30 Days of Noir #5: The Hoodlum (dir by Max Nosseck)


He’s a bad seed, that Vincent Lubeck!

At the start of the 1951 film, The Hoodlum, Vincent (played by the legendary Lawrence Tierney) is rotting away in prison.  Even though the parole board is considering whether or not to release him, things aren’t looking good for Vincent.  The warden (Gene Roth) has taken it upon himself to attend the parole hearing and remind them of Vincent’s long criminal record.  Vincent’s been in trouble for as long as he’s been alive.  The warden says that allowing Vincent to walk the streets will just make the streets even more unsafe.

However, Vincent’s mother (Lisa Golm) swears that she’ll keep an eye on Vincent.  She will give Vincent a place to live and she’s even arranged for Vincent to get a job at the family gas station, where he’ll be working under his brother, Johnny (played Lawrence’s younger brother, Edward Tienery).  Moved by a mother’s tears, the board grants Vincent parole.

Big mistake.  As soon as Vincent’s out of prison, he starts making plans to return to his old life.  He has no interest in working in a gas station and he resents Johnny’s success.  Vincent is the type of bum that steals his brother’s girlfriend, gets her pregnant, and doesn’t feel the least bit guilty when she jumps off a roof to her death.

Vincent’s also the type who always has a scheme going.  For instance, it turns out that his brother’s gas station is right across the street from both the town mortuary and the bank!  Soon, Vincent is hanging out with his old gang and plotting to rob an armored car.  Vincent’s not going to let anyone stand in his way.  Not the police.  Not his lover.  Not even his own brother.  The only person that Vincent seems to care about is his sickly mother and, even then, Vincent doesn’t actually care enough to stay out of trouble.

The Hoodlum is a low-budget gangster noir.  It’s only an hour long so it doesn’t waste any time.  Instead, it jumps straight into its often sordid story.  From the minute that Vincent gets out of prison, he’s greedily watching that bank and telling off anyone who looks at him funny.  What makes Vincent an especially despicable character is that he’s not even good at what he does.  If Vincent was some sort of criminal mastermind, you could at least get some sort of guilty pleasure out of watching him rob that armored car.  Instead, Vincent’s an idiot who not only messes up everything that he does but who isn’t even smart enough to understand that he’s screwed up.

Fortunately, Vincent is played by Lawrence Tierney.  Tierney was a veteran tough guy, an actor who played killers onscreen and who spent a good deal of his offscreen time sitting in jail.  (Tierney had a bad habit of getting into bar brawls.)  In the role of Vincent, Tierney is a force of pure, uninhibited destructive energy.  When he glares at his brother, you feel the resentment.  When he rushes at a security guard while holding a gun, you never doubt that he’s capable of using it.  Tierney gives such a raw and angry performance that you can’t stop watching him.  Vincent quickly overstays his welcome but Tierney remains a fascinating actor.

The Hoodlum is a short and brutal little movie, one that works best as a showcase for the intimidating talent of Lawrence Tierney.

Now Showing On The Shattered Lens: Flight to Mars (dir by Lesley Selander)


Flight_to_mars

Are you lucky enough to have an extra 70 minutes free today?  Why not spend them watching an entertaining little B-movie called Flight to Mars?

First released in 1951, Flight to Mars is reportedly the first American film to ever be made about traveling to the red planet.  At the start of the film, a rather phallic spaceship is launched into space.  Aboard the ship are cynical reporter Steve (Cameron Mitchell), brilliant scientist Jim (Arthur Franz), token female scientist Carol (Virginia Huston), and a few other scientists who all kind of blend together.  Steve is attracted to Carol but Carol is more interested in Jim.  However, Jim isn’t interested in anything other than his work.  When the spaceship does reach Mars, it turns out that Mars is a lot like Earth and the Martians are a lot like us.  The main difference between humans and Martians appears to be that Martian women wear miniskirts.  Among those Martian women is Alita (Marguerite Chapman), who falls in love with Jim.  The rest of Mars, however, is not quite as infatuated with their intergalactic visitors…

Flight to Mars is definitely a product of its time.  This is one of those films where the men are all blatantly sexist and the women are usually just happy to be noticed.  Carol, for instance, is overjoyed to discover that they have kitchens on Mars and, while the men spend all of their time making plans, Carol usually just stands in the background, eating Martian snacks and pining for Jim.  Of course, Jim only has eyes for Alita, who, upon meeting the virile males of Earth, has absolutely no problem betraying her entire planet.  Beyond the sexist attitudes, Flight to Mars is also distinguished by presenting space travel as being the equivalent of a long flight on a small airplane.  This is definitely a low-budget B-movie that has absolutely no relation to science fact (or, for that matter, any other type of fact).

And, to be honest, that’s why I like the film.  It truly is such a time capsule that just watching it will make you wonder if Eisenhower is still in the White House.  I’ve always felt that the best way to learn about history is to experience it personally and one of the best ways to do that is to watch a movie that could only have been made during a certain period of time.  And trust me, Flight to Mars is pure 1951.  As for the film’s low budget — well, this film proves that you don’t need CGI to create an alien world.  Sometimes, cardboard and colorful costumes work just as well.  And, as for the film’s science — well, facts are boring.  That’s one reason why good people have often turned to science fiction.

So, if you’ve got 70 minutes to kill, why not experience Flight to Mars?

Enjoy!

http://www.youtube.com/watch?v=N18m1uoA8Ts