A Warning From The Past: Six Murderous Beliefs


I don’t know about you but I love watching those old short films from the 50s, 60s, and 70s that were designed to terrify my mom and dad into living a safe, upright, drug-free, patriotic, and community-centric life.  These were the short films that were designed to make sure that everyone understood just what exactly the wages of sin were. 

What I love about these films is just how melodramatic and judgmental they often were.  It wasn’t enough, apparently, to point out that people occasionally made mistakes.  No, instead, every mistake had to be accompanied by a very judgmental narrator saying things like, “No, Jimmy didn’t think before ran across that street.  And now, he’s dead.”

Seriously, if I had been raised on a steady diet of these films, I would be even more of a fragile, neurotic little thing than I am now!

One of my favorites of these films is presented below.  Clocking in at nearly 12 minutes, the classic 1955 scare film Six Murderous Beliefs is designed to make sure that we understand that not only are young people stupid but they’re dangerous as well.  The film presents 6 examples of people foolishly believing one of 6 beliefs that are (as the narrator informs us), “wanted for … MURDER!”  My personal favorite is the second example just because I’ve had the exact same conversation with my sister Erin.

(I also love how, during the first example, the pilot so clearly despises the jock who doesn’t want to wear a parachute.)

And remember … “One of these beliefs might be about to murder you!  So watch carefully…”

 

Quickie Review: Un Chien Andalou (dir. by Luis Buñuel)


 The first 20-30 years of the 20th century was an ever-changing time for the burgeoning film industry not just in North America but in Europe. Many filmmakers in Europe began to take the motion picture camera and began to use them in ways which went beyond just capturing motion and sound then selling them to the masses as a new form of entertainment.

In Germany, we had the rise of German Expressionist movement with such luminaries as F.W. Murnau, Robert Weine, Fritz Lang and Paul Wegener. Over in France the 20’s saw the rise of a new movement in cinema that would quickly become the Surrealist movement which would include such filmmakers as Jean Cocteau, Germaine Dulac and René Clair. There is one filmmaker who made a major impact on French Surrealist cinema during the 20’s and he was actually a Spaniard whose first film became a major sensation then and continues to be one to this day: Luis Buñuel.

Buñuel’s first film was actually a short film he had made with the help of Spanish surrealist painter Salvador Dalí. Un Chien Andalou (An Andalusian Dog) is a 16-minute film well-known for Buñuel’s use of disjointed chronology to give the film that very surreal quality we tend to attribute to our dreams. The film has Dalí’s influence in almost every scene and one of which would go down in film history as one of the more shocking visual sequences ever put on film. I would describe it but it’s better to just see it for yourself below.

Un Chien Andalou doesn’t really make much sense when one tries to watch it in a purely structured narrative. The film’s inherent genius comes from the fact that it’s chaotic in how it unfolds with scenes chronologically moving back and forth with no impact on the characters within them. Some have called this film a perfect example of dream logic in that while the scenes in themselves do not make any sense when looked at individually they do seem to share particular traits when seen as a whole.

It’s difficult to say whether this film was entertaining. For someone looking to learn more about the craft of filmmaking, especially the part on storytelling, then Un Chien Andalou is quite an eye-opener. But In the end, Luis Buñuel’s first film has less to do with trying to entertaining and more of one filmmaker’s attempt to put into film the very intangible quality and nature of one’s dreams.

Un Chien Andalou is what I’d call the anti-Inception. Where Nolan’s film about dreams still retained a surreal quality to them they were still very much structured with order in mind. Buñuel’s short film is all about the chaos nature of dreams and no one has done it better since the day he released this classic in 1929.

Indie Short Film – Plague (dir. by Matt Simpson) w/ review


“Plague is a Horror short focusing on an isolated journey into the unknown. We follow Vilhelm, an illegal migrant and gun runner, who is trying to make a new beginning.

When he arrives in London, The dead rise and consume the living. can Vilhelm escape the bloodbath?”

Thus describes the premise for a fine of a short indie film by Australian filmmaker Matt Simpson. Plague has a running time of just over 17 minutes, but in that brief time he has crafted a well-made zombie short film. When I first heard of this film I was hesistant to check it out since I’ve been fooled and burned in the past about so-called great zombie short films done by aspiring filmmakers on a shoestring-to-no budget.

I finally decided to watch it and I am definitely kicking myself for not doing it sooner. Matt Simpson’s Plague is one of the best indepedent horror short film I’ve seen in quite awhile. Done on a very minuscule budget the film definitely looks like it was a labor of love from a filmmaker who knows the zombie subgenre and respects its traditions and trappings. Despite the shoestring budget this filmmaker deftly avoids giving his film that amateur home video appearance that seem to plague (no pun intended) most short films. The way this film was shot and edited tells me that Matt Simpson has a future as a filmmaker if he decides to continue on that path.

The story is pretty simple with dialogue kept at a minimum. Most voice-over use in films usually don’t come off well and seems to be more of a narrative gimmick to hide inadequate performances from  the cast. This time around the use of the voice-over makes sense since there’s only one speaking role and the rest zombies through most of the film. There’s two scenes where some dialogue between characters were required but they were handled well and fit the scenes. Joseph Avery who plays the role of Vilhelm doesn’t do the voice-over but instead left to one Costa Ronin who gives a very good reading with a Slavic accent without making it too heavy.

A zombie short film can’t be a zombie film without showing some zombies and the requisite gore the subgenre requires. The make-up effects on the zombies and the damage done to their victims does not look like amateur-hour. Most zombie short films use white paint, some heavy mascara around and eyes and maybe some whipped up blood to simulate a zombie. Simpson actually took the time to create zombie make-up effect appliances and uses enough of it to make the zombies look believable. While not all the effects work was perfect they were all done well enough to hide the “strings” so to speak.

All in all, Plague is a gem of a find in the dregs of most zombie short films which infests the internet. While the film still shows some growing pains for this aspiring filmmaker he does have a handle on not just the flow of storytelling, but in the editing process which assists in pulling the narrative together. Even the greatest screenplay could end up becoming a bad film when employing a bad editor and/or editing process. I hope that Mr. Simpson continues to hone his craft and finds a way to have his talent discovered by studio heads looking for the next young director to mentor.

PLAGUE – OFFICIAL SCREENER from Matt Simpson on Vimeo.

Treevenge aka When Christmas Trees Go Wrong!


When Tarantino and Rodriguez first created their ode to all things grindhouse with Planet Terror and Death Proof they also put out a word to their directing buddies who enjoyed the same things to make fake trailers to begin and break between the two films. They also created a contest where fans could create their own fake grindhouse trailer and the winner gets added to the dvd release. The winner of this contest was one aptly titled, Hobo With A Shotgun. While the trailer was ok it did introduce me to filmmaker Jason Eisener.

He has know followed up Hobo With A Shotgun with a horror shortfilm that has become the darling of the film festival circuit. His 16-minute short film is titled Treevenge and I will say that it’s one of the most original and inventive piece of storytelling and filmmaking of the year. This little shortfilm is why horror has its place in the filmmaking community as a way for aspiring filmmakers to get their creative juices flowing. This little gem of a film is also why I also love film in general. Little jewels like this make going through the awful films worthwhile.

For the complete uninterrupted short film click: Treevenge

…or watch it’s YouTube two-parter.