder!

Why Was I Watching It?

It was late, I had insomnia, and the title just spoke to me.  What can I say?  I had many reasons for my decision and I don’t regret it for a minute.

What Was It About?

Ruby (Stephanie Sy) is a lingerie designer who has been in a dating slump ever since ending her long-term relationship with independent journalist Luke (Erik Athavale).  Ruby’s friend, photographer Ella (Amanda Austin), gives her a secret code for the very exclusive Rima dating app.  Soon, Ruby is matched with Dylan (Jacob Blair).

Dylan, it turns out, is a bit of celebrity.  He was the winning contestant on a reality show hosted by notorious matchmaker, Jules (Lisa Marie DiGiacinto).  The season may have ended with Dylan getting engaged but his new fiancée mysteriously vanished.  Now, Dylan is dating Ruby and he doesn’t seem to be quite stable.  He still has his ex’s clothes hanging in his bedroom closet.  Run, Ruby, run!

What Worked?

I absolutely loved the demented performance of Lisa Marie DiGiacinto, who played Jules the matchmaker.  I can’t say too much about it without spoiling the film but I will say that DiGiacinto fully understood the importance of embracing the melodrama in a film like this.

Some of Ruby’s lingerie designs were cute.  The black bralette was adorable.  Of course, I’d never be able to wear it because I actually have boobs.

What Did Not Work?

I’m usually willing to suspend my disbelief when it comes to a Lifetime film because the melodrama is usually the point.  That said, I had a hard time believing that any successful woman could be as clueless as Ruby.  She acted as if the concepts of both dating apps and reality TV were entirely new to her.  I could excuse her dating app confusion because her character was said to be coming out of a long term relationship.  But, seriously — not knowing about a reality television show?  The Bachelor and The Bachelorette are inescapable, whether you watch them or not.  I haven’t been able to really sit down and watch Love Island but it only takes a few minutes of me scrolling twitter before I feel as if I have.

As well, it took Ruby way too long to figure out that there might be something strange about Dylan’s previous girlfriend disappearing.  Discovering her clothes still hanging in his closet?  That’s a bit too obvious of a red flag to be shrugged off for as long as she did.

“Oh my God!  Just like me!” Moments

Lingerie designer is definitely one of my fallback options if the whole movie-watching writer thing doesn’t work out.  I will also say that I related to the shock of the assistant who introduced Ruby to reality television and was shocked to discover just how little Ruby apparently knew about pop culture.

Lessons Learned

If a guy you barely know has all of his ex’s clothes still hanging in his closet, run!  To be honest, you shouldn’t need a movie to learn that lesson.