Let’s continue to try to relax with today’s music video of the day. (I’ve been exhausted since October 15th!)
Enjoy!
Let’s continue to try to relax with today’s music video of the day. (I’ve been exhausted since October 15th!)
Enjoy!
Let’s start of November with Tina Arena’s cover of To Sir, With Love. This is one of those cases where the cover version is actually superior to the original version.
Let’s start November with Florence + The Machine, shall we?
Enjoy!
From 1993’s The Nightmare Before Christmas, here’s the anthem of the season!
Today’s horror song of the day comes from the 1979 film, Beyond The Darkness.
This film’s soundtrack, courtesy of Goblin, was so acclaimed that it later turned up in several other Italian horror film, usually without anyone bothering to clear it with Goblin ahead of time.
You knew this was coming!
Today’s horror song of the day is the classic main theme to Dario Argento’s Suspiria! (The Argento version is the only version that matters.) The iconic soundtrack was composed by Goblin. I saw an interview with Claudio Simonetti in which he said he wanted the song to be “almost annoying” in its intensity. While I could never be annoyed this song, I do understand Simonetti’s point. The score is designed to be as overwhelming as the evil at the center of the film.
All together now: “WITCH!”
Dario Argento not only produced and edited the European cut for 1978’s Dawn of the Dead, he also introduced George Romero to Goblin. The Italian band, famous for their horror movie soundtracks, provided the classic score to Dawn of the Dead.
(Admittedly, the score is is used far more prominently in Argento’s cut of the film than in Romero’s.)
For today’s horror song of the day, here is Goblin’s Main Theme From Dawn of the Dead.
One of the great oddities of the horror genre and the world of grindhouse films is that 1980’s Cannibal Holocaust has got one of the most beautiful soundtracks ever recorded. Composed by Riz Ortolani, here is the amazing Main Theme From Cannibal Holocaust.
Today’s song of the day comes from the 1971 film, Vampyros Lesbos. The Vampires’ Sound Incorporation was a band specifically formed to do the soundtrack for Jess Franco’s classic portrait of Eurotrash decadence. This song found renewed popularity in the 90s when Quentin Tarantino included it on the Jackie Brown soundtrack.
I like this song. It’s great driving music and it sounds like something that a vampire would actually listen to.