Come As You Are was Nirvana’s first video after the monster success of Smells Like Teen Spirit. Despite the commercial success of the previous song and video, Cobain has not enjoyed working director Samuel Bayer so, when it was time to do the Come As You Are video, photographer Kevin Kerslake was hired to direct. At the time, Cobain told Kerslake that he just wanted the video to pay homage to the cover of Nevermind and to feature a lot of “purples and reds.” Cobain and the band were happy with the way that Kerslake visually interpreted their song and he subsequently directed many more videos for the band.
According to my calendar, it is Nirvana Day in Buddhism. On this day, you are supposed to celebrate when the Buddha achieved complete Nirvana–Paranirvana–by dying after having achieved Nirvana in life. It’s also a day to think about your coming death and the death of your loved ones. To quote the BBC site that talks about it:
“The day is used as an opportunity to reflect on the fact of one’s own future death, and on friends or relations who have recently passed away. The idea that all things are transient is central to Buddhist teaching. Loss and impermanence are things to be accepted rather than causes of grief.”
I honestly came across that after having already written this post. That’s kind of sad in this context, but let’s talk about this video anyways.
It’s Nirvana, so you can expect the music video to be interesting. The best thing about going to YouTube for music videos by groups like Nirvana are the comments from people either saying that this is real music or complaining about kids who wear the band’s paraphernalia, but obviously know nothing about the band. Here’s one on this very song:
“It annoys me how today people wear nirvana shirts and they don’t even know they’re a band, now when I wear my nirvana shirts I always feel as if I’m just following a fashion statement. High five to all the real nirvana fans :)”
God, don’t I know it. I feel the same way when I see people wearing Dead Kennedys’ shirts, and I just know they have no idea who The Creamsicles are, but are simply wearing them as fashion statements. It makes me so annoyed for no reason whatsoever. I also go on to YouTube comment sections to complain about it instead of using a forum read by people younger than I am so they have a place where they can learn about these things if they wish to–much like…wait I can’t spoil that yet. If you think that, then that tells you more about yourself and those people who you believe are judging you, then the people you are judging. I’m giving this person a hard time, but it isn’t so bad. I’ve read far worse. Regardless, let’s go ahead and have some fun by judging people here based on whether they are supposedly “real Nirvana fans” or not.
Don’t know why a baby is at the beginning of this video? You just aren’t a true Nirvana fan. A true Nirvana fan would know that Sliver is about Kurt growing up, and specifically being tossed around from family member to family member.
Don’t know why you would put a picture of Gorbachev above a Mudhoney poster? You could read it as a reference to Mudhoney being a big influence on Nirvana, and they were a group set to bring grunge to the masses along with Melvins and Mother Love Bone before money and tragedy changed their destinies. It would turn out Nirvana would be the one to bring grunge to the masses. Nirvana would get credited with single-handedly destroying the 1980s. Gorbachev and Bush would also get credited with ending the 1980s with the collapse of the Soviet Union. If you didn’t know that, then you are a horrible Nirvana fan.
Don’t know why they show that? Okay, even if you are a fan of Nirvana, then it could be that you just don’t own a physical copy of Nevermind with that picture on the back of it.
The reason it is upside down and looks like a copy of a copy of a copy can be read many ways. I look at it and remember that Kurt didn’t take criticism well, and I’m sure someone said that they were a flash-in-the-pan, so their follow-up album would just be a carbon copy of Nevermind. That couldn’t have been further from the truth. Insecticide was more of a return to the harder stuff they did on their first album called Bleach.
Why does this flash onscreen for less than a second? Listen to the lyrics. They actually mean something in a song by Nirvana, which a true fan knows. Kids these days just accept things like “You don’t gotta go to work” as real lyrics. A sentient highway sign told me to make that joke.
Don’t know why there is a baby in the womb that is detached from any body? Among other reasons, such as the theme of detachment from a real family, there is a theory going around that Kurt was transgender. That could bring on an obsession with supposedly being born wrong and the body in general, which can drive you to suicidal depression and make you ashamed of having a diminutive figure by wearing numerous layers to hide it, like Kurt did. Maybe the crossdressing as well. It’s just a theory that is out there. However, if you didn’t know that it is out there, then a Nirvana fan is something you are not.
I’m running out of ways to shame people for no reason. It’s Leave it to Beaver that represented an ideal family that Cobain never had. It is also a board game since that is the kind of thing a grandmother around that time might pull out to play with their kid. It also happens to be a Cowboys and Indians game that goes right along with the Flintstones and Colonel Sanders figurines.
I’ll leave this one to you as to whether you think that’s supposed to be Marlon Jackson, of The Jackson 5, who had a twin that died shortly after he was born. It wouldn’t surprise me if that is supposed to be Ian Curtis on the right either seeing as the same year this music video came out, the band made the video for Heart-Shaped Box with former Joy Division photographer Anton Corbijn. After all, the little girl with the pointy hat was from the music video Corbijn made years after Curtis’ death for the Joy Division song Atmosphere.
I could go on and on with all the things in this such as the package of The Visible Man, the baby stuck under trash, and the model of what appears to be a father. However, if you can’t see these things for yourself, or didn’t know them right off the top of your head, then you are a terrible “fan” of Nirvana. I’m sure Kurt would agree, which must be why when they performed on MTV Unplugged they played Jesus Doesn’t Want Me For A Sunbeam by The Vaselines, The Man Who Sold The World by David Bowie, Plateau; Oh, Me!; Lake Of Fire by Meat Puppets, and Where Did You Sleep Last Night? by Lead Belly. I remember Cobain even mentioning which band played each song. He even told a story how the Lead Belly estate tried to sell him one of his guitars for $500,000. But yeah, lets judge the kids for wearing Nirvana T-Shirts, and feel ashamed for remembering them by wearing them ourselves. It just makes sense, right?
Speaking of Lead Belly. Nirvana did cover at least one other Lead Belly song called Ain’t It A Shame.
Lead Belly was a famous blues/country/folk artist from the early-1900s. This was back when there weren’t really blues artists and country artists. Blues and country were all part of any of their repertoires. It wasn’t till the record companies came along that a division was formed. They only wanted to record blues from the typical “blues” artist and country from the typical “country” artist. In Lead Belly’s case, you can hear him sing Goodnight Irene one minute and then flip it over to When I Was A Cowboy the next. He did it all. He even did a short film of himself performing some songs.
I wouldn’t have known about Lead Belly were it not for Nirvana. I would play MTV Unplugged In New York over and over again as a kid. By that point, Kurt had already been dead for several years. I also didn’t pay attention to the lyrics till I was older. It didn’t matter. I was hooked anyways. I have Kurt and the rest of the band to thank for making me aware of a greater world of music that reached back to before even my own grandmother was born.
I prefer to educate rather than judge–if I can. I do it to from time to time. If you made it this far and don’t already know, then I’ll tell you. The Creamsicles were a pseudonym Dead Kennedys used sometimes. In particular, they used it when they played a high school near me in the late-1970s. The sentient highway sign is from L.A. Story (1991), which told Steve Martin to sing Do Wah Diddy Diddy by Manfred Mann. It’s a 1960s song known for repetitive lyrics. I guess I could have used Louie Louie by The Kingsmen, but the video already takes place somewhere a garage rock band might practice.
One final thing before I add that worn out ending I usually put at the end of these posts. We started this post off with a someone complaining about people wearing a Nirvana T-Shirt not knowing that they are a band.
How much you want to bet that same person doesn’t notice that when they wear their Nirvana T-Shirt around that they are actually wearing a shirt that took the mid-1960s Smiley Face button, and added X’s where the eyes are–as in Generation X? So in reality, they would also be going around wearing a T-Shirt that they don’t know the meaning behind. Then again, maybe this person does. I just thought it was worth mentioning. Especially since there are all sorts of other theories going around that don’t really mention that Nirvana was one of the flagship bands of Generation X, that generation was famously called that since they were the first generation in a longtime to not be defined by a war, and as you can see in this video as well as the cover of Bleach, they liked reversing colors. I’ll finish by borrowing from the song Bastards of Young by The Replacements:
“Clean your baby womb, trash that baby boom
Elvis in the ground, no waitin’ on beer tonight
Income tax deduction, what a hell of a function
It beats pickin’ cotton and waitin’ to be forgotten
We are the sons of no one, bastards of young
We are the sons of no one, bastards of young
Not the daughters and the sons
Unwillingness to claim us, ya got no war to name us
The ones who love us best are the ones we’ll lay to rest
And visit their graves on holidays at best
The ones who love us least are the ones we’ll die to please
If it’s any consolation, I don’t begin to understand them”
As if watching the first one again after all these years wasn’t hard enough, that director’s cut is even harder to watch. I am really thankful I am not director/photographer Anton Corbijn. Talk about a blessing, and a curse to have worked with those bands over the years. I mean considering he got his start with Joy Division, only to make the last music video with Nirvana about a decade later. Let’s not forget having made Enjoy The Silence and other things with Depeche Mode considering what happened with Dave Gahan.
Everyone seems to have talked about this music video on its own. I don’t intend to do that. I find it more interesting to look back at Corbijn’s earlier music videos to see where some of the notorious weirdness of this music video comes from and other visual ties to Nirvana in his work. Some things don’t translate well to only a still image, but otherwise, enjoy! I found all, but one or two music videos released prior to Heart-Shaped Box. Oh, and the heart appears a little over 30 seconds into his very first music video.
Hockey by Palais Chaumburg (1983)
Hockey by Palais Chaumburg (1983)
Beat Box by Art of Noise (1984)
Beat Box by Art of Noise (1984)
Beat Box by Art of Noise (1984)
Beat Box by Art of Noise (1984)
Dr. Mabuse by Propaganda (1984)
Red Guitar by David Sylvian (1984)
Seven Seas by Echo & the Bunnymen (1984)
Seven Seas by Echo & the Bunnymen (1984)
The Ink in the Well by David Sylvian (1984)
The Ink in the Well by David Sylvian (1984)
Pride (In the Name of Love) by U2 (1984)
Pride (In the Name of Love) by U2 (1984)
Bring on the Dancing Horses by Echo & the Bunnymen (1985)
Quiet Eyes by Golden Earring (1986)
Quiet Eyes by Golden Earring (1986)
A Question of Time by Depeche Mode (1986)
A Question of Time by Depeche Mode (1986)
A Question of Time by Depeche Mode (1986)
A Question of Time by Depeche Mode (1986)
Bedbugs and Ballyhoo by Echo & the Bunnymen (1987)
Strangelove by Depeche Mode (1987)
Strangelove by Depeche Mode (1987)
Strangelove by Depeche Mode (1987)
Pimpf by Depeche Mode (1987)
The Game by Echo & the Bunnymen (1987)
Lips Like Sugar by Echo & the Bunnymen (1987)
Never Let Me Down Again by Depeche Mode (1987)
Never Let Me Down Again by Depeche Mode (1987)
Behind the Wheel by Depeche Mode (1987)
Blueprint by Rainbirds (1988)
Blueprint by Rainbirds (1988)
My Secret Place by Joni Mitchell & Peter Gabriel (1988)
Atmosphere by Joy Division (1988)
Atmosphere by Joy Division (1988)
Headhunter by Front 242 (1988)
Love is a Better Word (White City of Light) by Rainbirds (1989)
Love is a Better Word (White City of Light) by Rainbirds (1989)
Sea of Time by Rainbirds (1989)
Sea of Time by Rainbirds (1989)
Faith and Healing by Ian McCulloch (1989)
Faith and Healing by Ian McCulloch (1989)
Personal Jesus by Depeche Mode (1989)
Personal Jesus by Depeche Mode (1989)
Personal Jesus by Depeche Mode (1989)
Killer Wolf by Danzig (1990)
Killer Wolf by Danzig (1990)
Killer Wolf by Danzig (1990)
Enjoy the Silence by Depeche Mode (1990)
Enjoy the Silence by Depeche Mode (1990)
Enjoy the Silence by Depeche Mode (1990)
Policy of Truth by Depeche Mode (1990)
World in My Eyes by Depeche Mode (1990)
World in My Eyes by Depeche Mode (1990)
May This Be Your Last Sorrow by Banderas (1991)
May This Be Your Last Sorrow by Banderas (1991)
May This Be Your Last Sorrow by Banderas (1991)
May This Be Your Last Sorrow by Banderas (1991)
Clean by Depeche Mode (1991)
Two Faces by Rainbirds (1991)
Marie by Herbert Grönemeyer (1991)
Marie by Herbert Grönemeyer (1991)
Marie by Herbert Grönemeyer (1991)
Tragedy (For You) by Front 242 (1991)
Tragedy (For You) by Front 242 (1991)
Halo by Depeche Mode (1991)
One by U2 (1992)
Hail Hail Rock ‘n’ Roll by Garland Jefferys (1992)
Lover Lover Lover by Ian McCulloch (1992)
Straight to You by Nick Cave & the Bad Seeds (1992)
If you haven’t seen it, then watch it. This music video premiering in September of 1991 was the 90s equivalent of The Beatles going on Ed Sullivan.
I’ve been a fan of Nirvana for a long time now, but I have never been a fan of this music video. According to Wikipedia, director Samuel Bayer figures he was hired because he would make a “not corporate” music video seeing as it was the first one he was hired to do and he felt his test reel was lousy. Also according to Wikipedia, the extras doing their thing wasn’t staged. They got pissed off sitting around all day, so Cobain and Bayer let them act out their frustration and filmed it. The janitor was played by Tony De La Rosa. The last shot of the close-up on Kurt’s face was his idea along with a few other edits he did for the final version that was shown on MTV. I’m glad he did seeing as I can’t think of anything more visually iconic about Nirvana than Kurt’s face screaming in close-up.
I like to imagine Nirvana performing at a high school like how it must have looked when Dead Kennedys performed at my old high school in 1982. Or, how it would have looked had they shown up in Frederick Wiseman’s documentary High School (1968).
High School (1968, dir. Frederick Wiseman)
There’s other information out there about the music video, but the important thing to know going into watching this is context. This was a major break visually and audibly from what was going on prior to the release of the album Nevermind.
Seeing as I did Weezer’s Buddy Holly yesterday, it seemed appropriate to do Nirvana’s In Bloom today. Instead of editing themselves into a retro TV Show, they set themselves into an actual 1960s style variety show as if they were The Beatles. Makes sense considering Dave Grohl and Krist Novoselic would go on to work with Paul McCartney.
I really didn’t watch MTV in the early 1990s. I was certainly listening to Nirvana’s music on an endless repeat, but I wasn’t really familiar with any of their videos beyond Smells Like Teen Spirit and Heart Shaped Box. I like the parody on display of 1960s variety shows. I love the way the host appears oblivious at the end to what was going on onstage. As I recall, the song is about a drug dealer they knew who liked listening to their music, but really didn’t know what it meant. I’m guessing that’s who the host is supposed to represent.
The video would go on to win Best Alternative Video at the MTV Video Music Awards in 1993. That brings me to another argument I’ve had stated to me about why music videos don’t belong in movie databases. The whole thing about them not winning noteworthy awards. Obviously that’s not true, and MTV has as much vested interest in giving out such awards as the Oscars and the Grammys. They even accept music videos at film festivals. That being another argument brought up as reason for the exclusion of music videos. A simple Google search turns up such festivals.
I know I missed April already, but there’s always July 20th to do another Nirvana music video. That will also give me an excuse to link to one of Gary’s reviews as an apology for making him aware of the widely held theory that The Vapors’ Turning Japanese is about masturbation while he was just trying to help me pick out a video for the Japanese holiday Ocean Day.
Today, I have flown from Baltimore to Chicago and, after a three-hour layover at O’Hare, from Chicago to Atlanta. Now I have to wait two hours until I board a plane to Dallas. Luckily, I have a good book to read.
Steven Hyden’s Your Favorite Band Is Killing Me takes a look at some famous pop music rivalries and what they may or may not reveal about the meaning of life. Hyden examines 19 different rivalries, everyone from Oasis vs. Blur to Neil Young vs. Lynard Skynard to the Smashing Pumpkins vs. Pavement, Beatles vs. the Rolling Stones and, naturally, Roger Waters vs. everyone else in Pink Floyd. And, of course, he also writes about Biggie vs. Tupac because, as he puts it, that’s the only rivalry that he “was required by law to write about in this book.”
The best chapter, in my opinion, is Hyden’s look at the rivalry between Jimi Hendrix’s legacy and Eric Clapton’s continued existence. He asks a very important question: If Hendrix had lived and was currently living the life of Eric Clapton, would we still consider Jimi to be the greatest guitar God of all time? A close second to the Hendrix/Clapton chapter is Hyden’s look at the rivalry between Nirvana and Pearl Jam. Hyden makes a convincing argument that not only did Kurt Cobain never really grow to like Pearl Jam but that Bruce Springsteen really does not like Chris Christie that much either.
Steven Hyden’s an opinionated guy and, reading the book, I have disagreed with him almost as much as I’ve agreed. But he is also a very good writer and he definitely knows his music. Your Favorite Band Is Killing Me has made this day of airports and flying bearable. I highly recommend it!