Horror Scenes That I Love: Daria Nicolodi in Deep Red


Born in Florence, the outspoken Daria Nicolodi had already appeared in a quite a few films before Dario Argento cast her as the female lead in 1975’s Deep Red.  Nicolodi would spend the rest of her career being closely associated with Argento, both as Dario’s partner and as the mother of Asia Argento.  Dario and Daria had a notoriously volatile relationship.  While one can sense Argento falling in love with Nicolodi while watching the way he films her in Deep Red, she is noticeable in her absence from Suspiria despite the fact that she is generally acknowledged as being the one who came up with the idea of the film.  (Angered that, despite the collaborative nature of their partnership, Argento did not offer her the lead role in Suspiria and instead offered a supporting role that Nicolodi felt was not particularly interesting, she instead accepted an offer from Mario Bava and gave what is generally considered to be her best performance in Shock.)  She appeared in Dario’s subsequent films, through Opera.  She eventually split with Argento and continued her film career, playing Asia’s mother in Scarlet Diva.  Daria Nicolodi also became a popular and witty interview subject, one who was always good for a few shocking quips.  While Daria could be very critical of Dario in those interviews, she was also often the quickest to defend his talent as a director.

Daria Nicolodi appeared in a lot of horrifying scene but today, I want share this rathe gentle scene from Deep Red, in which Daria’s journalist playfully challenges David Hemmings to a little arm-wrestling.  It is scenes like this that make Deep Red one of the greatest examples of the giallo genre.

Horror Scenes That I Love: Jack Nicholson in The Shining


Today’s actor really needs no introduction.  While Jack Nicholson started his career as a part of the Roger Corman stock company and appeared in the original Little Shop of Horrors while also being strongly considered for the role of Guy Woodhouse in Rosemary’s Baby, Nicholson has not appeared in many horror movies.

But the horror movie in which he did appear is such a classic that it’s made Nicholson a horror icon, even if he didn’t appear in as many horror films as a Christopher Lee or a Boris Karloff.

In this scene from 1980’s The Shining, Nicholson’s Jack Torrance has a drink with a ghost.  Nicholson does a wonderful job in this scene, especially when he’s playing off the wonderfully sinister Joe Turkel.

Horror Scenes That I Love: Dick Miller In The Howling


A true scene stealer, the character actor Dick Miller was a Navy veteran who went to City College of New York, Columbia University, and New York University and eventually earned a Phd in psychology.  Even as Miller was earning his degree, he was already appearing on stage.  In 1952, he moved to California to pursue a career as a writer and ended up becoming one of the most beloved members of Roger Corman’s stock company.  Famously, in 1952’s Apache Woman, he played both a Native American and the townsperson who shot him.

The many directors who started their careers under Roger Corman continued to cast Dick Miller in their own films, keeping Miller busy as a character actor.  Miller worked with everyone from Martin Scorsese to Joe Dante to James Cameron to Steven Spielberg to Jim Wynorski.  Miller often played characters named Walter Paisley, a reference to his first starring role in Corman’s A Bucket of Blood.

In this scene from 1981’s The Howling, Dick Miller lets us know what’s truly going on with the werewolves.

Horror Scenes That I Love: Bela Lugosi in Dracula


Dracula (1931, starring Bela Lugosi as the Count, Dir by Tod Browning, DP: Karl Freund)

Bela Lugosi was born in what is now Romania.  Lugosi began his career in his native country, appearing on stage.  After serving as an infantryman in World War I, Lugosi moved into the movie industry and appeared in silent Hungarian films.  The young Lugosi was an activist, involved in labor issues and trying to unionize the Hungarian film industry.  When a new government came to power in Hungary in 1920, the politically-active Lugosi moved first to Germany and then eventually ended up in the United States.  After a period of working as a merchant seaman, Lugosi returned to acting.

He first played Dracula on stage in New York City.  In 1928, while touring in the role of Dracula, he moved out to California and quickly became a part of the Hollywood community.  When Universal produced a film adaptation of Dracula in 1931, Lugosi was the obvious choice for the lead role.  The film made Lugosi a star and it also typecast him.  Lugosi never stopped acting, though the films varied widely in quality.  By the end of his career, Lugosi was a member of the Ed Wood stock company.  Even appearing in something like Bride of the Monster, Lugosi still made an impression.

In the scene below, from 1931’s Dracula, Lugosi suggests that Edward van Sloan’s Van Helsing should perhaps leave the country.

Horror Scenes I Love: Peter Lorre in Tales of Terror


Born in what is now Slovakia, Peter Lorre began his acting career in Europe, appearing on the stage and making quite an impression when he starred in Fritz Lang’s M.  When the Nazis came to power, Lorre was one of the many film artists who left Germany.  At first, he moved to France but, in 1934, he set sail for the United States and continued his career in Hollywood.  A popular character actor, Lorre appeared in such classic films as The Man Who Knew Too Much, The Maltese Falcon, Mad Love, Arsenic and Old Lace and Casablanca.  Though his role in Casablanca was small, he still played a key role when he gave Rick the letters of transit.

He also appeared in several horror films, often opposite his good friend Vincent Price and Boris Karloff.  In this scene from 1962’s Tales of Terror, Lorre and Price challenge each other to a wine-drinking contest.

 

Horror Scenes That I Love: Christopher Lee in Count Dracula


Christopher Lee was a man of many talents.  Over the course of his long life, he wrote books, he recorded albums, he performed Shakespeare on stage, and he appeared in so many films that he himself reportedly had trouble remembering them all.  During World War II, Lee served in the British Secret Service with his cousin, Ian Fleming, and was reportedly one of the inspirations for the character of James Bond.  (Of course, Lee would eventually play Scaramanga in The Man With The Golden Gun.)

Up until he played Saruman in The Lord of the Rings and Count Dooku in the Stars Wars prequels, Lee was best-known for his performances as Dracula in several Hammer films.  By his own account, though, Lee never really cared for Hammer’s interpretation of Dracula.  He felt that Hammer did the character a disservice by portraying Dracula as just being a snarling villain.  In 1970, Lee finally got his chance to star in a faithful adaptation of Bram Stoker’s original novel when he starred in Jess Franco’s Count Dracula.

In the scene, an aged Dracula greets Jonathan Harker.

Horror Scenes That I Love: Klaus Kinski in Nosferatu


From the 1960s until his death in the early 90s, German actor Klaus Kinski was known for being the enfant terrible of world cinema.  Kinski was a volatile talent, an often angry and occasionally violent performer who specialized in playing extreme characters and who reportedly took pride in his ability to drive directors crazy.  Kinski appeared in good films and bad films and, in every one of them, he gave the type of unique performance that only he was cable of giving.

Kinski is best-remembered for his work with his frenemy, Werner Herzog.  When Herzog and Kinski weren’t making films together, they were often criticizing each other in the press and sending one another death threats.  In the documentary My Best Fiend, Herzog documented his partnership with Kinski.  Even while Herzog talked about the time that he went to Kinski’s home with the intent of killing him, Herzog’s affection for his frequent star was obvious.  Klaus Kinski was one of a kind.

In Werner Herzog’s 1980 film, Nosferatu, Kinski played the role of Dracula.  In this scene, she comes to visit Isabelle Adjani’s Lucy.

Horror Scenes That I Love: Boris Karloff in The Bride of Frankenstein


By most standards, Boris Karloff (who has born William Henry Pratt) was a true Edwardian gentleman, a reserved but polite man who treated people with respect and who was a generous co-star to his fellow cast members.  Early on in his acting career, he played a wide variety of character but, due to his performance as Frankenstein’s Monster and a host of other iconic characters, Boris Karloff would join Bela Lugosi as the first horror star of the sound era.  As opposed to Lugosi, who struggled with his resentment over being typecast and soon found himself ostracized from mainstream Hollywood, Karloff remained a popular character actor and horror star for his entire life.  Karloff’s dissatisfaction with the hours that he was expected to spend in makeup to play both Frankenstein’s Monster and the Mummy led to Karloff serving as one of the founding members of the SAG.

In this scene, from 1935’s The Bride of Frankenstein, Karloff’s monster briefly finds a friend.  Unfortunately, as so often happened, that friendship is quickly ruined by the ignorance of others.

Horror Scenes That I Love: Piper Laurie in Carrie


So far, this month, I’ve been doing these horror scenes that I love in alphabetical order based on who was featured in the scene.  Originally, today was going to be devoted to Boris Karloff but, last night, I read the news that the great Piper Laurie had passed away at the age of 91.

Have no doubt that Boris Karloff will be honored tomorrow but, for today, I would be remiss if I didn’t pay tribute to Piper Laurie.  Piper Laurie often said that, when she read the script for 1976’s Carrie, she at first didn’t understand the story’s tone until she realized that Margaret White was meant to be as comedic as she was frightening.  Piper Laure’s performance as Carrie’s mother resulted in an Oscar nomination and it also revived Laurie’s career.  (Laurie had semi-retired from Hollywood following her previously Oscar-nominated work in The Hustler.)

In the scene below, Margaret makes one last attempt to keep Carrie from going to the prom.  Her line, “They’re all going to laugh at you” comes back to haunt Carrie in a very big way.

One final bit of Piper Laurie horror trivia: In 1959, when Alfred Hitchcock was casting Psycho, Piper Laurie was his second choice, behind Janet Leigh, for the role of Marion Crane.

Horror Scenes That I Love: Duane Jones in Night of The Living Dead


I always feel a bit sorry for Duane Jones, a talented actor who did much of note but still found himself defined by one iconic role.

He studied at the Sorbonne and had degrees from both the University of Philadelphia and New York University.  He volunteered with the Peace Corps. and was working as an English teacher when he auditioned for a film called Night of the Living Dead.  At a time when it was rare for any black actor (outside of Sidney Poitier, who certainly wasn’t going to appear in a low-budget film about the dead returning to life) to get a lead role, Duane Jones was given the starring role as Ben.  Jones gave a performance of such authenticity and authority that it would be years before many people were willing to admit that Ben had actually been incorrect about not going in the cellar.  Jones final scenes, in which Ben is gunned down by a posse of rednecks, gave Night of the Living Dead a political jolt that it would not have had without him and his powerful performance.

Jones acted in other films, including starring in another acclaimed horror film, Ganja and Hess.  But he reportedly always worried that people would only know him as Ben from Night of the Living Dead.  Even while acting, Jones continued to work as an academic, heading up the literature department at Antioch College and working as the executive director of the Black Theater Alliance.  He was also an in-demand acting teacher.  He passed away at the far-too early age of 51 in 1988.

In this scene, from Night of the Living Dead, Ben talks to the catatonic Barbara about what is happening in the outside world.  Jones’s intensity brings the scene to life and gives Night of the Living Dead the momentum to continue to enthrall audiences to this day.