Late Night Retro Television Review: Friday the 13th: The Series 2.12 “The Playhouse”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

Agck!  Stranger danger!

Episode 2.12 “The Playhouse”

(Dir by Tom McLoughlin, originally aired on January 28th, 1989)

Mike and Janine Carlson (played by Robert Oliveri and Lisa Jakub) are two young siblings living in the suburbs.  They don’t have much of a life.  Their mother (Belinda Metz) is neglectful and continually complains that her children are the reason why she can’t find a rich boyfriend.  Mike and Janine don’t appear to have any close friends.  Children are vanishing all over town and parents are telling their kids, “Don’t go off with strangers!” but no one seems to care enough about Mike and Janine to even check to make sure that they haven’t been kidnapped.

Mike and Janine have a playhouse, a gift that was given to them by one of their mother’s former boyfriends.  The playhouse is the only place where they feel happy.  It’s a place where they literally get anything that they wish for.  But sometimes, the door to the playhouse is locked.  When that happens, Mike and Janine have to convince someone else to go into the playhouse.  Once someone enters the playhouse, they find themselves trapped in a nightmarish world that is full of evil clowns and other circus figures.  Mike and Janine have to chant, “I hate you!  I hate you!” while the playhouse claims its victims.

Agck!  Seriously, this is a disturbing episode!  Not only are Mike and Janine terribly abused but almost all of their victims are children.  Perhaps because of the age of the people involved, this is the only episode of Friday the 13th: The Series in which no one dies.  They’re held prisoner in the playhouse and probably traumatized for life but they don’t die.  Fortunately, that means that they can be freed once Jack convinces Mike to chant, “I love you!” instead of “I hate you!”

Yep, this episode is all about the power of love but you really have to wonder if all of Mike and Janine’s problems can be solved by chanting, “I love you!”  I mean, aren’t the other kids going to remember that Mike and Janine held them prisoner in a nightmare universe?  The episode may end with the playhouse defeated by Mike and Janine are still living in that terrible suburb and their mother is still a resentful alcoholic.  Even though this episode has what would most would consider to be a happy ending — the kids are free! — it’s still incredibly dark.

This episode definitely left me feeling a bit shaken.  I hate seeing children in danger and that’s what this episode was all about.  Even things that sound kind of silly — like Mike chanting “I hate you!” while the playhouse does its thing — are actually rather disturbing when viewed.  The child actors are almost too convincing in this episode.  In the end, Jack says that all you need is love but this episode leaves you wondering if he’s correct.

Late Night Retro Television Review: Monsters 2.15 “Mr. Swlabr”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

Mister Who?

Episode 2.15 “Mr. Swlabr”

(Dir by Warner Shook, originally aired on January 28th, 1990)

11 year-old Roy Barton (Robert Oliveri) spends all of his time in the basement of his house, playing with his train set and making dinosaur figurines.  His mother (Kate McGregor-Stewart) is abusive.  His older sister (Danielle Ferland) is spoiled and self-centered.  Roy doesn’t have a friend in the world and has never gotten over his father abandoning the family when he was younger.

One day, Roy opens a box of cereal and finds a small dinosaur toy.  Roy puts the toy in water and it comes to life.  Mr. Swlabr (voiced by New York performance artist Rockets Redglare) says that he’ll be Roy’s friend and promises that he’ll never leave.  Awwwww!  Roy’s evil mother tries to drown Mr. Swlabr with a hose but the water just causes Mr. Swlabr to grow into an even bigger dinosaur.  Mr. Swlabar spits a bunch of green goo on Roy’s sister.  It doesn’t hurt her but it does convince her and her mother to do whatever Roy tells them to do.

This was an odd episode.  It played out like a particularly macabre fairy tale, with Roy finally getting a friend who was big enough to bully everyone who was previously bullying him.  It had its moments.  I teared up a bit when Roy begged Mr. Swlabr not to abandon him the way that his father did.  But, in the end, the hand puppet dinosaur was a bit too silly to be an effective monster.

Probably the most interesting thing about this episode was the casting of Rockets Redglare as the voice of Mr. Swlabr.  From the 1970s up until his death in 2001, Rockets Redglare was a fixture of the New York underground.  He was a comedian, a performance artist, and eventually a character actor.  He worked as a drug counselor while, at the same time, delivering drugs to people like Jean-Michel Basquiat and Sid Viscous.  He was reportedly the last known person to have seen Sid and his girlfriend Nancy Spungen alive and he was a suspect when Nancy was later found dead.  According to Phil Strongman’s Pretty Vacant: A History of Punk, Redglare later told his friends that he was the one who had murdered Nancy.  That said, musician Howie Pyro later said that Redglare was notorious for making up stories to get attention.  (For their part, the police focused their investigation on Sid Viscous, who they claimed confessed despite the fact that Viscous was also too drugged out to really remember much of anything.  The main lesson here: Stay away from the heroin.)  Redglare went on to become a bit of an underground celebrity, appearing in movies directed by Jim Jarmusch, Stee Buscemi, and Olive Stone.  (He played himself in Julian Schnabel’s Basquiat).  Redglare died at the age of 52, saying in his final interview that everything he did, he “did to excess.”  RIP, Mr. Swlabr.