Cleaning Out the DVR: Scared Straight! Another Story (dir by Richard Michaels)


Who is ready to be scared straight … again!?

Scared Straight!  Another Story is a made-for-television movie from 1980.  As you can tell by the name, the movie was inspired by the documentary Scared Straight! and the addition of Another Story to the title would lead one to suspect that this was actually a follow-up or continuation to that documentary and I guess it kind of is.  A group of teenagers, all of whom have been in trouble with the law, are sent to a prison where they are finger-printed, forced to stay in a cell, and then yelled at by a bunch of prisoners who assure them that they don’t have what it takes to survive in prison.  Then, just as in the documentary, the teenagers leave the prison.  Some of them continue to get in trouble and some of them are scared straight.  As for the prisoners, they remain imprisoned.

The main difference is that, instead of featuring real prisoners and real delinquents, Scared Straight! Another Story is a dramatization.  As a result, the prisoners are saying the same thing that they said in the first Scared Straight! but now the prisoners themselves are played by actors who will be familiar to anyone who has watched enough old TV shows.  The prisoners may be yelling about how much life sucks but the viewer knows that they are all actors and, as a result, Scared Straight!  Another Story lacks the rough authenticity of the first film.  (It also doesn’t help that most of the profanity from the original documentary has been replaced with softer expressions of disgust.)  The film again makes the argument that the Scared Straight program can turn someone’s life around but it’s not as effective because, again, the troubled teens are all actors.  The viewer knows that they’re actors.  Their lives have already been turned around.

Surprisingly, the scenes of the prisoners yelling are the least effective parts of this film.  Instead, Scared Straight!  Another Story works best when it is exploring everyone’s life before and after the trip to the prison.  Stan Shaw, in particular, is effective as a prisoner who is inspired to take part in the program after he comes across the body of an inmate who has been driven to suicide.  Also well-cast is Terri Nunn, playing Lucy, the girlfriend of a small-time drug dealer.  Both she and her boyfriend are scared straight but it turns out to be too little too late as her boyfriend is eventually sent to jail for the crimes that he committed before the program.  (There’s an interesting scene, one that I wish had been explored in greater detail, where Lucy’s father observes the scared straight program and, instead of understanding that prison is a terrible place to send a kid, reacts by saying that the prisoners are all getting what they deserve.)  Finally, Cliff De Young, who has played a lot of corrupt government agents and out-of-touch teachers over the course of his career, gets a sympathetic role as Paul, the idealistic juvenile probation officer who sends three of his clients to the program.  The program works for two of them while the other eventually ends up joining the inmates who previously tried to warn him.  If nothing else, the film deserves some credit for admitting that the Scared Straight program isn’t going to magically reform everyone who attends.

Despite some good performances, Scared Straight! Another Story lacks the rough edged authenticity of the documentary.  It’s just not as effective when you know that everyone, including the prisoners, could go home at the end of the day.  Today, this is one of those films that is mostly interesting as a historical artifact.  Apparently, there really was a time when anything could inspire a TV movie.

A Movie A Day #85: Blue Skies Again (1983, directed by Richard Michaels)


As Lisa said in her review of Night Game, Erin asked for baseball reviews today and there is no way you can turn down Erin.  So, I watched Blue Skies Again on YouTube.

The Denver Devils is a minor league baseball team that is coming off of its worst season ever.  The new owner (Harry Hamlin) is only concerned with making money and does not know anything about baseball.  The veteran coach (Kenneth McMillan) does not have the respect of his players.  Teammates like Ken (Andy Garcia), Calvin (Joseph Gian), and Wall Street (Cylk Cozart) are worried that they could lose their place on the team at any moment.  The only good news is that two sports agents (Mimi Rogers and Dana Elcar) have found the perfect prospect for the Devils.  This player can play second base.  This player can catch a grounder and turn it into a double play.  This player can hit the ball out of the park.  The only problem?  The player’s name is Paula (Robyn Barto) and she’s a girl!

Robyn Barto was asked to audition after a casting director saw her playing softball for her community college.  Blue Skies Again was her first film role.  In the role of a professional baseball player, Barto was a very convincing softball player.  But Barto was likable and had an engaging screen presence so it’s too bad that this movie was not only her first but also her last.  In the publicity leading up to the release of Blue Skies Again, Barto got to throw out the opening pitch at a Dodger game but that was it for her time in the spotlight.  According to one article that I found that was written ten years after the release of Blue Skies Again, Barto never regretted not having a film career and ended up coaching the softball team at her old high school.

Blue Skies Again was not only the debut of Robyn Barto but also the first feature film for both Mimi Rogers and Andy Garcia.  Garcia does not get to do much but Mimi Rogers shows off the sexy and fun screen presence that always makes me wonder why she never really became a big star.

Blue Skies Again is an okay movie but it does not add up to much.  No one wants to play with a girl but then she gets a hit so everyone changes their mind.  It’s the type of movie that, today, would be made for Hallmark or the Family Channel.  It’s a nice baseball movie but it can’t compare to the real thing.