Music Video of the Day: Take Me Away by Blue Öyster Cult (1983, dir. Richard Casey)


I really wish I hadn’t done Shooting Shark by Blue Öyster Cult last year because it would be a perfect fit here. Also, Burnin’ For You by Blue Öyster Cult just doesn’t cut it for me as far as being part of this surreal videos collection. That’s not going to keep me from referencing it in a later post. I just wish I had an excuse to do it before I do the post on the video where I’ll reference it.

Anyhow, let’s take a look at this one brought to us by the same director as Burnin’ For You. He also brought us Buck Dharma having a guitar battle with a Mad Max type character in Born To Rock.

The video starts off with some guy playing a game while we can hear aliens inviting people to join them. The guy has a chip on his neck for…reasons.

Meanwhile, in a giant circuitboard.

Now we meet our main character as she rides with the lead singer of the band to somewhere.

That looks suspicious.

Imagine, if this were a few years later. Then she could have gotten a ride from Admiral Al Calavicci.

Quantum Leap

Instead, she is taken to a gas station run by someone creepy.

Don’t worry honey, that light back there is just waiting around to make an appearance in the music video for Let It Go by Loudness.

Let It Go by Loudness (1986)

Let It Go by Loudness (1986)

I was more concerned about him. Wait…how do you know that?

We did a song called Godzilla, and not only are Loudness a Japanese heavy metal band, but that video ends with Godzilla showing up.

That doesn’t explain anything. What are those symbols?

Just step over that “Caution” sign. Also, that lock always closes on its own. I never understood why either since we can just hop the gate.

Seeing as this is a horror related video, they don’t have peripheral vision. That’s why these people go unnoticed.

Honey, who exactly are you singing to?

Never mind, I’m going to investigate whatever this is.

I didn’t notice till I was going through these screenshots that this light turned into a skull.

It has the same effect as the ending of Death Game (1977) except with better music.

Death Game (1977, dir. Peter S. Traynor)

There’s all sorts of weird stuff going on down there, including this guy.

She eventually screams and a nearby plane starts up. She appears inside and can’t get out.

Cult Tim Curry looks really happy to be taking her away.

The gas station was in on it all along.

He tries to stop things, but Cult Robert Z’Dar stops him.

Samurai Cop (1991, dir. Amir Shervan)

In the end, she’s taken away.

And the audience is left wondering just how long they’ve been there.

I think the moral of the story is that while you’re obsessed with leaving this world, someone you love can be suddenly taken away from you while you were completely focused on yourself. That’s my best guess. According to Songfacts, lead singer Eric Bloom was referring to aliens that he would go with if they were good ones. Obviously these ones weren’t good.

Nova of Aldo Nova wrote the music for the song, Eric Bloom ended up writing the lyrics, and it became a Blue Öyster Cult song. You might recall that director Richard Casey directed the music video for Fantasy by Aldo Nova.

John Marsh produced the video. He seems to have only worked on 4 music videos. He would go on to be an executive producer on Richard Casey’s film Horror On Highway Five (1985) and on a film my parents would watch on occasion called V.I. Warshawski (1991).

Enjoy!

30 Days Of Surrealism:

  1. Street Of Dreams by Rainbow (1983, dir. Storm Thorgerson)
  2. Rock ‘n’ Roll Children by Dio (1985, dir. Daniel Kleinman)
  3. The Thin Wall by Ultravox (1981, dir. Russell Mulcahy)

Music Video of the Day: Born To Rock by Buck Dharma (1982, dir. Richard Casey)


I brought it up the other day, so let’s do Born To Rock by Buck Dharma, aka that guy you probably know from Blue Öyster Cult.

Oh, so YouTube comment sections exist in this music video.

No Rock Music?!? This is worse than when Hell froze over in 2005 and…

One Way Ticket by The Darkness

One Way Ticket by The Darkness

The Darkness had to run from a metaphor for cocaine to thaw it out.

One Way Ticket by The Darkness

What’s this?

Buck Dharma. Born To Rock. Wanted Dead or Alive. Contact U.S. Marshall S. Pearlman out of Oyster Bay, NY? Harsh! Buck does one solo album, and Blue Öyster Cult manager Sandy Pearlman is fine if he is brought in dead? He was tough back then. Also yes, Buck was born on Long Island, NY where Oyster Bay is located.

There’s only one man who can possibly bring him down. I dub him Blue Öyster Max.

Even his car says he is “2BADD”.

Now we get Buck delivering himself. My best guess is that this shot…

is a reference to Buck having given up getting a degree in Chemical Engineering to go into music. Then for some reason, None Dare Call It Treason by John A. Stormer has to do with Buck’s birth.

I haven’t read the book, but the summary on Amazon makes it sound like it would have been right up Ronald Reagan and Estus Pirkle’s alley. Pirkle also being a Protestant pastor who wrote a book concerning alleged Communist infiltration of America. Except Pirkle went on to adapt his book into a religious exploitation film called If Footmen Tire You, What Will Horses Do? (1971).

I don’t know for sure who that is a picture of in the background while his parents are getting it on. It looks like Eisenhower, but I’m not 100% sure.

There’s other interesting stuff in here that fits with the theme of the music video, but let’s not kid ourselves. You’re watching this music video for the ending showdown between Buck and Blue Öyster Max.

Buck wins, and they rush Blue Öyster Max’s guitar to the hospital. Of course it’s red.

Blue Öyster Max is way dead. Killed by Rock.

Enjoy!

Music Video of the Day: Fantasy by Aldo Nova (1982, dir. Richard Casey)


My Internet connection appears to be back up for the time being. It went down on the 13th of this month. We had some people come over to start installing new floors in the house that day. Somehow, the instant they walked in the door, the power cutout for all of about 10 seconds. However, that was enough to kick the my Internet connection out, and it didn’t want to come back up. After talking with endless people on the phone and going through three technicians over the past week, they finally were able to find the issue that was keeping the connection down. It was a splitter that breaks up a line coming into the house so that it can go to the modem and a cable box. The splitter had gone bad. After replacing it, I can connect to the Internet again. I would have written a post for yesterday, but the first two technicians also got the modem working again only to have it go down a few hours after they left. I wanted to make sure it would stay up.

I originally thought that I would do The Karate Rap, or one of the two music videos for covers of Chuck Berry’s Johnny B. Goode. I’ll save The Karate Rap, and get to Judas Priest and Peter Tosh later. Instead, I present you Fantasy by Canadian artist Aldo Nova. Let’s see how Wikipedia describes it:

“The video shows Aldo performing with his band at a concert. It is best remembered by fans for its intro, which starts out with a man holding an electric guitar and two bodyguards holding machine guns, waiting for someone. Then comes a helicopter, landing from the sky, and Aldo comes out in a very contoured leopard-print suit, being escorted to the stage. When they encounter a locked door, which the bodyguards can’t open, Aldo grabs his guitar and fires a laser into the door and it opens.”

True. There is the gunfire over the title card implying that Aldo needs to be protected on his way to the stage performance. He does show up in a leopard-print suit. One of the bodyguards tries to knock down the door and fails. Aldo shoots his phaser guitar at the door to open it up. You could take that description, modify it slightly to talk about product placement for Paper Mate mechanical pencils, and you’d have a description of Turn Up The Radio by Autograph. It fails to mention the creative element of the video that pulls it all together.

From the start, it begins to periodically flash quickly to something else, then return to the video. Over the title card, it’s a test pattern. It continues throughout the video until you reach the end where Aldo proceeds to cut in and out of existence till everything else glitches out, and ultimately Aldo does too. In the end, you are left with darkness. The “Fantasy” is over.

The music video was directed by Richard Casey. It looks like he only directed a handful of music videos. They are all pretty trippy. My personal favorite is the post-apocalyptic video for Born To Rock by Buck Dharma. After that, his work is on feature films such as Horror House On Highway Five (1985).

Enjoy!

Music Video of the Day: Joan Crawford by Blue Öyster Cult (1981, dir. Richard Casey)


I have never seen Mommie Dearest (1981), so I can’t speak to the tie-ins with that film. Wikipedia does assure me that the music video is inspired by both the book and the film. That’s actually kind of interesting. I say that because the song can only be inspired by the book since the album this was on came out two months prior to the release of Mommie Dearest. The music video was released at the same time as the film. That means the song and music video were only inspired by the book. This is according to Billboard magazine, circa September 19th, 1981

Going purely off of the music video, it seems to be doing several things. The first being that Joan Crawford was a force to be reckoned with that should strike fear into people’s hearts if she were to suddenly come back to life. I wouldn’t say that part is explicitly directed at her daughter Christina, but people in general. The second thing would appear to be a commentary on stable studio actors who are all waiting to be stars or struggling to hold on to stardom (Crawford and Davis), and having no problem killing off anyone who got in their way. That part being represented by the Catholic schoolgirls who act like vampires. However, that could also all be part of the way Christina was raised by Joan Crawford. That’s what some sites imply. The music video also seems to be saying that the greatest horror is that she lived so much under the watchful eye of her mother that she became her until we see her broken free to be left silently wiping the makeup off her face by the pool. It could be that the entire video is supposed to be one of Christina Crawford’s nightmares. Of course it’s all speculation based on the music video. I have not seen the movie, nor read the book. I just couldn’t resist spotlighting this during October.

The music video was filmed at Beulyland in Los Angeles that was allegedly the former home of silent film star Mabel Normand, also according to the aforementioned release of Billboard Magazine.

Richard Casey directed it, and appears to have only done a handful of music videos before going on to do other work in film.

George Harrison produced it, but mvdbase assures me this is a different George Harrison than that of The Beatles.

Enjoy!