Late Night Retro Television Review: Highway to Heaven 3.13 “Basinger’s New York”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

New York, New York, it’s a heckuva town….

Episode 3.13 “Basinger’s New York”

(Dir by Michael Landon, originally aired on December 17th, 1986)

It’s Christmas in New York and veteran news columnist Jed Basinger (Richard Mulligan) has no idea what to write about.  Basinger has been recording the lives of the people of New York City for decades and he’s finally reached the point where he fears that there may not be anything good left to write about.  In short, Jed Basinger is a cynic and we know what this show thinks of cynicism!

While Basinger walks down a cold city sidewalk, he suddenly discovers Jonathan and Mark walking beside him.  Basinger worries that they’re fans, looking to harass him or tell him a long story that they think he should write about.  Instead, Jonathan introduces himself as an angel and explains that he’s here to show Basinger all the good things happening in the city.

I have to admit that I always groan a little whenever an episode of this show starts with Jonathan admitting that he’s angel.  The episodes where Jonathan makes no effort to hide his identity are usually the weakest, if just because they tend to be a bit more preachy than the typical episode of Highway to Heaven.  (Despite its reputation, Highway to Heaven was usually more earnest than preachy.)  Once Jonathan says those three words — “I’m an angel,” — the viewer is immediately aware that this episode has a message and it’s not going to be a subtle one either.

Jonathan, Mark, and Basinger make their way through New York.  They meet a cab driver who just wants to be reunited with his son.  They meet the saintly homeless people who live on the streets and take care of each other in their own quirky way.  They meet a nice cop.  They meet not one but two women who are in labor and who end up at the same hospital.  One woman is poor and turned away because she doesn’t have insurance (which, technically, I think is illegal under federal law but whatever).  The other woman is the wife of a U.S. Senator who announces that she refuses to give birth in a hospital that turns away the poor.  Luckily, Basinger is there and threatens to write about it.  The scene in the hospital is typical of this episode.  It’s well-meaning but so heavy-handed that it’s nowhere near as effective as it should have been.  If I was in labor, would I take the time to demand that the hospital treat all of its patients fairly?  I’d like to think so but, realistically, my mind would probably be on other things.  Luckily, Basinger gets to write his column, despite showing up late at the newspaper.  It turns out that the presses went down while Basinger learned a lesson about New York and kindness.

I can’t really be too critical of this episode because its heart was in the right place.  That was this show’s biggest strength.  Michael Landon really did seem to believe he could make the world a better place, one episode at a time.  That said, this episode was a bit too heavy-handed for my tastes.  But again, how can I be too critical of a show about Christmas miracles?

 

 

Retro Television Review: Fantasy Island 5.11 “House of Dolls/Wuthering Heights”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, it’s all about the power of imagination.

Episode 5.11 “House of Dolls/Wuthering Heights”

(Dir by Philip Leacock, originally aired on January 9th, 1982)

After being absent last week, Tattoo returns for this episode.  That means that Julie, once again, is too busy on the other side of the Island to assist Mr. Roarke this week.  The excuse that the show’s writer come up with to explain Julie’s absence is that she accidentally opened up a box of Fantasy Island butterflies that were meant to be delivered to the San Diego Zoo.  Now, Julie has to catch all of the butterflies.  Good luck, Julie!

As for the fantasies, they both deal with imagination.

Clarissa Bevis (Britt Ekland) is a librarian who is single because she’s never met a real-life man who can compare to Heathcliffe from Clarissa’s favorite novel, Wuthering Heights.  Clarissa wants to enter the world of the novel so that she can meet Heathcliffe and hopefully put her obsession with him behind her.  Mr. Roarke grants her fantasy but warns her that she must not change the plot of the book in any way.  That strikes me as an odd rule because it’s not as if Clarissa is traveling into the past.  She’s entering her imagination so why would it matter if she decided to do what so many other readers have done and imagine a different ending to her favorite novel?

Clarissa finds herself approaching Wuthering Heights.  Heathcliffe (Hugh O’Brian) sees her and declares that his beloved Catherine has come back to life.  Meanwhile, Edgar Linton (Richard Anderson) believes that this proves Heathcliffe has gone mad and starts to plot to have Heathcliffe declared insane so that Edgar can claim Wuthering Heights and all of its farmland as his own.  To be honest, if we’re in Clarissa’s imagination, I can only assume that she’s only seen a movie version of Wuthering Heights because neither Heathcliffe nor Edgar behave like their characters in the book  (In particular, Edgar is portrayed as being a cartoonishly evil villain.)  And, it should be noted, no mention is made of Cathy, Linton, Hindley, Isabella, Harleton, or any of the book’s other characters.  How is Clarissa supposed to stay true to the plot of a book that she’s never read?

As for the other fantasy, Francis Elkins (Bob Denver) is a maker and dresser of mannequins,  He’s fallen in love with one of his mannequins — “Hey, that’s not creepy at all,” I say while dramatically rolling my eyes — and his fantasy is for her to come to life.  Roarke gives Francis a magical medallion thing that Francis uses to bring Courtney (Barbi Benton) to life, with the understanding that Courtney will only be human for two days.  Eager to live as much life as possible, Courtney uses the medallion to bring to life three other mannequins to serve as the members of her squad.  She also flirts with two salesmen (Larry Storch and Joey Forman) by telling them that’s she’s from Bloomingdale’s (“Oh yeah,” Storch says, “that town in Indiana,”) and that she’s only six years old.  Fortunately, Francis’s love for Courtney is so strong that Courtney remains human even after the two days are up.

At the start of this fantasy, Roarke promises Tattoo that it will be the most delightful fantasy ever.  Barbi Benton did a good job in the role of Courtney and she certainly showed more comedic timing here than she did during previous visits to the Island.  But I don’t know …. the whole falling in love with a mannequin thing was a little too creepy to be delightful.

That said, this was an entertaining episode, even if neither fantasy really worked.  Barbi Benton got to show off her comedic timing and the Wuthering Heights fantasy was enjoyably melodramatic, even if it got the book wrong and even though all-American Hugh O’Brian was not exactly the most convincing Heathcliffe.  This was a nice enough trip to the Island.

I wonder if Julie ever found those butterflies.