Real Andrews | Through the Shattered Lens

Legendary actor Charles Bronson ended his five-decade career by starring in a series of made-for-TV movies, FAMILY OF COPS (1995), BREACH OF FAITH: A FAMILY OF COPS II (1997), and FAMILY OF COPS III: UNDER SUSPICION (1999). I was in my mid-twenties as this series played out, and I enjoyed each of the installments. Today, I’m going to take a look at the first in the series.

In FAMILY OF COPS, Charles Bronson stars as Police Inspector Paul Fein. Paul, a widower as we enter this story, leads a family who is heavily involved in law enforcement in Milwaukee, Wisconsin. His oldest son Ben (Daniel Baldwin) is a detective on the force. Ben is a family man in a loving marriage with several wild kids. Paul’s younger son Eddie (Sebastian Spence) is a patrol cop. Eddie’s single, has a beautiful girlfriend, and seems to be a nice guy with a well-adjusted life. Paul’s oldest daughter Kate (Barbara Williams) is a local public defender. She seems to be dedicated to her work, not leaving much time for a social life. And then there’s Paul’s youngest daughter Jackie (Angela Featherstone), who has moved out to California and refers to herself as “the family curse.” This story opens with Jackie reluctantly coming back to Milwaukee to attend her dad’s birthday party. All Paul wants for his birthday is for his family to be together. We soon learn that neither Ben or Kate care much for Jackie and her irresponsible life choices. As a matter of fact, the reason she ran off to California in the first place was to get out from under her family’s disapproval. It’s not long after she gets back that the family wishes she would have stayed away. Sneaking out of her sister’s house late at night to drink and party, she meets the prominent local businessman Adam Novacek (Simon MacCorkindale), eventually going to his home and engaging in sexual intercourse. Sadly, the next morning she wakes up to Novacek’s recently deceased corpse, and she’s arrested as the prime suspect in his murder. Convinced of her innocence, Paul, Ben, and Eddie set about trying to clear her name and find the real murderer. Besides Jackie, other suspects begin to emerge, including Novacek’s current wife Anna (Lesley-Anne Down), his former wife Laura (Kate Trotter), who’s now confined to a looney bin, and a local gangster named Frank Rampola (John Vernon), who has a vendetta against Paul for recently busting his grandson. How far will Paul Fein go to protect his family in his search for a killer?!!

FAMILY OF COPS is a perfect example of what I would refer to as entertainment for the “older person crowd,” and I don’t mean this as a put-down in any way as I enjoyed the movie. I just mean that it fits a type of entertainment that was popular in the 80’s and 90’s. These types of shows would depend greatly on the charisma or reputation of a veteran actor or actress, would contain simple production values, and would usually follow formulaic plots. Examples of the types of shows I’m referring to include MURDER, SHE WROTE with Angela Lansbury, MATLOCK with Andy Griffith, DIAGNOSIS MURDER with Dick Van Dyke, and WALKER: TEXAS RANGER with Chuck Norris. A combination of my dad, mom and grandma loved all of these shows. I’m a big fan of MATLOCK myself. In this case, FAMILY OF COPS leans heavily on Charles Bronson’s five decades as a tough guy icon to anchor a somewhat formulaic crime film and family melodrama. The role of Paul Fein fits a 73-year-old Bronson like a glove. He’s still in good physical shape, and the movie gives him a couple of opportunities to punch the shit out of some much younger thugs and henchmen. That was fun for me.

The supporting cast of the film is solid. Daniel Baldwin and Angela Featherstone make the biggest impact. Baldwin is good as the oldest son, a hothead, tough guy on the job who is constantly being humbled at home. Featherstone has the most beautiful eyes, and her rebellious character seems to have a good heart, but she just can’t seem to keep herself out of trouble. Paul Fein’s love for his troubled daughter Jackie is a sweet part of the story and provides something that most of us can relate to. She told me that she “loved Charles,” and I think you can see that in their scenes together. Sebastian Spence and Barbara Williams don’t have a lot to do in this first installment, but their characters will get their own moments to shine in the sequels. I also enjoy seeing John Vernon and Lesley Anne-Down show up in the movie as various persons of interest throughout the story. Bronson and Lesley Anne-Down had recently worked together in DEATH WISH V: THE FACE OF DEATH (1994) and were reportedly good friends in real life. Ted Kotcheff directed FAMILY OF COPS, which I find kind of disappointing. The same guy who directed movies like NORTH DALLAS FORTY (1979) and FIRST BLOOD (1982) didn’t bring anything special to the table in this film. I know it’s a modestly budgeted made-for-TV movie, but the best that can be said for the direction is that it’s workmanlike, and you would never suspect that the director had once helmed the original Rambo movie.

Ultimately, I enjoy FAMILY OF COPS because it stars Charles Bronson. Even as an older man, Bronson still dominates a scene, and the ratings success of the movie proved that Bronson still had an audience who wanted to see him on screen. And even though the story isn’t very unique and the central mystery isn’t very exciting, just the fact that Bronson is leading a solid story that includes action, crime, mystery and family melodrama will always provide some moments of joy for his fans like me. This is far from Bronson’s best work, but the old workhorse still knows how to entertain!

Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, we’ve got the saddest episode of Friday the 13th yet!

Episode 2.10 “Night Hunger”

(Dir by Martin Lavut, originally aired on January 9th, 1989)

As a young boy, Michael Firono was constantly told by his father, Dominic (Nick Nichols), that he should always play to win and that, if he lost, it was because he was a wimp. Needless to say, once Mike became a teenager, he did not have a great relationship with his father. Seeking an escape from his abusive household, Mike spend all of his time at the local antique store where, on his 16th birthday, the store’s owner, Lewis Vendredi (R.G. Armstrong), gave him a special silver chain.

Mike (played by Richard Panebianco) has grown up to be an angry young man. He always wears the chain around his neck. Hanging on the chain is the key to his car. Mike loves to race his car and, far from being the loser that his father claimed he would grow up to be, Mike cannot be beat. His car is amazingly fast and Mike is incredibly (one might even say supernaturally) skilled behind the wheel. His main goal is to defeat his childhood rival, Deacon (Real Andrews), who is now a street racer himself. Deacon is hesitant to race Mike, precisely because Mike seems to be so driven to win that racing with him can be even more dangerous than usual. To Deacon, street racing is fun. For Mike, it’s an obsession.

Of course, Mike has a secret. As long as he’s wearing the silver chain, he can’t be defeated. But he has to kill people and dip the key in their blood for the chain to work. Jack, Micki, and Ryan set out to reclaim the silver chain but an accident results in both the chain and the key being absorbed into Mike’s body. With the chain and the key now sitting next to Mike’s heart, Mike’s eyes not only glow red but his car seems to have a mind of its own….

This is another one of those episodes of Friday the 13th where the villain is himself a victim. Even before he met Lewis and received the silver chain, Mike was doomed. His abusive father left Mike feeling so insecure and so obsessed with winning that there was really no way Mike wasn’t going to end up snapping eventually. In the present day, Dominic finally understands how much he hurt Mike and he feels guilty about it but it’s too late to undo the damage that’s been done. Like a pusher befriending people most likely to get addicted to his product, Uncle Lewis saw Mike as someone who would easily succumb to a cursed antique. Mike becomes addicted to using the key and that leads to him doing a lot of bad things. But the real curse here is not the silver chain but instead Mike’s abusive childhood. Mike never had a chance.

This is a genuinely sad and well-acted episode, with Mike’s obsession eventually destroying him. As happen so often with this show, Ryan and Micki are left with the knowledge that, while they can reclaim the cursed objects, they can never repair the damage that they’ve done.