13 for 13: Buddy Hutchins (dir by Jared Cohn)


“His bad day is now your bad day!”

Hey, give it up for 2015’s Buddy Hutchins.  No matter what else one might say about this film, that’s a great tag line.  It not only captures your attention but it’s also honest about the film.  Buddy is having a very bad day.  As a matter of fact, Buddy has several  bad days.  It takes him a while but when he snaps, he makes sure that everyone else has an even worse day.  Whoever came up with that line better have gotten a raise.

Unfortunately, the film itself doesn’t really live up to the tag line.  Jamie Kennedy plays the title character.  Buddy Hutchins used to be a boozer.  Now, he’s just a loser.  He’s unhappily divorced.  He rarely gets to see his young daughter.  He owns a dry cleaning store that no one frequents.  He can’t even afford to pay his one employee.  (“Things are going to pick up!” Buddy says, over and over again.)  He’s just learned that the man he thought was his father isn’t actually his father.  No one has much respect for Buddy.  Not even the cop who is called out whenever Buddy causes a scene in the neighborhood can summon up much sympathy for Buddy.  Buddy spends most of the movie wishing that he could get his old band back together.  When it becomes obvious that isn’t going to happen, he grabs his chainsaw.

Buddy goes on a rampage.  That’s not a surprise.  What is a surprise is how long it takes him to do it.  As played by Kennedy, Buddy is twitchy and obviously unstable from the minute that we first see him.  When the film started, I thought Kennedy was just overacting but, as it progressed, I came to realize that Kennedy was actually very convincing as the type of person who you would dread being stuck in a room with.  At times, I worried that Buddy was going to drown in a deepening pool of self-pity.  Then again, if that had happened, it wouldn’t necessarily have been a bad thing.  It would have saved several lives and it would have also shut him up.

Buddy Hutchins was also released under the title Falling Down Again.  There are definite similarities to Falling Down but there’s quite a few differences as well.  In Falling Down, Michael Douglas plays a burned-out engineer who snaps on a very hot day in Los Angeles and who is eventually stunned to realize that he is now the “bad guy.”  Falling Down‘s D-Fens is not really a sympathetic character but one can still understand what’s happening in his head and mourn the man that once was.  In Buddy Hutchins, Buddy is basically a loser who can’t succeed at life because he’s a moron.  He doesn’t snap because of the frustrations of everyday life in the big city.  He snaps because he’s too much of an idiot to do anything else.

Falling Down is a flawed film but it does at least have the courage of its convictions.  It may end on a sad note but it was really the only way the story could end.   Buddy Hutchins ends with a twist that doesn’t feel at all earned.  The film may end with justice for Buddy but where’s the justice for those of us who just spent 90 minutes watching him?

What Lisa Watched Last Night #146: A Fatal Obsession (dir by James Camali)


Last night, I watched the premiere of A Fatal Obsession on the Lifetime Movie Network!

ER in FO

Why Was I Watching It?

So, for the past month, Lifetime has exclusively been showing holiday movies.  And don’t get me wrong — I love the holidays, I enjoy holiday movies, and I’m certainly not complaining.  I can understand why Lifetime has made the programming choice that they have and, during this week, keep an eye out for my reviews of all of those Lifetime Christmas movies.  But, at the same time, I have been missing the melodrama that made Lifetime famous.  So, when I saw that the Lifetime Movie Network would be premiering a movie that had nothing to do with Santa Claus, I simply had to watch!

What Was It About?

Michael Ryan (Eric Roberts) is a horror author who is not just famous for giving his readers nightmares.  He’s also famous for being a recovering alcoholic.  Except, he’s not really in recovery.  Instead, he’s still drinking, he’s still violent, and he’s still dangerous abusive.  When his wife, photographer Christie (Tracy Nelson), and teenage daughter, Miri (Remington Moses) finally leave him, Michael spirals into madness.  Soon, Michael has vanished and Christie’s best friend turns up dead.

Could Michael still be out there, trying to track down his wife and daughter?  He could be.  Then again, Christie and Miri have met a lot of other strange characters since starting their new life.  Their neighbors, Ben (George Saunders) and his sullen son, Kyle (Colin Chase), seem to be a little bit off.  And then, of course, there’s Harrison (David Winning), the aspiring actor who has hired Christie to take his headshots….

What Worked?

Oh my God, this is one of the most melodramatic, over-the-top, implausible films that I’ve ever seen so, of course, I had to love it.  Improbable plot twists?  Gloating villains?  Forbidden love?  Questionable life choices?  This film had it all and thank the television Gods for that!

I also really liked the look of the film.  The snowy and overcast images were wonderfully chilly and atmospheric, giving the entire movie a dream-like atmosphere.

And, on top of all that, you had Eric Roberts doing his Eric Roberts thing.  Roberts is such an eccentric actor that he’s always interesting to watch, regardless of the role.  And he actually did a pretty good job, creating a frighteningly plausible portrait of a serial abuser.

What Did Not Work?

It all worked.

“Oh my God!  Just like me!” Moments

Naturally, I related to the character of Meri, the intelligent but rebellious daughter who was struggling to deal with all the ugliness around her.  Remington Moses did a good job and was believable in her struggle to deal with her family’s legacy of abuse.

Lessons Learned

Just because your paranoid, that doesn’t mean that people aren’t out to get you.