Live Tweet Alert: Join #FridayNightFlix for My Man Godfrey!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got my favorite screwball comedy, 1936’s My Man Godfrey!

 

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

My Man Godfrey is available on Prime and YouTube!  See you there!

10 Oscar Snubs From The 1930s


Ah, the 1930s. America was mired in the Great Depression. FDR was plotting to pack the courts.  The American public, sick of playing by the rules and getting little in return, began to admire gangsters and outlaws.  The horror genre became the new way to vent about societal insecurity. In Europe, leaders were trying to ignore what was happening in Italy, Spain, and Germany. As for the Academy, it was still growing and developing and finding itself. With people flocking to the movies and the promise of an escape from reality, the Academy Awards went from being an afterthought to a major cultural event.

And, of course, the snubs continued.

1930 — 1931: Crime Doesn’t Pay For Little Caesar and The Public Enemy 

When people think about the 1930s, gangsters are probably one of the first things that come to mind.  In the 30s, audiences flocked to movies about tough and streetwise criminals who did what they had to do in order to survive during the Depression.  Unfortunately, the Academy was not always as quick to embrace the gangster genre.  Though The Public Enemy did pick up a nomination for its screenplay, both it and Little Caesar were largely ignored by the Academy.  Not only did the films fail to score nominations for Best Picture but neither James Cagney nor Edward G. Robinson would be nominated for bringing their title characters to life.  It’s a crime, I tells ya.

1930 — 1931: Bela Lugosi Is Not Nominated For Best Actor For Dracula

Admittedly, the 1931 version of Dracula is a bit of a creaky affair, one that feels quite stagey to modern audiences.  But Bela Lugosi’s performance in the title role holds up well, despite the number of times that it has been parodied.  Unfortunately, from the start, the Academy was hesitant about honoring the horror genre.

Frankenstein (1931, dir by James Whale)

1931 — 1932: Boris Karloff Is Not Nominated For Best Actor For Frankenstein

Again, the Academy snubbed an iconic horror star.  Not only was Boris Karloff not nominated for Frankenstein but the film itself was not nominated for Best Picture, despite being infinitely better than at least one of the 8 films that were nominated.  (That film, by the way, was Bad Girl.  When is the last time that anyone watched that one?)  In fairness to the Academy, they did honor one horror film at that year’s awards.  Fredric March won Best Actor for Dr. Jekyll and Mr. Hyde.  Of course, he also tied with Wallace Beery, who was nominated for The Champ.  Obviously, the Academy still had to work out its feelings towards the horror genre, a process that continues to this very day.

1932 — 1933: King Kong Is Not Nominated For Best Picture

Oh, poor King Kong.  Film audiences loved him but the Academy totally ignored both him and his film.  Unfortunately, back in 1933, the Academy had yet to introduce a category for special effects.

1932 — 1933: Duck Soup Is Ignored By The Academy

King Kong was not the only worthy film to be ignored at the 1932-1933 Oscars.  The Marx Brothers’s greatest film also went unnominated.

1934: The Scarlet Empress Is Not Nominated For Best Picture

Josef von Sternberg’s surreal historical epic was totally ignored by the Academy.  Not only did it miss out on being nominated for Best Picture but the sterling work of Marlene Dietrich and Sam Jaffe was ignored as well.  How was the opulent set design ignored?  How did it not even pick up a nomination for costume design?  My guess is that Paramount chose to promote Cleopatra at expense of The Scarlet Empress.  Either the way, the Best Picture Oscar was won by one of my favorite films, It Happened One Night.

1935: Fred Astaire and Ginger Rogers Are Not Nominated For Top Hat

Top Hat scored a best picture nomination but the film’s two stars went unnominated.

1936: My Man Godfrey Is Nominated For Everything But Best Picture

My Man Godfrey, a classic screwball comedy, was nominated for Best Actor, Best Actress, Best Supporting Actor, Best Supporting Actress, Best Director, and Best Screenplay but somehow, it was not nominated for Best Picture.  It’s a shame because My Man Godfrey, along being a very funny movie, is also a film that epitomizes an era.  Certainly, it’s far more entertaining today than the film that won Best Picture that year, The Great Ziegfeld.  (Interestingly enough, William Powell played the title role in both Godfrey and Ziegfeld.)

1937: Humphrey Bogart Is Not Nominated For Best Supporting Actor in Dead End

Dead End featured one of Bogart’s best gangster roles.  As a gangster who returns to his old neighborhood and is rejected by his own mother, Bogart was both menacing and, at times, sympathetic.  Like Cagney and Robinson, Bogart definitely deserved a nomination for his portrayal of what it was like to live a life of crime.  Unfortunately, Bogart was an actor who was taken for granted for much of his career.  It wasn’t until he played Rick Blaine in Casablanca that the Academy would finally nominate him.

The Adventures of Robin Hood (1938, dir by Michael Curtiz)

1938: Errol Flynn Is Not Nominated For Best Actor In The Adventures of Robin Hood

This is truly one of the more shocking snubs in Academy history.  Errol Flynn’s performance as Robin Hood pretty much set the standard for every actor who followed him.  Russell Crowe is undoubtedly a better actor than Flynn was but Crowe’s dour interpretation of Robin could in no way compete with the joie de vivre that Flynn brought to the role.

Agree?  Disagree?  Do you have an Oscar snub that you think is even worse than the 10 listed here?  Let us know in the comments!

Up next: 1940s, in which Hollywood joins the war effort and the snubs continue!

Dead End (1937, dir by William Wyler)

6 Good Films That Were Not Nominated For Best Picture: The 1930s


1937 Oscar Banquet

Continuing our look at good films that were not nominated for best picture, here are 6 films from the 1930s.

Frankenstein (1931, dir by James Whale)

Henry Frankenstein may have created life and revolutionized the horror genre but his creation got absolutely no love from the Academy.  Starting a very long history of snubbing successful horror films, the Academy failed to nominate Frankenstein for Best Picture.  Not even Boris Karloff got a nomination!  Fortunately, the public recognized what the Academy failed to see and Frankenstein remains a classic film.

Scarface (1932, dir by Howard Hawks)

Gangster films may have been all the rage with the public in the 1930s but the Academy felt different.  Little Caesar, The Public Enemy, and Scarface may have excited audiences but none of them received much love from the Academy.  It was hard to decide which gangster film to specifically use for this post.  In the end, I went with Scarface because of George Raft and his sexy way with a coin.

King Kong (1933, directed by Merian C. Cooper and Ernest B. Schoedsack)

King Kong thrilled audiences, impressed critics, made a ton of money, and has gone on to influence just about every monster film made since.  It received zero Oscar nominations.

My Man Godfrey (1936, dir by Gregory La Cava)

My Man Godfrey, one of the best of the screwball comedies of the 1930s, received a total of 6 Oscar nominations.  It was nominated in all four of the acting categories.  It was nominated for best screenplay.  It was nominated for best director.  However, it was not nominated for Best Picture.  (My Man Godfrey is the first and, as of this writing, only film to receive four acting nominations without also receiving a nomination for best picture.)  Best Picture that year would go to The Great Ziegfield, which, like My Man Godfrey, starred William Powell.

Bringing Up Baby (1938, dir by Howard Hawks)

My Man Godfrey was not the only screwball comedy to be ignored by the Academy.  Bringing Up Baby features Cary Grant and Katharine Hepburn at their best.  It also features an absolutely adorable leopard.  Somehow, it was not nominated for best picture.

The Women (1939, dir by George Cukor)

The competition was fierce in 1939.  If you want to know why 1939 is considered to be one of the best years in Academy History, just consider the ten films that actually were nominated for best picture: Dark Victory, Gone With The Wind, Goodbye Mr. Chips, Love Affair, Mr. Smith Goes To Washington, Ninotchka, Of Mice and Men, Stagecoach, The Wizard of Oz, and Wuthering Heights.  Amazingly, even with that list of nominees, some equally good film went unnominated.  One of those films was The Women.

Based on Clare Boothe Luce’s play, The Women features a witty script, assured direction from George Cukor, and an amazing talented, all-female ensemble cast.  Though the competition was undeniably fierce in 1939, it’s still a shock that this film received not a single nomination.

Up next, in about an hour or so, the 1940s!

Scarface (1932)

The Fabulous Forties #39: My Man Godfrey (dir by Gregory La Cava)


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The 38th film in Mill Creek’s Fabulous Forties box set was My Man Godfrey, which is strange considering that My Man Godfrey is not a 40s film.  The back of the box insists that My Man Godfrey was made in 1946 but it was actually made in 1936.  Errors like this aren’t uncommon when it comes to Mill Creek but, even beyond that simple mistake, My Man Godfrey is clearly not a product of the earnest and pro-American 1940s.  My Man Godfrey may be a screwball comedy but it’s a comedy that is very much a product of the far more cynical 1930s.  It’s a comedy that could only have come out during the Great Depression, at a time when FDR was promoting his New Deal and yet many Americans were still out-of-work and struggling to make ends meet, forgotten by a country determined to buy into a feel good narrative regardless of any evidence to the contrary.

But no matter!  My Man Godfrey might not technically belong in the Fabulous Forties box set but I’m still glad that it was there because it is an absolutely fantastic film.

The Godfrey of the title is played by the always charming and always funny William Powell.  When we first see him, he’s living in a garbage dump with several other men who have lost their money, homes, and family.  These are men who spend their time wondering when and if things are ever going to get better.  While the rest of the country insists that happy days are here again, these men know it’s simply not true.  They are truly the forgotten men.

Fortunately, there’s also a scavenger hunt going on!

For charity, a group of rich people are running around the city and collecting various oddities.  And among those oddities — “a forgotten man!”  When wealthy and snobbish Cornelia Bullock (Gail Patrick) stops off at the dump, she offers Godfrey five dollars to come with her and be her “forgotten man.”  Offended, Godfrey reprimands her and a shocked Cornelia stumbles back and falls into an ash pile.  Cornelia’s younger sister, the flighty Irene (Carole Lombard), sees this and laughs.  Mostly to get back at Cornelia, Godfrey agrees to be Irene’s forgotten man.

When Irene takes Godfrey to the Waldorf-Astoria Hotel so that the game’s organizers can declare him to be an authentic forgotten man, Godfrey is disgusted by the silly and wealthy people that he sees around him.  After he is authenticated, Godfrey proceeds to loudly denounce everyone in the hotel.  Every one is scandalized, except for Irene.  Irene asks Godfrey if he would like to come home with her and be her family’s new butler.  Reluctant but broke, Godfrey agrees.

One of the joys of this scene is seeing the other things people found during the scavenger hunt. Love the monkey.

One of the joys of this scene is seeing the other things people found during the scavenger hunt. Love the monkey.

Godfrey, however, is far less amused.

Godfrey, however, is far less amused.

The next morning finds Godfrey in the Bullock mansion, prepared to start his duties as a butler.  He turns out to be a surprisingly adept butler but there’s only one problem.  It turns out that everyone was drunk last night and, as a result, nobody remembers Irene hiring Godfrey.  As Godfrey reintroduced himself to the family, he gets to once again know the Bullocks.

For instance, patriarch Alexander Bullock (Eugene Pallette) is a well-meaning man but he’s incapable of controlling his eccentric family or their excessive spending.  He faces each day with the weary resignation that his household is a disorganized mess and that he’s on the verge of losing his business.

Alexander’s wife, Angelica (Alice Brady), lives in her own world and confronts every problem with nonstop and delusional positivity.  She is very excited to have taken on a protegé, an artist named Carlo (Mischa Auer, who was justifiably nominated for an Oscar for his wonderfully odd performance).  Carlo is often surly and spoiled but he does do a pretty good impersonation of a gorilla.  Whenever the often dramatic Irene is declaring herself to be the most miserable rich girl in the world, Angelica insists that Carlo cheer everyone up by grunting and jumping around the room.

Mischa Auer as Carlo

Mischa Auer as Carlo

Mischa Auer as a gorilla

Mischa Auer as a gorilla

(Apparently, the gorilla impersonation was something that Auer used to do at Hollywood parties.  The role of Carlo was specifically created with the idea of capturing Auer’s act on film.  As a result, Auer was one of the first actors to ever be nominated for Best Supporting Actor and he started a new career as a comedic character actor.)

Cornelia is selfish and materialistic.  Though she may not remember much about the scavenger hunt, she does remember Godfrey humiliating her.  From the minute she discovers that Godfrey is the new butler, she starts to conspire against him.  When her necklace disappears, everyone is sure that she hid it herself just to frame Godfrey.  The truth, of course, is a little bit more complicated.

And finally, there’s Irene.  Irene is spoiled but she’s not selfish.  She’s also not as ditzy as everyone assumes.  It’s just that she sees the world in her own unique way.  Almost as soon as Irene remembers that she hired Godrey, she decides that she’s in love with him.  She also decides that Godfrey is her protegé.  After all, if her mother can have a protegé, why can’t she!?

Carole Lombard and William Powell

Carole Lombard and William Powell

Carole Lombard was a masterful comedienne whose career was tragically cut short when she was killed in a plane crash in 1942.  Lombard is absolutely adorable in the role of Irene, a character to whom I very much related.

Of course, there is more to Godfrey and his past than he actually let on.   And, even after he becomes the new butler, Godfrey doesn’t forget where he was living just a few days before.  My Man Godfrey is a hilarious comedy but it’s also a comedy with a social conscience.

my-man-godfrey_592x299

I love this film.  It’s a screwball comedy in the best sense of the term, a film where all of the characters are eccentric while also remaining human.  William Powell and Carole Lombard were briefly married before they teamed up in My Man Godfrey and their chemistry is delightful to watch.  Finally, the supporting cast is memorable in the way that only a collection of great 1930s character actors can be.

My Man Godfrey is a great film.  It may not be from the 1940s but I’m glad it was included.

Godfreyw_bw_original

(By the way, just between you and me — I had a lot of fun watching this movie and writing this review.  It kind of reminded me why I started writing about movies in the first place.)