I like this video because it’s an unapologetic celebration of how music and dance can transform even the most mundane setting into something special.
Dance! Enjoy!
I like this video because it’s an unapologetic celebration of how music and dance can transform even the most mundane setting into something special.
Dance! Enjoy!
As I mentioned yesterday, I was visiting with some old friends on Saturday morning when we decided to watch the 1998 German film, Run, Lola, Run. Ever since then, along with trying to run everywhere, I’ve had the soundtrack playing on repeat in my head.
This is the video of Believe, which one of the most important songs in the film. Along with featuring scenes from the film, it also features the film’s star, Franka Potente, and Herbert Knaup, who played Lola’s disapproving father and who continues to be somewhat truculent in this video.
Enjoy!
While visiting with some old friends early on Saturday morning, we decided to watch the 1998 film Run, Lola, Run.
There’s a lot of great things that can be said about Run, Lola, Run but, for now, I just want to say that this song has one of the greatest soundtracks of all time. This song is one of those that is featured in the film and it’s been stuck in my head ever since.
Maybe it’ll get stuck in your head now, too.
Enjoy!
How have I not shared more from Steve Aoki on this site? I have to say that I’m really disappointed with myself. Oh well, hopefully I can start to rectify that mistake today!
Enjoy!
I liked this video because it has this sort of a hopeless, end of the world feel to it.
Enjoy!
110 years ago today, Bette Davis was born in Lowell, Massachusetts. That makes the choice for today’s music video of the day an easy one.
Bette Davis Eyes was originally written in 1974 by Donna Weiss and Jackie DeShannon and was recorded by DeShannon. However, it wasn’t until 1981, when the song was covered by Kim Carnes, that Bette Davis Eyes became a hit. It spent nine weeks at the top of the Billboard 100 and was named Song of the Year and Record of the Year at the Grammy Awards.
One fan of the song was Bette Davis herself, who sent a note to Weiss, DeShannon, and Carnes in which she thanked them for making her “a part of modern times.” Davis also said that her grandson never looked up to her until he heard this song.
The video was directed by Russell Mulcahy, who directed several music videos in the early 80s. The famous silhouette of Davis smoking can be spotted throughout.
Enjoy!
For today’s music video of the day, we have the wonderfully strange video for Skrillex’s Breakin’ A Sweat. The song incorporates a sample from an interview that Jim Morrison gave in the 60s, while the remaining vocals are provided by the surviving members of The Doors.
As for the video itself, it’s tempting (for me, at least!) to compare the opening to any of the numerous shark films that have been broadcast on SyFy over the past few years. (Planet of the Sharks comes immediately to mind.) However, this video actually released a year before Sharknado breathed new life into the killer shark genre. So, really, this video was a bit ahead of its time as far as killer sharks were concerned.
Of course, no sooner have the aliens escaped the sharks and had delightful alien sex than they somehow find themselves in our world, having to deal with helicopters and cars. Why do the two aliens get zapped into our world at the end of the video? Who knows? Who cares? Perhaps we should worry less about the exact reason and instead just observe the fact that it happened.
Hopefully, the baby will be okay.
Enjoy!
Today would have been Marlon Brando’s 94th birthday so it seems appropriate that today’s music video should be for a song that was, at least partially, inspired by Marlon Brando’s career!
In 2014 interview, Scott Walker explained the idea behind this song, saying that he found that there were several movies that features scenes of Marlon Brando being physically assaulted. Along with detailing some of the assaults that Brando suffered on screen, the song serves as a tribute to sadomasochism in general.
In the third verse, there are several references to Brando’s films. First there’s mention of Brando getting beat up by John Saxon in The Appaloosa. “I took it from dad” is probably a reference to One-Eyed Jacks, the only film that Brando ever directed. Fat Johnny Friendly was the racketeer played by Lee J. Cobb in On The Waterfront while the three vigilantes are a reference to Brando’s role in The Chase. “I took it for The Wild One” is obviously a reference to the film of the same name. As “Lizbeth,” that’s presumably a reference to Elizabeth Taylor, who beat Brando with a riding crop in Reflections in a Golden Eye.
Enjoy!
Let’s start off April with this somewhat unsettling video from Dan Croll.
Enjoy!
For today’s music video of the day, we have Swedish House Mafia’s Don’t You Worry Child. This was their 6th and, to date, final single.
(I say “to date” because some of us continue to hope that they’ll eventually get back together for more than just a one-night appearance at the Ultra Music Festival.)
This video was shot during the group’s final performance in the UK, at the National Bowl in Milton Keynes.
Enjoy!