Today’s song of the day comes from Ennio Morricone’s score for Sergio Leone’s Once Upon A Time In America, one of the greatest ever composed.
This song originally appeared in the 1991 Wim Wenders film, Until The End of the World.
Tarsem Singh also directed The Cell, that film in which Jennifer Lopez goes into the mind of a serial killer. That’s a film that I’ve been meaning to review for a while, even though I don’t remember caring much for it the last time that I watched it.
Enjoy!
All things considered, it’s possible that this might be the song of the year for 2026.
52 years ago, on a date that will live in infamy, President Richard Nixon signed into law the national speed limit of 55 Miles Per Hour. Though the law was later repealed, the scourge of the speed limit continues.
Though this song is just a little before my time, it still feels like it was specifically recorded just for me. I have always considered traffic laws, not just the laws themselves but the way they are enforced, to be the epitome of everything that can go wrong when people blindly respect authority.
As for the video, it also feels like it was specifically filmed for me. It’s actually a fun little video with a sense of humor and who hasn’t wanted to tell a traffic judge what he can do with his gavel?
Enjoy!
With 2025 soon to be forgotten, now seems like a good time to share one of my favorite songs from The Chemical Brothers.
2025 may soon come to a close but have no fear. As Frank Stallone reminds us, we are far from over!
Enjoy!
For today’s song of the day, I wanted to give people a chance dance, even if just while sitting at their desk. Here are the Commodores with Machine Gun.
RIP, Brigitte Bardot.
When the infamous epic Caligula was first released back in 1979, a disco version of Caligula’s love theme — We Are One — was also released as a promotional gimmick.
This song is so over-the-top, so blatantly exploitive, so insidiously catchy, and so totally inappropriate for so many reasons that become clear after you watch the film it was written for that it simply cannot be ignored. To me, this song represents everything that makes the Grindhouse great.
(As well, I hope whoever was playing bass got paid extra…)
The year is nearly done and we need disco!
Enjoy!