MAN WITH A CAMERA (TV Series) – starring Charles Bronson – S1, E4: Close-up on Violence 


Mike Kovac (Charles Bronson) is taking pictures at a tenement fire in New York City. After getting his pictures of the fire, he gets a few shots of some of the people hanging around, including Norma Delgado (Angie Dickinson). A group of young men see him taking the pictures, so they take the camera away from him. It seems Norma is the daughter of Marty Delgado (Robert Armstrong), a mobster who’s just finished off a six year stretch in prison. Prior to going to prison, Marty stashed a lot of cash away and the boys are planning on taking it away from him. They’re afraid if anyone knows his daughter is around, they’ll be on their way to take the money for themselves. When the boys show back up at Kovac’s house, take his pictures and smash him on the head, he’s determined to figure out what the hell is going on. The first step is finding Norma. Once he finds her, everything else should become clear. 

Aside from Charles Bronson as Mike Kovac, the most interesting thing about this episode is the presence of the lovely Angie Dickinson. At this point in her career she was mostly guesting on TV shows or doing smaller parts in movies. She’s so beautiful, but she really doesn’t have a lot to do here. The next year she would play John Wayne’s love interest in RIO BRAVO (1959) and she’d be on her way to stardom. It’s a treat seeing her and Bronson on screen together. 

Bronson does have one decent tough guy exchange with the young thugs:

Kovac – “…a real tough bunch. You’re tough like a coat of cheap paint. First stretch of bad weather comes along and it peels right off!”

Thug – “Maybe you’re the paint remover?!”

Kovac – “You don’t get that boy out the darkroom, we’ll soon find out!”

As soon as Kovac says this he gets knocked out cold, so Bronson’s not always as tough as he seems at this point in his career. 

One other thing, I am finding that I like the episodes where Kovac’s “Pop” Anton (Ludwig Stossel) shows up. Pop is also a photographer, and he’s so proud of his son and the way his pictures are always in magazines and in the papers. During the middle part of this episode he just has one slight criticism of his son’s work, “you need more lighting.” When Kovac gets the money shot at the end and Pop sees it in a magazine, he’s so proud… he just thinks there needed to be more lighting! It’s a lighthearted and fun way for the episode to end. 

Film Review: The Most Dangerous Game (dir by Irving Pichel and Ernest B. Schoedsack


On a jungle island Count Zaroff awaits.

Zaroff is a Russian nobleman and a hunting enthusiast.  However, he’s grown bored with hunting the usual big game trophies.  Those don’t provide enough of a challenge for him.  Instead, he prefers to hunt humans because humans are the most dangerous game.  Humans can think.  Humans are clever.  Humans are deadly.  When big game hunter Bob Rainsford washes up on the island after a shipwreck, he is discovered by Zaroff’s men.  Rainsford discovers that Zaroff is a fan of his work.  Rainsford also learns that Zaroff is planning to hunt him next.

It’s a tale that we’ve all heard, in one form or another.  Ever since Richard Connell’s original short story was published in 1924, The Most Dangerous Game has inspired a countless number of adaptations.  Some of those have been direct adaptations while others have merely been inspired by Connell’s plot but, in the end, they all have the same thing in common.  No animal is more dangerous than man.

As far as my research has revealed, the very first cinematic adaptation of The Most Dangerous Game came out in 1932.  It was produced by Ernest Schoedsack and Merian C. Cooper, the same team that would later be responsible for the original King Kong.  Joel McCrea played Rainsford while Zaroff is played by Leslie Banks.  In order to provide some romance and perhaps to pad out the film to over an hour, a few extra shipwreck survivors are added.  There’s two sailors who don’t last long.  There’s also Eve Trowbridge and her brother, Martin.  Eve and Martin are played by Fay Wray and Robert Armstrong, both of whom would star in King Kong.  Zaroff’s imposing servant, Ivan, is played by Noble Johnson who also appeared in King Kong.  Are you picking up on a theme here?’

Other than the addition of the extra characters, this film version is pretty faithful to its source material.  Again, we have Zaroff “rescuing” Rainsford and then having a long philosophical discussion with him before announcing that it is Rainsford who will be hunted.  Unsurprisingly, the film’s Rainsford is a bit more heroic than the one who appears in the short story.  The literary Rainsford looks forward to defeating Zaroff at his own game while the film’s Rainsford is more concerned with getting off the island and protecting Eve.

All in all, it’s an entertaining film.  Of course, by today’s standards, it’s a bit creaky.  I mean, the film is 88 year old.  Still, Joel McCrea remains a convincing and compelling hero while Leslie Banks is enjoyably hammy in the role of Zaroff.  Zaroff is a role that calls for an actor who is willing to give into his most theatrical impulses and Banks doesn’t let the film down.  The jungle scenery is properly shadowy and even the miniatures used during the shipwreck sequence have a charm all their own.

Unfortunately, The Most Dangerous Game is one of those films that has slipped into the public domain.  As a result, there’s a lot of less-than perfect versions floating around.  (The version that I recently watched on YouTube was so grainy that it was nearly unwatchable.)  Fortunately, this film is a part of the Criterion Collection.  That’s the one to add to your collection.

Beautiful Dreamer: MIGHTY JOE YOUNG (RKO 1949)


gary loggins's avatarcracked rear viewer

The folks who brought you KING KONG – producer Merian C. Cooper, director Ernest Shoedsack, writer Ruth Rose, animator Willis O’Brien – returned sixteen years later to the giant ape theme with MIGHTY JOE YOUNG, a classic fantasy that can stand on its own. Though the film usually gets lumped into the horror genre, it’s more a fable than a fright fest, a beautifully made flight of fancy for children of all ages, and one of my personal favorites.

In deepest darkest Africa, little Jill Young buys a cute baby gorilla from the natives. Twelve years later, impresario Max O’Hara, along with rodeo wrangler Gregg and his crew, travel to The Dark Continent in search of exotic animal acts for a new show he’s producing, when they come face to face with the now 12 foot tall, 2,000 pound gargantua, affectionately called Joe by a grown Jill. She’s the only…

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The Great American Pastime: IT HAPPENED IN FLATBUSH (20th Century-Fox 1942)


gary loggins's avatarcracked rear viewer

Major League Baseball’s Opening Day has finally arrived! It’s a tradition as American as Apple Pie, and so is IT HAPPENED IN FLATBUSH, a baseball movie about a lousy team in Brooklyn whose new manager takes them to the top of the heap. The team’s not explicitly called the Dodgers and the manager’s not named Leo Durocher, but their improbable 1941 pennant winning season is exactly what inspired this charmingly nostalgic little movie.

When Brooklyn’s manager quits the team, dowager team owner Mrs. McAvoy seeks out ex-player Frank Maguire, who seven years earlier was run out of town when an unfortunate error cost the team the pennant. She finds him running a club out in the sticks, and convinces him to come back to the Big Leagues. He does, bringing along his faithful bat boy/sidekick ‘Squint’, and just before the season’s about to begin, Mrs. McAvoy abruptly dies. Her family…

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