
Mike Kovac (Charles Bronson) is taking pictures at a tenement fire in New York City. After getting his pictures of the fire, he gets a few shots of some of the people hanging around, including Norma Delgado (Angie Dickinson). A group of young men see him taking the pictures, so they take the camera away from him. It seems Norma is the daughter of Marty Delgado (Robert Armstrong), a mobster who’s just finished off a six year stretch in prison. Prior to going to prison, Marty stashed a lot of cash away and the boys are planning on taking it away from him. They’re afraid if anyone knows his daughter is around, they’ll be on their way to take the money for themselves. When the boys show back up at Kovac’s house, take his pictures and smash him on the head, he’s determined to figure out what the hell is going on. The first step is finding Norma. Once he finds her, everything else should become clear.
Aside from Charles Bronson as Mike Kovac, the most interesting thing about this episode is the presence of the lovely Angie Dickinson. At this point in her career she was mostly guesting on TV shows or doing smaller parts in movies. She’s so beautiful, but she really doesn’t have a lot to do here. The next year she would play John Wayne’s love interest in RIO BRAVO (1959) and she’d be on her way to stardom. It’s a treat seeing her and Bronson on screen together.
Bronson does have one decent tough guy exchange with the young thugs:
Kovac – “…a real tough bunch. You’re tough like a coat of cheap paint. First stretch of bad weather comes along and it peels right off!”
Thug – “Maybe you’re the paint remover?!”
Kovac – “You don’t get that boy out the darkroom, we’ll soon find out!”
As soon as Kovac says this he gets knocked out cold, so Bronson’s not always as tough as he seems at this point in his career.
One other thing, I am finding that I like the episodes where Kovac’s “Pop” Anton (Ludwig Stossel) shows up. Pop is also a photographer, and he’s so proud of his son and the way his pictures are always in magazines and in the papers. During the middle part of this episode he just has one slight criticism of his son’s work, “you need more lighting.” When Kovac gets the money shot at the end and Pop sees it in a magazine, he’s so proud… he just thinks there needed to be more lighting! It’s a lighthearted and fun way for the episode to end.





