Real Genius (1985, directed by Martha Coolidge)


Mitch Taylor (Gabriel Jarrett) is a teenage genius who is recruited by Prof. Jerry Hathaway (William Atherton) to study at Pacific Tech University.  The real reason why Hathaway has recruited Mitch is because Chris Knight (Val Kilmer), another genius, has been slacking on developing the power source for an experimental laser called “crossbow.”  Hathaway hopes that Mitch can get Chris to take his work seriously and to focus on the project.  Instead, Chris teaches Mitch that he has to learn how to enjoy life or his great intelligence will become a burden and he’ll end up burned out and living in the tunnel underneath the university.  That’s what happened to Laszlo Holyfield (Jon Gries).  That’s what nearly happened to Chris.  Chris is determined not to let it happen to Mitch.

Real Genius combines college hijinks with a serious examination of the pressures of being a “real genius.”  Mitch knows everything about laser physics but he still misses his parents and cries after getting yelled at by Prof. Hathaway.  He’s just a kid, no matter how smart he is.  Chris proves himself to be a good friend, encouraging Mitch to relax and enjoy life.  Just because you’re a genius doesn’t mean that you can’t have fun.  As played by Val Kilmer, Chris Knight is the best friend that everyone wishes they could have, whether they’re a genius or not.  Even when the film gets sophomoric, Kilmer plays his role seriously and never loses sight of Chris’s humanity or why it’s so important to Chris that Mitch not become consumed by the pressure of being smarter than almost everyone else in the room.  This is one of the early Val Kilmer performances that showed just how good an actor he truly was.  With Chris’s encouragement, Mitch pursues a romance with Jordan Cochran (Michelle Meyrink) and gets revenge (more than once) on the arrogant Kent (Robert Prescott).

Eventually, Chris and Mitch realize that their research is being used to construct a weapon for the CIA and this leads to the film’s famous ending.  Ever since this movie came out, there’s been a debate over whether or not a laser could be used to make popcorn and, even more importantly, whether or not a gigantic amount of popcorn could actually destroy someone’s house.  I don’t know the answers to those questions but I’d like to think that Real Genius got it right and I have no interest in any evidence that suggests otherwise.  Sometimes, you owe it yourself to believe in the power of lasers and popcorn.  The next person who takes advantage of your hard work, destroy his house with popcorn and then sing Everybody Wants To Rule The World.  Learn the lessons of Real Genius.

Finally, when I was growing up, Real Genius was one of those films that seemed to be on HBO all the time.  Somehow, I always turned it on right when the popcorn started popping.  That popcorn-filled house, followed by Everybody Want To Rule The World, was a huge part of my childhood.  Real Genius will always bring back good memories for me.

4 Shots From 4 Films: Planet of Dinosaurs, Real Genius, Switch, Some Girls


Since I’m new here, it was suggested that I cut my teeth on one of these 4 shots from 4 films posts. Also, because I’m new, I thought I would go with 4 films that have a special place in my heart. An introduction of sorts.

Of course, that means telling a little story behind each one.

Planet of Dinosaurs (dir. by James K. Shea)

Planet of Dinosaurs (dir. by James K. Shea)

Planet of Dinosaurs (1977) is a simple one. My Mom recorded it off of TV when I was a kid and I watched it over and over and over again. It’s a classic bit of Sci-fi B-Movie making. I watched this so many times that I can even recall the commercials. There was one for some compilation of hit songs. I was so young that when Gloria by Van Morrison played I thought he was saying the word Tijuana.

Real Genius (dir. Martha Coolidge)

Real Genius (dir. Martha Coolidge)

Real Genius (1985) is just a great movie, but it especially resonated with someone like myself who always felt out of place because I was so into computers at such a young age.

Switch (dir. by Blake Edwards)

Switch (dir. by Blake Edwards)

Switch (1991) is the easiest to tell the story behind. I’m transgender. I found it on cable one night as a kid and it became one of my favorites.

Some Girls (dir. by Michael Hoffman)

Some Girls (dir. by Michael Hoffman)

Some Girls (1988) is a tough one. When I first got a TiVo I put the Wishlist feature to use in order to see all the movies by actresses such as Angelina Jolie, Julianne Moore, and Jennifer Connelly. One day this movie popped up. I’m still not sure why, but it managed to bore a hole into my heart. It can still make me sad watching it.

Let’s Second Guess The Academy: Best Picture 1985


Jonathan Pryce in Brazil

Last week, we reconsidered whether or not The Hurt Locker deserved the title of Best Picture of 2009.

This week, let’s go back to the year of my birth, 1985.  According to the Motion Picture Academy, the five best films of the year were:

1) Steven Spielberg’s controversial adaptation of Alice Walker’s The Color Purple,

2) Witness, a film about a tough cop (Harrison Ford) who hides out with the Amish,

3) Kiss of the Spider Woman, one of the first independent films to ever be nominated for best picture,

4) Prizzi’s Honor, a darker than dark Mafia comedy from John Huston that starred Jack Nicholson,

and finally,

5) Out of the Africa, the film that was eventually named best picture of 1985.

Despite its victory at the Oscars, Out of Africa hasn’t aged well.  If any year seems to be worthy of a little second guessing, it would certainly be 1985.  If you were a member of the Academy in 1985, which nominee would you have voted for?  Personally, I would have voted for Witness.  How about you?

Now, here comes the fun part.  Let’s say that Out of Africa wasn’t released in 1985.  Let’s say that Steven Spielberg never made The Color of Purple and that Jack Nicholson refused to star in Prizzi’s Honor.  Let’s say that none of the five nominated film had been eligible in 1985.  Which films would you have nominated in their place?

You can vote for five of the film listed below and yes, we do accept write-ins!

(Incidentally, I voted for Brazil, The Breakfast Club, To Live and Die In L.A., The Purple Rose of Cairo, and Insignificance.)